"Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail. An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) - cars, Trans-Europe Express (1977) - trains, The Man- Machine (1978) - space, and Tour De France (1982) - bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World , via theories of post-humanism, cybernetics and the anthropology of transnationalism."--