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Elizabeth Bernard

Autor von To Be a Dancer

17 Werke 264 Mitglieder 15 Rezensionen

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Beinhaltet den Namen: Elizabeth Barnard

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Werke von Elizabeth Bernard

To Be a Dancer (1987) 38 Exemplare
How to Kiss a Guy (1995) 34 Exemplare
Stars In her Eyes (1987) 33 Exemplare
Center Stage (1987) 30 Exemplare
Second Best (1988) 24 Exemplare
Changing Partners (1988) 23 Exemplare
Curtain Call (1988) 15 Exemplare
Temptations (1988) 13 Exemplare
Chance to Love (1989) 12 Exemplare
Summer Dance (1989) 11 Exemplare
Starting Over (1989) 10 Exemplare
Stepping Out (1989) 9 Exemplare
Rising Star (1989) 8 Exemplare
Lecciones de amor (1997) 1 Exemplar
Wie küsst man einen Jungen? (2001) 1 Exemplar

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Pam and Leah are ballet dancers studying at the same academy (S.F.B.A.). Pam is mean and cruel to Leah in every possible way, but Leah tries to give her a chance. She learns Pam isn't worth the effort.
 
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niquetteb | 1 weitere Rezension | Jul 28, 2019 |
This was the only book that was saved from the Love Stories collection of my sister. The others were burned when our summer house caught fire. This was saved because I moved it with me to write a script for it. To move on the review, this was the first book I realized that I have a thing for bad-boy like fiction boys. Dylan is dark and brooding. Not to mention he rides a bike and seems aloof to almost everyone. I feel for Naomi's character who's shy and serious, who suddenly decided to break out of her shell and audition for a school play.Theatre is the setting for this romantic story of guy meets girl and falls in love with each other. Reading made me feel funny inside and this was one of the first romantic reads I had when I was a young adult.… (mehr)
 
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maidenveil | Sep 13, 2010 |
This is my favorite cover. Leah, mourning over her injured leg, has never looked lovelier (I’d give my eyeteeth for hair like that). I'm not sure who the model leaning over is. Doesn’t look like Kay, it can’t be Linda, the only token black in the series because that girl looks suspiciously African-American to me. Somewhere Diana Chang is crying her eyes out.

This is my favorite book as well because it features a certain Russian dancer named Andrei Levintoff and we get a LOT of Andrei in this story hence my five star rating. It’s also the culmination of Leah’s character arc. We’ve followed her through the ups and downs of her first year at school, watched her fall in love, get all the breaks, dance all the good roles, now we see her overcoming her latest trial. Leah is realizing her goal as a dancer and the series pretty much ends here.

We start off in San Lorenzo, CA. with an elaborate birthday celebration for Leah orchestrated entirely by Chrissy including a special visit to their childhood ballet studio for a class. Naturally, this wouldn’t be a true Satin Slipper book unless Leah runs sobbing from some kind of dance practice. This time it’s Hannah Greene’s ballet class for 8 year-olds. Leah finds she can’t execute seven plies in a row without dropping dead from exhaustion (for those of you just joining us Leah slipped and fell at the end of book #10 tearing the ligaments in her ankle and now she may *gasp* NEVER DANCE AGAIN!). Hannah Greene tells Leah to suck it up. Her injury is but a minor setback and Leah will be a better dancer because of what happened to her.

Kay and Katrina from SFBA are in town to surprise Leah for her birthday. Chrissy and the rest are taking her back to San Francisco Opera House for a ballet performance and sleepover at the boardinghouse where Alex and all her friends are waiting. Chrissy arranged this whole rendezvous with SFBA, getting the tickets to the ballet, the sleepover, everything was all her idea. Chrissy is one awesome BFF.

Leah doesn’t return to San Lorenzo, once M. Preston finds out Leah’s in town she uses her mind control on Leah who agrees to send for her things back home, stay and resume her classes at SFBA immediately starting Monday morning. Leah’s schedule will include daily physical therapy and doing laps in the school swimming pool while Chrissy slinks back to San Lorenzo, alone. Poor Chrissy.

And now…heeere’s Andrei everyone! Leah is surprised to see him at the Opera House attending the ballet not to mention greeting her with a big kiss on the cheek and a squeeze of the hands (Claire who?) while a star struck Chrissy picks her jaw up off the floor so Leah can introduce her to the world famous Russian dancer turned defector.

After seeing Chrissy off on Grayhound the next day, Leah and Andrei have a special outing by themselves. Andrei confides to Leah that he and his fiancée have called off the engagement and he doesn’t understand why. (Hmm, could it be because Andrei’s playboy attitude has pissed off Claire for the last time?). Claire is jealous because he spends more time with Diana Chang than her and Andrei isn’t man enough to tell either woman his true feelings. Leah wishes there was something she could do to help. I could list several suggestions here but I’m trying to keep this G-rated.

Leah arrives at pas de deux class which Andrei is teaching today. Andrei calls on Leah to partner him while demonstrating today’s steps. They dance together and it’s intense, almost magical. Leah leans back with her leg wrapped around Andrei in a sensuous attitude. She hears Andrei sigh and knows he’s thinking about Claire while I beg to differ. The other girls can’t help but notice Andrei’s wandering eye and speculate amongst themselves.

Later that day, Leah is doing her twenty laps. Andrei has joined her briefly in the water and now observes from the side. When he leans out to offer Leah a hand out of the pool, she playfully yanks him in. They splash each other for awhile before Andrei suggests they take this opportunity to practice ballet while in the water. Leah thinks this is a silly idea. What, Leah, you’ve never seen that scene from Dirty Dancing? Bernard’s plugged every dance movie ever made in these books! (Patrick Swayze, RIP, we'll never forget you, 2009)

Leah finds executing pas de daux steps really IS easier in the water. Leah has her arms around Andrei’s neck when stupid Diana Chang interrupts them. Seems her and Andrei are late for a rehearsal. Andrei sheepishly makes a hasty exit to change while Diana takes this opportunity to tell Leah, “Back off, B--- he’s mine!” while Leah’s all, “Wha-?”

We next find Leah and Andrei at a community dance class at the Y where Leah can be the star of class because for someone who’s been dancing on pointe for barely two years, these are ridiculously easy combinations. Andrei is so happy seeing Leah back, confident and dancing stronger than ever, he wraps her in a big hug and plants an equally big kiss on her cheek. Wow, are all Russian men are that affectionate?

Back at the boardinghouse, Andrei gives Leah a sensual foot message (Whoo!). Leah melts under his strong yet tender hands; the pain in her ankle slowly fades as she meets the soulful gaze of those big blue eyes. Then, what does Leah do? She brings up Claire’s name and shatters the moment. Leah holds Andrei’s hand and is just working Andrei up to go talk to his ex-fiancée about his true feelings for her when Pam Hunter crashes their cozy scene, adding it to her own personal arsenal to ruin Leah’s life.

Dance class is taught by Claire the next day who does her best to give Leah a hard time before outright accusing her of “burning the candle at both ends” while Leah’s all “Wha-?”.
Later that day, Diana is leading the rehearsal for Romeo and Juliet (Andrei is Romeo, Finola is Juliet) and even though Leah is just a member of the corps, Diana takes this opportunity to rib Leah about her injury suggesting she’s too tired to participate fully and dropping hints that maybe Leah should just give up and go back to San Lorenzo. Madame walks in and advises Leah to begin learning the role of Juliet as she’ll be dancing it herself someday. Leah catches Diana giving her the evil eye and again Leah’s all “Wha-?”

Another rehearsal with Andrei. He’s uptight and edgy today, he always gets this way just before a performance. Leah and Michael are following the two principals, marking the steps, but instead of focusing on his own dancing; Andrei is frustrated by the lack of passion between the two students and insists they switch partners so he can show them the correct way dancers on stage emote “true love”. Together, they dance the entire pas de daux balcony scene of Romeo and Juliet (she’s danced this before back in book #2 with James). The power of Andrei is enough to make Leah forget her injured foot entirely. The dance ends in a stage kiss, full blown on the lips and Leah, completely caught up in the moment, fully returns Andrei’s kiss (Whoo! Go Leah!) I get the feeling Benard is unable to come up with better plot devices because (once again) the intimacy of Leah and Andrei is observed and interrupted by someone who doesn’t like Leah. If you guessed Diana Chang, go to the head of the class. Oh, and Sophie was peeking too but I suspect this sweet, innocent little girl throws darts at Leah’s picture every night before bed.

Word about the love affair must’ve gotten out because Madame summons Leah to her office for some major chastisement. Dating between students is strictly forbidden. Leah’s all “Huh?” It finally dawns on Leah as she’s leaving that after seeing her with Andrei 24/7, everyone at SFBA, Madame included, think they’re an item, “But they’re WRONG!” and realizes she needs to straighten everyone’s assumptions out, fast!

Leah is hurrying to find Claire when she runs into SFBA’s physical therapist who’s suddenly arranged everything for Leah to travel out of town to attend a special workshop and she needs to leave, like, right now. And who has she found to escort Leah to this event? I’ll give you a hint. He’s Russian and he drives a red Trans-Am! Assuming this has all been cleared by Madame, Leah has no choice but to get in the car.

While at the workshop, Leah finally gets Andrei to spill his guts and speak the words out loud, he loves Claire, Claire is Andrei’s OTP. Claire overhears this confession, having kept her powers of omnipotence quiet all this time, suddenly materializes out of the shrubbery and they fall into each other’s arms.

Heading home with the happy couple, they hit bad weather, a real pea souper, wreck the car and are forced to sleep in it overnight, with Leah stuck in the backseat (I doubt there was much sleeping going on that night!) The next morning a trucker gives Andrei and Leah a ride back to the city. They’re already late for the matinee performance of Romeo and Juliet and Leah knows Madame isn't going to be happy with their tardiness. Claire stays behind to wait for the tow truck.

At the Opera House, Leah’s in her costume ready to take her place with the rest of the corps when Madame and all the SFBA girls swoop down, almost demon-like surrounding Leah, pointing fingers, “Date! Date!” chants the girls, while Madame screams, “You! Whore! OUT!” Leah looks stupidly around for someone, anyone, to come to her defense. They had car trouble; she and Andrei are just friends! Please, you've got to believe me!

Using her power of omnipotence again, Claire suddenly arrives, the misunderstanding is cleared up, and Andrei apologizes to Leah for getting her in trouble with all the extra kissing and hand holding. It's all culture where he comes from.

Madame, seeing Andrei an engaged man again and having been reassured Leah’s chastity belt is still firmly in place, un-clutches her pearls and graciously allows Leah back into the corps de ballet. Leah hurries to take her place in line with the other dancers. Andrei winks at her. Leah is happy to have overcome her injury, is dancing on stage again and on her way to becoming a professional dancer.
… (mehr)
 
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MML30 | Aug 28, 2009 |
There’s Leah staring dreamily off into space (Probably fantasizing her and Andrei gettin’ it on!) while Kay’s wearing the sparkly retro purple. Alex has left SFBA at this point in the series to attend Berkeley so I don’t know who that other model is supposed to be.

Sophie Potter is twelve years old, she’s the new boarder arrived to take Alex’s place, she’s SFBA’s latest prodigy and Leah’s #1 fan. Leah refuses to let all of these changes bother her and does her best to make Sophie feel welcome.

The very next day Leah gets a big break (what, another one?) in her dance career. She’s been hand-picked, specially selected by Madame Preston HERSELF, to dance with the Bay Area Ballet in a big production, no audition required. There’s also a special birthday gala for M Preston coming up and Leah’s friends talk her into participating where she’ll dance in two different pieces which will require more time out of her already busy schedule.

The next few days are a busy whirlwind of classes, study and rehearsals for Leah while everyone at SFBA raves over Sophie’s brilliant dancing. They tease Leah about her new competition but this only makes Leah want to work harder and consequently makes her appear even more stuck up to her friends. For example, Kay is choreographing a modern dance piece for the gala. Leah, more accustomed to the discipline of classical ballet, is griping and complaining throughout. This is a scene I remember well. I suppose pity is all that stops Kay’s hand from slapping Leah because Kay is the only best friend Leah has left at SFBA now that Alex is gone.

Madame Preston summons Leah to the Opera house to watch the company’s benefit performance of Romeo and Juliet in the company box. Andre Levintoff is there and I find it strange that he doesn’t sit next to his own fiancé, Claire DuParc (I keep wanting to type Claire de Lune from Debussy) while Leah does. Claire tells Leah about the latest rumor going around. Since Alex forfeited her dance career for college life, Leah is now next in line to dance the role of Juliet with the company’s upcoming spring tour. Leah can’t believe her luck, not yet sixteen and Madame wants to cast her as a professional ballerina with the company! Leah resolves to work harder than ever on her dancing.

Alex surprises Leah at the company party by tapping her shoulder. She’s cut her hair and is wearing new clothes looking very grown-up and different. They are delighted to see each other after almost three weeks and begin playing catch up. Alex chastises Leah for taking on so much and turning into a workaholic and drops the name James Cummings. Leah bristles and is angry to be compared to her former dance partner. Alex is only concerned Leah might hurt herself (foreshadowing!) like James did. (see book #2, Center Stage)

It’s very late when Leah arrives back at the boardinghouse and hears Sophie crying in her room. Sophie’s upset over the SFBA atmosphere. She fears she’ll never make any friends. The competition and jealousy is just more than the poor twelve year old can take. Sophie tells her all the girls were talking about Leah tonight while she was at the ballet, saying mean things about her and it makes her cry. Leah brushes Sophie’s hair, reassuring her it’s just talk and no one really meant it. Leah has her own private cry on the stairs because her friends think she’s turning into a snob, which is true.

While rehearsing by herself in an empty studio, Leah overhears Kay talking with Katrina and Finola in the office on the other side of the wall where Kay is criticizing Leah's dancing and attitude a painful reminder to Leah of her conversation with Sophie from the night before. Upset, she storms off to her next rehearsal. Leah decides she’ll sacrifice friendship for her dancing and if everyone wants to think of her as a stuck up snob, let them, they’ll all be sorry when she’s famous!

Later, at Dance Indigo rehearsals, Leah hears her name coupled with Sophie Potter’s during a discussion between the director and M Preston. Twelve is the new fifteen. The director wants Leah out and Sophie in. Hearing this, Miss Drama Queen totally loses it and screams quits! Leah’s a serious dancer, not a piece of meat and she’s not gonna take it anymore! Exit stage left, sobbing.

Leah, aren’t you overreacting maybe just the tiniest bit? Come to think of it, has Leah ever acted ANY OTHER WAY whenever someone looks at her cross eyed and dares to criticize her dancing?

Madame finds Leah amidst a pile of tissues in the dressing room, tells her she’s perfect for this role in Dance Indigo and she’ll not let the director of the company talk her out of replacing Leah with Sophie just to satisfy the media. Madame also clears up the rumor over Leah dancing Juliet with the company. It’s not true, but maybe in another year or so. This cheers Leah up considerably and she decides maybe she won’t quit dancing just yet.

Leah attends a modern dance workshop with her friends. She’s encouraged to use her classical training not fight it. Leah feels she now understands what Kay was trying to show her about modern dance. The workshop is a success. Kay and Leah stay up almost all night so Kay can choreograph a whole new dance for the gala. Both are exhausted but their friendship has been rekindled. Leah is feeling better about everything now.

It’s the night of Madame’s birthday gala. Despite the warning of a slick floor Leah begins marking the steps for her first dance, then throws herself into it. In the middle of a triple attitude turn, her leg goes out from under her and Leah lands hard on the floor. She tries to stand up but blacks out instead.

Leah comes to in the hospital. Alex is there. So is Madame who informs Leah that Sophie and Diana will be filling in for her. Leah has torn some ligaments in her ankle, it’s uncertain whether she’ll ever be able to dance again.

And that’s the cliffhanger ending which is the only reason to read this book. Leah does have her prima-donna moments but she's a fun character to read about. The helpful ballet glossary at the end is also included in this book.
… (mehr)
 
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MML30 | Aug 5, 2009 |

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Werke
17
Mitglieder
264
Beliebtheit
#87,286
Bewertung
½ 3.6
Rezensionen
15
ISBNs
25
Sprachen
4

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