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Tony Birch

Autor von The White Girl

19+ Werke 395 Mitglieder 22 Rezensionen

Über den Autor

Tony Birch was born in 1957 in Melbourne, Victoria, Australia. He studied at the University of Melbourne and has a PhD in Urban cultures and histories. He is a poet, short story writer and novelist. Some of his work includes the novels Blood (2011), and Ghost River which won the 2016 Victorian mehr anzeigen Premier's Literary Award for Indigenous Writing. His three short story collections are Shadowboxing (2006), Father's Day (2009) and The Promise (2014). He is also a contributor to ABC local and national radio and a regular guest at writers' festivals, and is a Senior Research Fellow at Victoria University. (Bowker Author Biography) weniger anzeigen

Werke von Tony Birch

The White Girl (2019) 125 Exemplare
Blood (2011) 69 Exemplare
Shadowboxing (2006) 57 Exemplare
Common People (2017) 33 Exemplare
The Promise (2014) 30 Exemplare
Ghost River (2015) 28 Exemplare
Dark As Last Night (2021) 18 Exemplare
Father's Day (2009) 7 Exemplare
Whisper Songs (2021) 6 Exemplare
Broken Teeth (2016) 4 Exemplare
NEW07 (2007) 1 Exemplar

Zugehörige Werke

Citrus County (2008) — Mitwirkender — 288 Exemplare
Growing Up Aboriginal in Australia (2018) — Mitwirkender — 160 Exemplare
McSweeney's Issue 41 (McSweeney's Quarterly Concern) (2012) — Mitwirkender — 76 Exemplare
Macquarie Pen Anthology of Aboriginal Literature (2008) — Mitwirkender — 57 Exemplare
The Best Australian Stories 2006 (2006) — Mitwirkender — 31 Exemplare
Flock (2021) — Mitwirkender — 17 Exemplare
The Best Australian Stories 2008 (2004) — Mitwirkender — 16 Exemplare
The Best Australian Stories 2017 (2017) — Mitwirkender — 13 Exemplare
The Best Australian Stories 2013 (2013) — Mitwirkender — 12 Exemplare

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This is a sweet, well-characterised piece of fiction, and I think perhaps an important read at this point in time. In the early 1960s, Odette, an old lady in a small country town, cares for her illegitimate granddaughter Sissy. Odette has lived long enough to watch the transition of Australia from colonial outpost to modern nation, but along the way she has never been considered worthy of owning a piece of the pie for one simple reason: she is Aboriginal. Sissy, too, of course is Aboriginal but her father is white and she has been blessed - the characters would say - to have very light skin. As a result, her place in the culture is both more assured (there is some opportunity to "pass" as white) but also more dangerous - Sissy is still, like all Aboriginal people, a ward of state, and thus it is very easy for certain people to assume they have ownership rights over her. When the town's crop of unpleasant white men begin showing an interest in Sissy, Odette is forced to reckon with the truth about what happened to Sissy's mother, and to find a route for the two of them to get the heck out of Dodge.

Birch is a straightforward writer of general fiction, and The White Girl is an easy read. Birch draws clear dividing lines between his good and evil characters, which would frustrate in a more literary work, but here feel instead like reflections of the cultural forces pulling at Sissy from both sides. To achieve this, Birch uses the literary toolkit of a Charles Dickens, drawing his supporting characters in broad strokes to better bring out the essential goodness of his protagonist (in contrast to the Emile Zola school of writing, where every character must be at least a little bit angelic and a wee bit cruel).

As Odette gradually narrates her past to Sissy, I was reminded how rarely older women get to play a leading role in fiction, and how rarely the grandmother/granddaughter relationship is permitted to be a positive force. The novel is also suffused with that strange melancholy of "historical fiction" set within what is - for some - still living memory. (For me, I had to occasionally check my assumptions that this was taking place in the distant past. No; only three decades after the events of this story, I myself would be growing up in a country town of my own. Admittedly, mine was more like the regional hub from which residents of Deane visit for their shopping and to gawk at the latest inventions of modernity.)

Nevertheless, I am surprised to see The White Girl among the finalists for this year's Miles Franklin Award. When I think of that award's goal to target the "highest literary merit", I think of many of Birch's fellow nominees - Peggy Frew's elegant prose, John Hughes' sparse determination, Philip Salom's inventiveness, and the sheer sublimity of Tara June Winch. I think instead we would be wise to celebrate Birch for his own strengths, and his ease of readership, rather than elevating popular fiction just so that awards panels can widen their audience base.

Still, none of this is Birch's fault. I would recommend The White Girl to all those interested in Australian history, but with a caveat that this is a Dickensian view of the world, not a Zolaesque one.
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therebelprince | 7 weitere Rezensionen | Apr 21, 2024 |
Set in the 1960s, "The White Girl" is the story of Odette who is raising her granddaughter, Sissy, after her mother ran away. Although this novel showcased the cruel treatment of Aboriginal people it was also a story full of heart and tenderness. Odette would do anything to protect her granddaughter and the only times I was concerned about Sissy's safety was when she was not in her grandmother's presence.

Parts of this novel were heartbreaking but others were uplifting, especially when people willingly assisted Odette and Sissy. Also, the bond between grandmother and granddaughter and the land was truly touching.

From the start, the writing was engaging and the author did a wonderful job bringing the township of Deane alive. All the characters were strong and compelling, but Odette was definitely my favourite. I adored her. A worthwhile read.
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HeatherLINC | 7 weitere Rezensionen | Dec 22, 2023 |
TGBC. Alright. A smooth easy read. Similar to the Navigator, which I enjoyed more.
 
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SteveMcI | 3 weitere Rezensionen | Jun 27, 2023 |

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