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Emma: A Modern Retelling von Alexander…
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Emma: A Modern Retelling (Original 2014; 2016. Auflage)

von Alexander McCall Smith (Autor)

Reihen: The Austen Project (3)

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8355526,390 (3.17)53
"The summer after university, Emma Woodhouse returns home to the village of Highbury, where she will live with her health-conscious father until she is ready to launch her interior-design business and strike out on her own. In the meantime, she will do what she does best: offer guidance to those less wise in the ways of the world than herself. Happily, this summer brings many new faces to Highbury and into the sphere of Emma's not always perfectly felicitous council: Harriet Smith, a naive teacher's assistant at the ESL school run by the hippie-ish Mrs. Goddard; Frank Churchill, the attractive stepson of Emma's former governess; and, of course, the perfect Jane Fairfax. This Emma is wise, witty, and totally enchanting, and will appeal equally to Sandy's multitude of fans and the enormous community of wildly enthusiastic Austen aficionados"--… (mehr)
Mitglied:christyco125
Titel:Emma: A Modern Retelling
Autoren:Alexander McCall Smith (Autor)
Info:Anchor (2016), Edition: Reprint, 384 pages
Sammlungen:Gelesen, aber nicht im Besitz
Bewertung:**
Tags:library-borrow

Werk-Informationen

Emma von Alexander McCall Smith (2014)

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Liked this book very much, mostly because it reads as an Alexander McCall Smith book with all his gentle philosophies. ( )
  Abcdarian | May 18, 2024 |
Not my cup of tea. Liked the original better ( )
  mybookloveobsession | Mar 12, 2024 |
I always enjoy Alexander McCall Smith's books and this was no exception. I would have liked it more had he made his Emma a little less rude and given Knightly a larger part in the story. ( )
  ellink | Jan 22, 2024 |
This just isn’t feeling like a successful re-telling to me and I’m not really enjoying it. DNF around 40%
  Alishadt | Feb 25, 2023 |
A folly is an ornamental structure to no purpose. Also an action that reveals a lack of good sense. Good intentions often lie behind such buildings and acts. Surely Mr McCall Smith must be especially fond of Jane Austen’s Emma else why even bother attempting this retelling. Our loves sometimes betray us. Here the contrast between McCall Smith’s Emma and Austen’s Emma lays bare his limitations as a writer even as it dramatically increases one’s appreciation for Austen’s subtle mastery of style and content. The only risk, if it counts as a risk, is that someone might come to this work without a prior appreciation for its source and might thereby be dissuaded from turning to Austen herself. Do make that turn; you will not be disappointed.

McCall Smith’s Emma is transposed to modern day and to Norfolk. There are, however, many touchpoints shared by this retelling and its source. Sometimes there is an anxiousness to cram these points of sameness into a single chapter, which leads to a bit of telling rather than showing. Sometimes what ought to be a touchpoint just marks the difference between the two. Alas.
Almost as disappointing are the number of typos, missing words and worse in this edition, despite being in a series released by a major publisher, Knopf. Alas.

Not recommended. But don’t let that put you off of McCall Smith’s other writings which are just fine. ( )
  RandyMetcalfe | Oct 28, 2022 |
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» Andere Autoren hinzufügen (1 möglich)

AutorennameRolleArt des AutorsWerk?Status
Alexander McCall SmithHauptautoralle Ausgabenberechnet
Barsse, JocelyneÜbersetzerCo-Autoreinige Ausgabenbestätigt
Lyons, SusanErzählerCo-Autoreinige Ausgabenbestätigt

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For my daughters, Lucy and Emily
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Emma Woodhouse's father was brought into this world, blinking and confused, on one of those final nail-biting days of the Cuban Missile Crisis.
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Was there something about her—some vaguely fragile quality—that made men fear that if they got too close to her, if they actually touched her, she would break? There were some people who gave one that impression: they were not made for the rough and tumble of ordinary life.
Disinclination to discuss a subject that needs to be discussed is never a solution: the topic merely assumes increasing prominence the longer it remains untouched.
She had felt it during their sparring, but now she felt the rawness that followed from the argument. Disagreements, even with people she knew, made her feel like that—shocked, perhaps, at the animus that can lie behind mere words.
Why should she care what he thought? Why should she bother if she had somehow fallen short of whatever standards he had mentally created for her?
"That's nothing to do with education, Pops. It's the culture. That's what happens. Isabella herself is losing her h's. When she comes here for the weekend, I find them all over the place once she leaves. Loads of them. Dropped with utter abandon."
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"The summer after university, Emma Woodhouse returns home to the village of Highbury, where she will live with her health-conscious father until she is ready to launch her interior-design business and strike out on her own. In the meantime, she will do what she does best: offer guidance to those less wise in the ways of the world than herself. Happily, this summer brings many new faces to Highbury and into the sphere of Emma's not always perfectly felicitous council: Harriet Smith, a naive teacher's assistant at the ESL school run by the hippie-ish Mrs. Goddard; Frank Churchill, the attractive stepson of Emma's former governess; and, of course, the perfect Jane Fairfax. This Emma is wise, witty, and totally enchanting, and will appeal equally to Sandy's multitude of fans and the enormous community of wildly enthusiastic Austen aficionados"--

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Durchschnitt: (3.17)
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