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Lädt ... Kill 'Em All (2018. Auflage)von John Niven (author) (Autor)
Werk-InformationenKill 'Em All von John Niven
   Top Five Books of 2018 (363) Keine aktuelle Diskussion zu diesem Buch.  gjky | Apr 9, 2023 |   Outrageous, of course, and obviously always on the verge of being disgusting, but that's satire for you. In this sequel, the plot is - well, an actual plot, and pretty good, although it is just a background for a character study. But this is the main difference to the first book, and the main improvement. Can't wait to read the next part, in which Stephen might be handing on his genius to his offspring. A girl - so what? Kindlegohome | Dec 7, 2019 |  ) adrianburke | Jan 16, 2019 | Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
_____________________ The long-awaited sequel to KILL YOUR FRIENDS It is 2017 - the time of Trump, Brexit and fake news. And time for the return of Steven Stelfox, exactly twenty years on from his Britpop heyday. Now forty-seven and rich beyond the dreams of avarice, Stelfox works only occasionally as a music industry 'consultant'. A fixer. A problem solver. He's had a call from his old friend James Trellick, now president of Unigram, one of the largest record companies in America. Trellick has a huge headache on his hands in the shape of... Lucius Du Pre. The biggest pop star on earth. Well, once the biggest pop star on earth. Now he's a helpless junkie and a prolific, unrepentant sexual predator. Through a programme of debt restructuring so complex even Trellick can barely understand it, Du Pre is massively in hock to the record company. The only way he can possibly pay it off is to embark on a worldwide comeback tour he's in no shape to do. The picture is further complicated when the parents of one of Du Pre's 'special friends' begin blackmailing him. If their video gets out, Du Pre's brand will be utterly toxic and will take Unigram down with it. Enter Stelfox stage right. Only he has the lack of morality to spin this one. With stealth and cunning he begins to chart a road out of the nightmare and to make a killing in the process. For this age of 'American carnage' - of populism, of the lowest common denominator, of the Big Lie - is truly Stelfox's time to shine. But in this time of uncertainty, nothing is a given. _____________________ 'A banging action satirical thriller. But it's also a proper novel about the Trumpian era, of the reality TV era, the fake news era. It's managed to say a lot of things in a way that very few other novels are doing and in a very comedic way' IRVINE WELSH 'A bruising triumph; Amis' MONEY for the Trump generation. What a monster he's created' IAN RANKIN 'John Niven understands our era better than almost anyone' DOUGLAS COUPLAND 'A scabrously entertaining satire of what it is like to be rich and white in the land of the free if you are utterly depraved, "where money doesn't just talk, or swear, it nukes". ... There is a twisted poetry in Niven's mastery of invective' THE TIMES 'Savagely, viciously witty, this frantic hymn to greed is filthy, frenetic and totally fabulous' SUNDAY MIRROR 'A full-throttle send up of toxic masculinity ... Niven at full tilt is always something to behold.'METRO Keine Bibliotheksbeschreibungen gefunden. |
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1
Steven Stelfox is a music industry mogul who has made a fortune producing pop talent shows and girl bands. He is now properly rich, or at least he thinks he is until David Geffen's yacht pulls in next to his. Stelfox realises that he is still really only small change and not a real player, so he becomes determined to make that happen.
His opportunity arises when his old mate James summons him to help with a crisis. James runs a record label whose star signing is Lucius du Pre, a childlike superstar who lives in a secluded ranch called Narnia surrounded by animals and hosting parties for little boys. One of those little boys has some compromising footage, and hence the crisis. Stelfox pulls no punches and brings all his resources to bear to both resolve the crisis and ensure that he enriches himself further in the process.
This novel is just a romp, but a hugely enjoyable one. Stelfox is a splendidly contemptuous and sardonic narrator; his continual put-downs of people less fortunate than himself and his idolisation of Donald Trump make him an appealing anti-hero for our times. The book is populated with a myriad of grotesque and exaggerated supporting characters, much in the style of Tom Sharpe. I would say that anybody who likes Sharpe would enjoy this. (