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Lädt ... Longbourn (Vintage) (2014. Auflage)von Jo Baker
Werk-InformationenIm Hause Longbourn: Roman von Jo Baker
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I remember, reading Pride and Prejudice, that Mrs Bennet once called for her maid, Hill. When Mr. Collins dined with the Bennets for the first time, he assumed that the Bennet girls had made the dinner, and Mrs. Bennet told him crossly that they had a cook and maidservants. Beyond that, I cannot recall any mention of the servants at Longbourn; they are the invisible players who got the shoe-roses from Meryton; who helped the young ladies dress, and do their hair, and pack their bags. This lovely book brings to light these invisible people, who have a life as full and interesting and dramatic as the girls upstairs do. I loved the characters that Baker drew of Mr. and Mrs. Hill, the old carriage-driver and housekeeper; of Sarah, the young woman feeling there must be more to life than doing other people's laundry; James, the footman, on the run from a troubled past, and Polly, the girl of all work, innocent, forever tired, and an outspoken little love of a child. I cannot fathom, even after reading this book, how hard servants in a Regency household had to work. I was astounded and horrified. The thought of washing other people's underclothes by hand, stains and all, put me off entirely. I am so grateful for washing machines right now. Longbourn is a really good book. I thought the ending (which I am not going to spoil) was excellent. Do read it if you're an Austen fan. I loved this book. I had understood it was a telling of 'Pride and Prejudice' from the servants' point of view, and thought this sounded underwhelming. But no. It's a completely different story, mainly told from the point of view of Sarah, taken in as a young foundling to complement the small serving team of Mr and Mrs. Hill at Longbourn, the house and home we know so well from Jane Austen's book. The Bennets are only the bit parts in this story, their narrative only important when it affects the servants'own lives. Baker vividly brings to live the harsh toil of the servants, their close dependency on one another, and on the Bennets themselves. The tale she weaves round Sarah and the new footman, James, is believable and eventually gripping. The 'back story', which eventually comes to light towards the end of the book adds yet another dimension. I'll return to Pride and Prejudice with new eyes, and expect to enjoy it even more. I am passionate about Austen, so I find it difficult to judge this book. Characterization and plot were okay, seemed a bit obsessed with what, to modern readers, would be the ick factor of the age, but it seems unlikely the people of the time would have focused on it so much. what makes me angry, and do not read further if you've not read the book, is here utter indictemnetof Mr. Bennett's character. A flwed man he was, a man who impregnates a young girl, keeps her as his servant the rest of her life while barely giving enough to his bastard to keep him from utter poverty and degradation, this man would not have raised a Jane or an Elizabeth. Then we are to admire the footman because , having overlooked the pedophilia, he is finally moved to murder due to a common if utterly barbaric act of military procedure- I'm not saying I wouldn't have wanted to kill as well, but... Anyway, I think she does a dis-service to the original, which may not have bothered me as much had she not claimed, in her afterword, not to have "interfered" with it
Like Austen, Baker has written an intoxicating love story but, also like Austen, the pleasure of her novel lies in its wit and fierce intelligence. Longbourn is a profound exploration of injustice, of poverty and dependence, of loyalty and the price of principle; running through the quiet beauty of much of Baker's writing is the unmistakable glint of anger. Jo Baker’s interesting novel focuses on the downstairs life at Longbourn, the house where the Bennets of “Pride and Prejudice” live. The author makes no attempt to imitate Austen’s style, and pays relatively little attention to Austen’s major characters...Jo Baker’s thoroughly researched description of the servants’ toil expands the tiny piece of ivory that Jane Austen worked on by showing how the lives of the middle and upper classes depended on work that’s now hard to imagine...Certainly, of the many literary rethinkings of Austen’s work, “Longbourn” is one of the most engaging and rewarding Baker deploys them to good effect not only for their intrinsic interest but as a moral corrective. She has also fashioned an absorbing and moving story about the servants at Longbourn...If part of Baker’s inspiration could have come from Charlotte Brontë, there’s also an aside straight out of “Les Misérables... But to mention these classics is not to condemn as pastiche a work that’s both original and charming, even gripping, in its own right. Gehört zu VerlagsreihenIst eine Antwort aufAuszeichnungenPrestigeträchtige AuswahlenBemerkenswerte Listen
Jane Austens Roman "Stolz und Vorteil" aus dem Jahr 1813 (letzte Ausgabe bei Artemis und Winkler, ID-B 15/13) gehört schon lange zur Weltliteratur. Im vorliegenden Buch erlaubt sich Jo Baker , eine talentierte Anhängerin von Austens Werk, einen Kunstgriff, der im englischen Original schon für Begeisterung sorgte und nun auch in exzellenter deutscher Übersetzung vorliegt. Die Geschichte der Familie Bennet, ihrer 5 Töchter und der Suche nach geeigneten Hochzeitskandidaten wurde unter anderem berühmt für das standesbewusste Setting im England des frühen 19. Jahrhunderts. Dass hinter den Gutshäusern und noblen Ballkleidern eine Dienerschaft steht, wird in diesem Buch zum wichtigsten Antriebsfaktor für die Handlung. Die Autorin nimmt den Standpunkt der Hausmägde, Köchinnen, Kutscher ein und beweist mit einem glaubwürdigen klassenkritischen Impuls, dass die Leidenschaften der Dienerschaft genauso hingebungsvoll und authentisch sein können wie jene der Herrschaft. Geistreich umgesetzte Idee. Unterhaltsam. Für alle Bestände, in denen Jane Austen gern gelesen wird Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.92Literature English English fiction Modern Period 2000-Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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This book has not a single moment of optimism in it. Sometimes it may seem as if there is a ray of happiness but then it is shown as being pessimism just in comparison to the abject pessimism in the rest of the book.
There is none of the lightness, freshness or wit of Pride and Prejudice and everything good is taken up thrown into a muddy puddle and trodden on. I understand that a servant's life in the early 1800's was not all strawberries and cream but these characters faced such a long line of disappointments that the story turned into a thinly veiled caricature.
My biggest problem however was with how the author completely changed many of the characters. Jane Austen created three dimensional characters in Pride and Prejudice. Readers come to know the characters and understand the reasoning behind their actions. So when Jo Baker does a 180 degree change in a character's personality it doesn't make any sense. These are not the same characters I read about in Pride and Prejudice!! What has happened is that Jo Baker has taken the very basics of the family structure - A house entailed away from a family of 5 daughters- and created a completely new story on top of it. I wish she had given all the characters different names and made it a new story instead of trying to insist she had a better reading of Pride and Prejudice. I couldn't help but feel that this was a money grab. Baker could have written a depressing book about whiny regency characters and not have received much recognition or should could have chosen to tack on a well known word in the title and guarantee that Jane Austen readers would be interested.
I do no think Jane Austen would approve.
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