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Conversations with a Prince: A Year of…
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Conversations with a Prince: A Year of Riding at East Hill Farm (2005. Auflage)

von Helen Husher (Autor)

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In Helen Husher's warm, often funny account of returning to riding after many years away, the gravitational pull of the horse barn finds expression in the unlikely alliance between the fifty-something author and a lesson horse named Prince. Wayward and charming, Prince reopens doors that allow Husher to explore and share the essential grammar of horses-what we do with them, what we want from them, and what we hope for when we approach them-and proves that riding is a form of interspecies poetry. Weaving together the past, the present, and classic riding texts like National Velvet and Black Beauty, Husher peels away the instructive and redemptive layers of our view of horses. The hard truths underneath can be painful, but also full of a mute, strange, and complicated beauty. Written for riders and nonriders alike, Conversations with a Prince brings to life a world of gestures, sensation, intuition, negotiation, and close observation, but the primary target is human passion. "Horse craziness," says Husher, "has certain magical, reiterative properties-good evidence that riding really does approach allegory. But riding also brings with it grief, love, work, and endless correction. These things are the opposite of allegory, and hold their magic because they refuse to turn into blurry abstractions." CONVERSATIONS WITH A PRINCE will not teach its readers how to ride, but to understand why riding matters by placing it into the larger context of a moral and engaged life, and a life vastly improved by having horses in it.… (mehr)
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Titel:Conversations with a Prince: A Year of Riding at East Hill Farm
Autoren:Helen Husher (Autor)
Info:Lyons Press (2005), 200 pages
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Conversations With A Prince: A Year Of Riding At East Hill Farm von Helen Husher

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Wonderful book. Found it at a book sale, not sure when/where. It's about horses, the intimate and subtle communication that can happen between the animal and its rider. In ways I never will understand or experience, but am fascinated to read about. You know when you watch dressage (I have on very few occasions) and it looks like the rider is doing nothing but the horse moves purposefully and gracefully through a series of complicated steps, as if it were reading someone's thoughts? Husher explains how they get there, by describing her own journey learning to ride horses again as an adult, not just sitting on them and directing them down a trail or in circles around a practice ring, but really riding. All the struggles and frustrations, the pitfalls and setbacks, the bad days and panicked or crazed horses. The ones that have bad habits she finds ways to work around or modify, the ones that are finely trained and make her feel dull and inept. Her mistakes and those of the animals as well, and how slowly she learned to communicate with them and turn riding into an act that they did together, not order and comply, push and pull, but unity.

I am probably not describing this very well, but then I don't know if I understood it well, having never ridden a horse like that myself. But I was enthralled by her descriptions, not only of the horse behavior and what it felt like to be working with them, but also how she figured out what they might be thinking, what got the message across, what gave her insights into why they act or do certain things. Horses can be complicated creatures, and remarkably straightforward at the same time. Husher's language is honest and intricate, and I love the way she thinks and outlines things. She tells stories of her own experiences with a handful of different horses, and also refers to some works of literature about horses, what they tell us about our connection as well. I now want to read whatever else this author has written, that I can find. Whether it's about horses or something else entirely.

from the Dogear Diary ( )
  jeane | Feb 17, 2014 |
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In Helen Husher's warm, often funny account of returning to riding after many years away, the gravitational pull of the horse barn finds expression in the unlikely alliance between the fifty-something author and a lesson horse named Prince. Wayward and charming, Prince reopens doors that allow Husher to explore and share the essential grammar of horses-what we do with them, what we want from them, and what we hope for when we approach them-and proves that riding is a form of interspecies poetry. Weaving together the past, the present, and classic riding texts like National Velvet and Black Beauty, Husher peels away the instructive and redemptive layers of our view of horses. The hard truths underneath can be painful, but also full of a mute, strange, and complicated beauty. Written for riders and nonriders alike, Conversations with a Prince brings to life a world of gestures, sensation, intuition, negotiation, and close observation, but the primary target is human passion. "Horse craziness," says Husher, "has certain magical, reiterative properties-good evidence that riding really does approach allegory. But riding also brings with it grief, love, work, and endless correction. These things are the opposite of allegory, and hold their magic because they refuse to turn into blurry abstractions." CONVERSATIONS WITH A PRINCE will not teach its readers how to ride, but to understand why riding matters by placing it into the larger context of a moral and engaged life, and a life vastly improved by having horses in it.

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