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A Disorder Peculiar to the Country: A Novel…
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A Disorder Peculiar to the Country: A Novel (Original 2006; 2006. Auflage)

von Ken Kalfus

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4152161,404 (3.26)20
Joyce and Marshall each think the other is killed on September 11--and must swallow their disappointment when the other arrives home. As their bitter divorce is further complicated by anthrax scares, suicide bombs, and foreign wars, they suffer, in ways unexpectedly personal and increasingly ludicrous, the many strange ravages of our time. In this astonishing black comedy, Kalfus suggests how our nation's public calamities have encroached upon our most private illusions.… (mehr)
Mitglied:freemiki
Titel:A Disorder Peculiar to the Country: A Novel
Autoren:Ken Kalfus
Info:Harper Perennial (2006), Paperback, 256 pages
Sammlungen:Deine Bibliothek, Lese gerade
Bewertung:***1/2
Tags:9/11, nyc, done, 07

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A Disorder Peculiar to the Country: A Novel von Ken Kalfus (2006)

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Blech. Awful people doing awful things to each other in the midst of a divorce amid the backdrop of NYC during and after 9/11. ( )
  CarynPic | Nov 14, 2017 |
A bit all over the place, but interesting. The set-up is the thing: a man and his wife both think the other died in 9/11 but neither actually did, plus they want a divorce. Oh well. ( )
  soylentgreen23 | Jul 3, 2016 |
The idea of this book was really good: we see a married couple in a bad divorce, with 9/11 in the background. However, for me the divorce and 9/11 stayed two separate story lines, both of which were not executed very well. The fighting is at times ridiculous, and makes the husband and wife unsympathetic, because they completely ignore their kids in this. You can feal some of the despair of 9/11, but that is overshadowed by the divorce. All in all, it would have been better if there was more focus on one thing in this book. ( )
  SimoneA | Nov 3, 2010 |
Like the beginning half, the rest, not so much ( )
  beach85 | Jul 9, 2010 |
A dark, biting satire that combines a particularly hostile divorce with the 9/11 attacks and their aftermath, this book starts off laugh-out-loud funny and slowly deteriorates into the absurd. I recognize what the author is trying to accomplish, pointing out both the banality and the horror of life in New York at this time but he didn't quite succeed, perhaps because, for me, the book was marred by what I think is a glaring historical inaccuracy early in the book, as well as by one chapter from a five-year-old's point of view that I think was much too sophisticated for a child of that age, and by the same names being used for two sets of minor characters.
  rebeccanyc | Apr 14, 2010 |
Promising though it seems, the symbolic value of this amusingly wretched setup is undermined by a lack of emotional layering, a failure to provide much insight into Joyce and Marshall’s mutual wish for destruction. Though Kalfus tracks them through familial events (Joyce’s sister’s wedding) as well as national crises (the anthrax scare; the buildup to the Iraq invasion), he doesn’t help us to understand the roots of his central characters’ hatred, which keeps the novel’s emotional tenor brittle. Given how vile they are (humiliating each other in private and public; scheming to destroy relations with friends and family; installing an eavesdropping device on the telephone) and how unable or unwilling they are to protect their children from the conflict, neither Harriman garners much sympathy, however much we may recognize their despair.
hinzugefügt von SimoneA | bearbeitenNew York Times, Sylvia Brownrigg (Sep 10, 2006)
 
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... there is a disorder peculiar to the country, which every season makes strange ravages among them ...
-Oliver Goldsmith, The Citizen of the World, 1760
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On the way to Newark Joyce received a call: the talks in Berkeley had collapsed, conclusively. She closed her eyes for a few moments and then asked the driver to turn around and head back through the tunnel. It was still early morning. She went directly to her office on Hudson Street to sort out the repercussions from the negotiations' failure - and especially how to evade blame for their failure. About an hour later colleagues were trickling in, passing by her open door, and Joyce thought she heard someone say that a plan had flown into the World Trade Center. The World Trade Center: the words provoked a thought like a small underground animal to dash from its burrow into the light before promptly scuttling back in retreat. She wasn't sure she had heard the news correctly; perhaps she had simply imagined it, or had even dozed off and dreamed it after less than five hours of sleep the night before. Fighting distraction, she pondered the phrasing of her report, resolved not to be defensive; at the same time she wondered whether something had just happened that would dominate the news for months to come, until everyone was sick of it. In that case there would be plenty of time to find out what it was. She presumed the plane had been a small one, causing localized damage, if it was a plan at all, if the World Trade Center had been involved at all. The towers weren't visible from her office window but she could see several of the company slackers in the adjacent roof garden, smoking cigarettes and looking downtown. She worked for a few minutes and then suddenly she heard screaming and shouts. She thought someone had fallen off the roof.
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Joyce and Marshall each think the other is killed on September 11--and must swallow their disappointment when the other arrives home. As their bitter divorce is further complicated by anthrax scares, suicide bombs, and foreign wars, they suffer, in ways unexpectedly personal and increasingly ludicrous, the many strange ravages of our time. In this astonishing black comedy, Kalfus suggests how our nation's public calamities have encroached upon our most private illusions.

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