TEXT 13continues to bring an international perspective on textual theory and practice to this scholarly journal. The contributions of Dutch scholars Annemarie Kets-Vree and H. T. M. van Vliet join Klaus Hurlebusch's essay in encouraging a more global approach to scholarly editing. Other highlights of this volume include: "Evidence for an Authorial Sequence in Donne's Elegies" by Gary A. Stringer, "Reading FinnegansWake Genetically" by Sam Slote, and "No Marriage in Heaven: Editorial Resurrection in Djuna Barnes's Nightwood" by Catherine Hollis. Review essays and book reviews in this volume examine James Grier's The Critical Editing of Music: History, Method, and Practice and recent textual scholarship on the work of William Wordsworth, Jonathan Swift, Mark Twain, and Mary Shelley, among others.