A.L. Baldry (1858–1939)
Autor von Millais (Masterpieces in Colour)
Über den Autor
Bildnachweis: Alfred Lys Baldry
Werke von A.L. Baldry
British Marine Painting 2 Exemplare
Velasquez 2 Exemplare
Sir Joshua Reynolds 2 Exemplare
G.H. Boughton: His Life and Work 1 Exemplar
Leighton, Masterpieces in Colour 1 Exemplar
Modern British water-colour drawings 1 Exemplar
Drawings of Hans Holbein 1 Exemplar
Drawings of John M. Swan R.A 1 Exemplar
Contemporary Figure Painters 1 Exemplar
The life and work of Marcus Stone, R. A 1 Exemplar
Getagged
Wissenswertes
- Geburtstag
- 1858
- Todestag
- 1939-05-28
- Geschlecht
- male
- Nationalität
- UK
- Geburtsort
- Torquay, Devon, England, UK
- Berufe
- painter
art critic
Mitglieder
Rezensionen
Free download available at Project Gutenberg
Opening lines: The place which should be assigned to Sir Edward Burne-Jones in the history of modern art is by no means easy to define, for his work with its unusual qualities of intention and achievement does not lend itself readily to classification. At the outset of his career he might with some[Pg 10] justice have been numbered with the Pre-Raphaelites, because the first influences to which he responded were those which directed the Pre-Raphaelite movement, and because in his earliest productions he showed that these influences had counted for much in the shaping of his æsthetic inclinations.… (mehr)
Opening lines: The place which should be assigned to Sir Edward Burne-Jones in the history of modern art is by no means easy to define, for his work with its unusual qualities of intention and achievement does not lend itself readily to classification. At the outset of his career he might with some[Pg 10] justice have been numbered with the Pre-Raphaelites, because the first influences to which he responded were those which directed the Pre-Raphaelite movement, and because in his earliest productions he showed that these influences had counted for much in the shaping of his æsthetic inclinations.… (mehr)
Opening lines:
As a record of some half century of brilliant activity, and of practically unbroken success, the life-story of John Everett Millais is in many respects unlike those which can be told about the majority of artists who have played great parts in the modern art world. He had none of the hard struggle for recognition, or of the fight against adverse circumstances, which have too often embittered the earlier years of men destined to take eventually the highest rank in their profession. Things went well with him from the first; he gained attention at an age when most painters have barely begun to make a bid for popularity, and his position was assured almost before he had arrived at man’s estate. He owed some of his success, no doubt, to his attractive and vigorous personality, but it was due in far greater measure to the extraordinary powers which he manifested from the very outset of his career.… (mehr)
As a record of some half century of brilliant activity, and of practically unbroken success, the life-story of John Everett Millais is in many respects unlike those which can be told about the majority of artists who have played great parts in the modern art world. He had none of the hard struggle for recognition, or of the fight against adverse circumstances, which have too often embittered the earlier years of men destined to take eventually the highest rank in their profession. Things went well with him from the first; he gained attention at an age when most painters have barely begun to make a bid for popularity, and his position was assured almost before he had arrived at man’s estate. He owed some of his success, no doubt, to his attractive and vigorous personality, but it was due in far greater measure to the extraordinary powers which he manifested from the very outset of his career.… (mehr)
Free download available at Project Gutenberg
Opening lines: The place which should be assigned to Sir Edward Burne-Jones in the history of modern art is by no means easy to define, for his work with its unusual qualities of intention and achievement does not lend itself readily to classification. At the outset of his career he might with some[Pg 10] justice have been numbered with the Pre-Raphaelites, because the first influences to which he responded were those which directed the Pre-Raphaelite movement, and because in his earliest productions he showed that these influences had counted for much in the shaping of his æsthetic inclinations.… (mehr)
Opening lines: The place which should be assigned to Sir Edward Burne-Jones in the history of modern art is by no means easy to define, for his work with its unusual qualities of intention and achievement does not lend itself readily to classification. At the outset of his career he might with some[Pg 10] justice have been numbered with the Pre-Raphaelites, because the first influences to which he responded were those which directed the Pre-Raphaelite movement, and because in his earliest productions he showed that these influences had counted for much in the shaping of his æsthetic inclinations.… (mehr)
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As a record of some half century of brilliant activity, and of practically unbroken success, the life-story of John Everett Millais is in many respects unlike those which can be told about the majority of artists who have played great parts in the modern art world. He had none of the hard struggle for recognition, or of the fight against adverse circumstances, which have too often embittered the earlier years of men destined to take eventually the highest rank in their profession. Things went well with him from the first; he gained attention at an age when most painters have barely begun to make a bid for popularity, and his position was assured almost before he had arrived at man’s estate. He owed some of his success, no doubt, to his attractive and vigorous personality, but it was due in far greater measure to the extraordinary powers which he manifested from the very outset of his career.… (mehr)