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Lädt ... The Lost Daughter (Original 2006; 2008. Auflage)von Elena Ferrante (Autor), Ann Goldstein (Übersetzer)
Werk-InformationenDie Frau im Dunkeln von Elena Ferrante (2006)
![]() Keine aktuelle Diskussion zu diesem Buch. Most of the time I was reading this, I was wondering how it could be interpreted on film. I'm looking forward to seeing the movie version, but Elena Ferrante's work is so much in the heart and the mind, a lot happens in these stories without much actual action. In this case, Leda takes herself on a vacation from her academic career, and ends up getting entwined with a Neapolitan family who she meets on the beach. Mother Nina and daughter Elena, and Elena's doll (who has many names), along with Nina's sister-in-law Rosaria and Rosaria's husband. There are also some locals who work at establishments along the beach, and the man who rents Leda her vacation apartment. All of them play a part in an accidental deception that grows into a deep reflection on Leda's life, and particularly her relationship with her grown daughters (who she had abandoned for a time, when they were young). Ferrante's protagonists are complicated women, neither completely likeable nor totally abhorrent -- pretty much like almost any person you'd meet in real life. I'm always astounded by her ability to delve so deeply into people's psyches, to take apart the smallest impulses, to reveal every flaw and strength, and this slim volume is no exception. I thought I'd get through it quickly, but her prose demands you read every word, and there's no skimming over anything. And it all stays with me.
Freedom versus responsibility: This tension underlies Leda’s behavior and ambivalence toward her daughters, which continues to the present. The young mother Nina is Leda’s sounding-board, but Ferrante fails to integrate Leda’s soul-searching with the problems of the fractious Neapolitan family on the beach. Although much of the drama takes place in her head, Ferrante’s gift for psychological horror renders it immediate and visceral, as when the narrator recalls the “animal opacity” with which she first longed for a child, before she was devoured by pregnancy. One hallmark of Ferrante's writing here, as in "Days of Abandonment" and other works, is how she skillfully peels back the mask of "normalcy" and conjures the sensations of being in a living nightmare. Ferrante’s prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret. Gehört zu VerlagsreihenGallimard, Folio (6351) AuszeichnungenBemerkenswerte Listen
Fiction.
Literature.
HTML: An edgy tale of mixed feelings and motherhood by the New York Times bestselling author of My Brilliant Friend Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina's family in this "arresting" (Publishers Weekly) novel by the author of the New York Times bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series. Keine Bibliotheksbeschreibungen gefunden.
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![]() GenresMelvil Decimal System (DDC)853.92Literature Italian and related languages Italian fiction 1900- 21st CenturyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:![]()
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This is a very short book; I might call it a novella. The main character is Leda, a divorced mother of two grown daughters. When the book opens, she is off to spend the summer at the sea with the hopes of getting away from life, so to speak, and studying and writing (she is a university professor). On her first day in the small Italian village where she rents an apartment, she encounters a large, boisterous, and we eventually learn, dangerous family who frequents the same stretch of beach that she visits every day. What follows is an odd, disturbing, and somewhat complicated summer that will change Leda forever.
It isn't very often that I read a book, and love it thoroughly, and yet still feel unresolved as to whether I even like the main character. Leda suffers from what I would call maternal ambivalence, and frequently behaves in ways that I found unsettling, perplexing, and even disturbing. Her actions are unpredictable, from the bizarre situation she gets herself into at the beach, to her complicated past as the mother of younger daughters. It's a brutally honest and intimate look into a troubled and unstable mind.
As soon as I finished, I went online, anxious to see how the reviews compared to my own feelings about the story. It's interesting that almost all the reviews I read were in fact quite similar to mine; loved it, hated it, was disturbed by it, couldn't put it down... all at the same time. I only wish I had read this as part of a book club, as I think it would be fabulous for discussion! I will be recommending it at work, to be certain. If you've read it, I'd love to hear your reaction! And if you're local, and you'd like to borrow my copy, I'd be willing to loan it. (