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Brassaï (1899–1984)

Autor von The Secret Paris of the '30s

41+ Werke 1,209 Mitglieder 12 Rezensionen Lieblingsautor von 1 Lesern

Über den Autor

One of the most important & influential photographers of the twentieth century, Brassai (1899-1984) moved to Paris from Hungary in 1924. He is best known for chronicling the city in the 1930s & for his portraits of artists such as Picasso & Matisse, & writers including Henry Miller. His fifty-year mehr anzeigen artistic career also encompassed drawing, sculpture, writing, & filmmaking. (Bowker Author Biography) weniger anzeigen

Werke von Brassaï

The Secret Paris of the '30s (1976) 273 Exemplare
Brassaï L'universel (Midsize) (2004) 204 Exemplare
Nächtliches Paris (1987) 137 Exemplare
Henry Miller in Paris (1995) 116 Exemplare
Brassai (1988) 105 Exemplare
Gespräche mit Picasso (1964) 81 Exemplare
Brassai: Letters to My Parents (1997) 41 Exemplare
The artists of my life (1982) 26 Exemplare
Picasso and Company (1966) 22 Exemplare
Graffiti (1993) 19 Exemplare
Henry Miller, Happy Rock (1979) 19 Exemplare
Brassai in America (2011) 12 Exemplare
Camera in Paris (1949) 11 Exemplare
Brassai: For the Love of Paris (2014) 10 Exemplare

Zugehörige Werke

Paroles (1946) — Umschlagillustration, einige Ausgaben961 Exemplare
Jean Rhys: The Complete Novels (1985) — Fotograf, einige Ausgaben331 Exemplare
Paris (1983) — Fotograf — 245 Exemplare
Brassai: The Eye of Paris (1989) 63 Exemplare
Lewis Caroll (1971) — Mitwirkender — 6 Exemplare
Reichel Par Brassai Miller Durrell Bissiere — Mitwirkender — 1 Exemplar

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The denizens of Paris, explored, with mist and decadence, replete with artists (Picasso, Giacometti, Dali, Bonnard), writers (Henry Miller, Genet), lesbians and streetwalkers.
 
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deckla | 1 weitere Rezension | Jun 2, 2018 |
gorgeous edition by Taschen of a fantastic photographer. it's a selection of his work from various books; you'll still want the books themselves. but these are large, crisp renditions of a surprisingly formal photographer who made art, not just records, with his camera. in which light and shadow, fog, pattern and formal line, had weight and character, and something to say. at the same time, Brassai painted the ordinary life of the city, including the underground; the subjects are in collusion with the camera, looking boldly out into the future with complete self-possession and a modernity of spirit. here nothing is forbidden, or even framed as exotic, the transgressive taking pride of place beside historic facades and character studies filmed on the stairs, ephemera of the night on the iconic streets of the eternal city.… (mehr)
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macha | 2 weitere Rezensionen | Jul 26, 2012 |

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Werke
41
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6
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1,209
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#21,245
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4.2
Rezensionen
12
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83
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10
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