Georgia O'Keeffe (1887–1986)
Autor von One Hundred Flowers
Über den Autor
Bildnachweis: Photo portrait of Georgia O'Keeffe by Alfred Stieglitz, 1918
(with Photoshop corrections by Steve Hopson) - Wikipedia
(with Photoshop corrections by Steve Hopson) - Wikipedia
Reihen
Werke von Georgia O'Keeffe
My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933 (Beinecke Rare… (2011) 73 Exemplare
Georgia O'Keeffe: Selections from One hundred flowers, In the West, The New York years (2001) 23 Exemplare
Georgia O'Keeffe - Gemälde: Neuauflage. Ausstellung München HypoKunsthalle 3.2. bis 13.5.2012… (1995) 10 Exemplare
Georgia O'Keeffe & her contemporaries: Amarillo Art Center, September 7-December 1, 1985 in honor of the 75th… (1985) 5 Exemplare
Poppies 2 Exemplare
Sunflower 1 Exemplar
Portrait of an artist #1- Women in Art 1 Exemplar
"Black Hollyhock and Blue Larkspur" 1 Exemplar
Jack-In-the-Pulpit No. II 1 Exemplar
To See Takes Time 1 Exemplar
red poppies 1 Exemplar
single red poppy with black center 1 Exemplar
Rare Georgia O Keefe One Hundred Flowers Barnes & Noble Books 1987 [Hardcover] Georgia O Keefe 1 Exemplar
Jack-In-the-Pulpit No. IV 1 Exemplar
Large Dark Red Leaves on White 1 Exemplar
Grey Lines with Black, Blue, and Yellow 1 Exemplar
Sunflower, New Mexico 1 Exemplar
Black Hollyhock Blue Larkspur 1 Exemplar
Petunias 1 Exemplar
Georgia O’Keeffe (oversize lower shelf) 1 Exemplar
Georgia O'Keeffe. A studio book 1 Exemplar
Ranchos Church (oil on canvas) 1 Exemplar
Georgia O'Keefe, Paintings 1 Exemplar
Oak Leaves, Pink and Grey 1 Exemplar
"Horse's Skull with White Rose" 1 Exemplar
White Iris 1 Exemplar
Sunflower, New Mexico 1 Exemplar
Sunflower poster 1 Exemplar
Red Hills with Flowers 1 Exemplar
Poppy 1 Exemplar
An exhibition by Georgia O'Keeffe at the Worcester Art Museum, October 4 through December 4, 1960 1 Exemplar
Ranchos church 1 Exemplar
O'Keeffe (Mega Squares) 1 Exemplar
Red Canna 1 Exemplar
Cottonwood Tree in Spring 1 Exemplar
White Pansy 1 Exemplar
White Flower 1 Exemplar
Calla Lily Turned Away 1 Exemplar
Oriental Poppies 1 Exemplar
Morning Glory With Black 1 Exemplar
White Birch 1 Exemplar
datura blossoms 1 Exemplar
"Light Iris" 1 Exemplar
"Light Iris, 1924" (second copy is 2016.99) 1 Exemplar
"White Camelia" 1 Exemplar
Chama River 1 Exemplar
"Taos Pueblo" 1 Exemplar
Zugehörige Werke
A Painter's Kitchen-Revised Edition: Recipes from the Kitchen of Georgia O'Keeffe (Red Crane Cookbook Series) (1991) — einige Ausgaben — 78 Exemplare
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Wissenswertes
- Rechtmäßiger Name
- Georgia Totto O'Keeffe
- Geburtstag
- 1887-11-15
- Todestag
- 1986-03-06
- Begräbnisort
- ashes scattered from Pedernal Mountain, New Mexico
- Geschlecht
- female
- Nationalität
- USA
- Wohnorte
- Sun Prairie, Wisconsin, USA (birth)
- Ausbildung
- School of the Art Institute of Chicago
University of Virginia - Berufe
- Painter
- Beziehungen
- Stieglitz, Alfred (husband)
- Organisationen
- American Academy of Arts and Letters (Art, 1949)
- Preise und Auszeichnungen
- National Medal of Arts (1985)
William Merritt Chase still-life prize for her oil painting mona shehab
Presidential Medal of Freedom (1977)
Mitglieder
Rezensionen
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Auszeichnungen
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Statistikseite
- Werke
- 92
- Auch von
- 9
- Mitglieder
- 1,575
- Beliebtheit
- #16,392
- Bewertung
- 4.4
- Rezensionen
- 21
- ISBNs
- 80
- Sprachen
- 7
Along with more than seventy of O’Keeffe’s paintings and drawings were photographs of her, notably those by her promoter and husband, Alfred Stieglitz. Although his figure studies contributed to a reductionist interpretation of her flower paintings, my take after reading the essays in this book is that these were not exploitation but that O’Keeffe worked with Stieglitz in forming her public persona. Her life, her work, and the photos interpret each other. Taken together, they present the image of an autonomous personality.
The essays by Bice Curiger, Carter Ratcliff, and Peter J. Schneemann reiterate this. While the reading “flowers equal genitalia” is too simplistic, it seems that O’Keeffe’s denial of this view should not be taken at face value either.
The book includes “Momentaufnahmen,” short reactions by sixteen artists. While most are positive, some indicate they admire the person and what she represents more than the work. This seems related to her delayed reception in Europe. Her work is too abstract to be representational, too representational to be abstract.
O’Keeffe has been a favorite since I first saw her paintings in the 1960s. I enjoyed the Zurich retrospective, a mix of familiar work and many I hadn’t seen before. And I’m glad I can revisit the exhibit through the pages of this book.… (mehr)