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Sylvère Lotringer (1938–2021)

Autor von Foucault Live: Interviews, 1961-84

38+ Werke 972 Mitglieder 4 Rezensionen

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Bildnachweis: Semiotext(e)

Werke von Sylvère Lotringer

Foucault Live: Interviews, 1961-84 (1989) — Herausgeber — 170 Exemplare
Hatred of Capitalism: A Semiotext(e) Reader (2001) — Herausgeber — 145 Exemplare
Hannibal Lecter, My father (1991) 118 Exemplare
Crepuscular Dawn (2002) 54 Exemplare
The Accident of Art (2005) 48 Exemplare
Nancy Spero (1996) 41 Exemplare
The German Issue (2009) 21 Exemplare
Mad Like Artaud (Univocal) (2015) 17 Exemplare
French Theory in America (2001) 13 Exemplare

Zugehörige Werke

The Outlaw Bible of American Poetry (1999) — Mitwirkender — 598 Exemplare
Venus im Pelz : mit einer Studie über den Masochismus von Gilles Deleuze (1870) — Vorwort, einige Ausgaben127 Exemplare
Einführung in Kants Anthropologie (2008) — Einführung, einige Ausgaben86 Exemplare
Field day review No 1. 2005 (2005) — Mitwirkender — 8 Exemplare

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Never-before-published lectures, Q&As, and squabbles from the conference that introduced French theory into America, with a facsimile of the journal issue that emerged from it.
I think “schizo-culture” here is being used rather in a special sense. Not referring to clinical schizophrenia, but to the fact that the culture is divided up into all sorts of classes and groups, etc., and that some of the old lines are breaking down. And that this is a healthy sign.
—William Burroughs, from Schizo-Culture

The legendary 1975 “Schizo-Culture” conference, conceived by the early Semiotext(e) collective, began as an attempt to introduce the then-unknown radical philosophies of post-'68 France to the American avant-garde. The event featured a series of seminal papers, from Deleuze's first presentation of the concept of the “rhizome” to Foucault's introduction of his History of Sexuality project. The conference was equally important on a political level, and brought together a diverse group of activists, thinkers, patients, and ex-cons in order to address the challenge of penal and psychiatric institutions. The combination proved to be explosive, but amid the fighting and confusion “Schizo-Culture” revealed deep ruptures in left politics, French thought, and American culture.

The “Schizo-Culture” issue of the Semiotext(e) journal came three years later. Designed by a group of artists and filmmakers including Kathryn Bigelow and Denise Green, it documented the chaotic creativity of an emerging downtown New York scene, and offered interviews with artists, theorists, writers, and No Wave and pre-punk musicians together with new texts from Deleuze, Foucault, R. D. Laing, and other conference participants.

This slip-cased edition includes The Book: 1978, a facsimile reproduction of the original Schizo-Culture publication; and The Event: 1975, a previously unpublished and comprehensive record of the conference that set it all off. It assembles many previously unpublished texts, including a detailed selection of interviews reconstructing the events, and features Félix Guattari, William Burroughs, Kathy Acker, Michel Foucault, Sylvère Lotringer, Guy Hocquenghem, Gilles Deleuze, John Rajchman, Robert Wilson, Joel Kovel, Jack Smith, Jean-François Lyotard, Ti-Grace Atkinson, François Peraldi, and John Cage.
… (mehr)
 
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petervanbeveren | 1 weitere Rezension | Aug 22, 2023 |
Never-before-published lectures, Q&As, and squabbles from the conference that introduced French theory into America, with a facsimile of the journal issue that emerged from it.
I think “schizo-culture” here is being used rather in a special sense. Not referring to clinical schizophrenia, but to the fact that the culture is divided up into all sorts of classes and groups, etc., and that some of the old lines are breaking down. And that this is a healthy sign.
—William Burroughs, from Schizo-Culture

The legendary 1975 “Schizo-Culture” conference, conceived by the early Semiotext(e) collective, began as an attempt to introduce the then-unknown radical philosophies of post-'68 France to the American avant-garde. The event featured a series of seminal papers, from Deleuze's first presentation of the concept of the “rhizome” to Foucault's introduction of his History of Sexuality project. The conference was equally important on a political level, and brought together a diverse group of activists, thinkers, patients, and ex-cons in order to address the challenge of penal and psychiatric institutions. The combination proved to be explosive, but amid the fighting and confusion “Schizo-Culture” revealed deep ruptures in left politics, French thought, and American culture.

The “Schizo-Culture” issue of the Semiotext(e) journal came three years later. Designed by a group of artists and filmmakers including Kathryn Bigelow and Denise Green, it documented the chaotic creativity of an emerging downtown New York scene, and offered interviews with artists, theorists, writers, and No Wave and pre-punk musicians together with new texts from Deleuze, Foucault, R. D. Laing, and other conference participants.

This slip-cased edition includes The Book: 1978, a facsimile reproduction of the original Schizo-Culture publication; and The Event: 1975, a previously unpublished and comprehensive record of the conference that set it all off. It assembles many previously unpublished texts, including a detailed selection of interviews reconstructing the events, and features Félix Guattari, William Burroughs, Kathy Acker, Michel Foucault, Sylvère Lotringer, Guy Hocquenghem, Gilles Deleuze, John Rajchman, Robert Wilson, Joel Kovel, Jack Smith, Jean-François Lyotard, Ti-Grace Atkinson, François Peraldi, and John Cage.
… (mehr)
 
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petervanbeveren | 1 weitere Rezension | Aug 9, 2023 |
An even-handed and many-faced look into Artaud's treatment by psychiatry. The interviews are fascinating and all contradict one another as one would expect. A great quick read for fans of Artaud.
 
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schumacherrr | Feb 21, 2022 |
Original while also derivative, but rarely palatable.
 
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librarianarpita | Oct 8, 2012 |

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