Oskar Bätschmann
Autor von Hans Holbein
Über den Autor
Werke von Oskar Bätschmann
Jackson Pollock 2 Exemplare
Nicolas Poussin. Landschaft mit Pyramus und Thisbe: Das Liebesunglück und die Grenzen der Malerei (1987) 1 Exemplar
Dialektik der Malerei von Nicolas Poussin 1 Exemplar
Ferdinand Hodler : Die Forschung, Die Anfange, Die Arbeit, Der Erfolg, Der Kontext (2009) 1 Exemplar
Marino Marini 1 Exemplar
Ferdinand Hodler: Landscapes 1 Exemplar
Getagged
Wissenswertes
- Gebräuchlichste Namensform
- Bätschmann, Oskar
- Geburtstag
- 1943-09-15
- Geschlecht
- male
- Nationalität
- Switzerland
- Geburtsort
- Lucerne, Switzerland
- Wohnorte
- Florence, Italy
Zurich, Switzerland
Rome, Italy
Paris, France
London, England - Ausbildung
- University of Zurich (Ph.D|1975)
- Berufe
- art historian
- Organisationen
- University of Bern
- Preise und Auszeichnungen
- Academia Europaea (2010)
Honorary Member, Swiss Academy of Humanities and Social Sciences (2017)
Mitglieder
Rezensionen
The Artist in the Modern World : the conflict… von Oskar Bätschmann
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .
This study offers answers to questions like, What effect have the (art) exhibition and the public had on the promotion of art? How is the definition of art changing? and above all, What strategies are modern artists developing in the field of tension between artistic freedom on the one side and the mechanisms of the market on the other? Addressing the constantly evolving situations and status of artistic legitimation, the author'sinsightful reflections trace this history of this dynamic, ongoing development.
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (mehr)
In his examination of 250 years of art history, the author explores the reciprocal relations between the production of art and its exhibition before the public. He investigates the history of the modern artist, whose connections with the exhibition of art in institutional settings--beginning in the 18th century--profoundly changed the definition of art and the artist's view of himself. 120 illustrations .… (mehr)
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