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Peter Brook (1) (1925–2022)

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45+ Werke 1,840 Mitglieder 29 Rezensionen

Werke von Peter Brook

Der leere Raum (1960) 1,053 Exemplare
Das offene Geheimnis (1993) 132 Exemplare
Herr der Fliegen [1963 Filmdrama] (1963) — Director — 129 Exemplare
Threads of Time: Recollections (1998) 81 Exemplare
Evoking Shakespeare (1999) 21 Exemplare
Marat/Sade [1967 film] (2000) — Regisseur — 21 Exemplare
The Mahabharata [1989-1990 TV mini series] (1989) — Regisseur; Screenwriter — 14 Exemplare
King Lear [1970 film] (1970) — Regisseur — 14 Exemplare
Swann in Love [1984 film] (2004) — Writer — 10 Exemplare
King Lear [1953 TV episode] (2010) — Adaptation — 7 Exemplare
Meetings with Remarkable Men [1978 film] (1997) — Director — 7 Exemplare
The Beggar's Opera [1953 film] (2011) — Regisseur — 6 Exemplare
King Lear: Omnibus [1957 TV series] (2013) — Regisseur — 5 Exemplare
Reflexões Sobre Shakespeare (2017) 4 Exemplare
Avec Grotowski (2009) 4 Exemplare
Avec Shakespeare (1999) 4 Exemplare
Georg Iwanowitsch Gurdjieff (2001) 2 Exemplare
Vergessen Sie Shakespeare. (1997) 2 Exemplare
TDR #129 1 Exemplar
Carmen [1983 film] — Regisseur — 1 Exemplar
TDR #128 1 Exemplar
TDR #32 1 Exemplar

Zugehörige Werke

Voice and the Actor (1973) — Vorwort, einige Ausgaben225 Exemplare
The Penguin New Writing No. 36 (1949) — Mitwirkender — 11 Exemplare
Shakespeare (1964) — Mitwirkender — 5 Exemplare

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The author has interesting points about the nature of theatre, but at times one would almost believe he hated the theatre. He doesn't, of course, but he didn't like certain aspects of what people were doing in theatre. His points were interesting, and worth considering, though I'm not sure I would agree with him. I think it is the sort of views he represented that were the reason for the excesses of experimental theatre in the 1970s and 1980s. A worthwhile book, but rather out of date, of course.… (mehr)
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Devil_llama | 9 weitere Rezensionen | Aug 24, 2022 |
This short book from 1968 is one I should have read as an undergraduate in the 1980s. It is the first book by famed director Peter Brook, collecting a series of four lectures on the state of theater and its possibilities. The pieces do progress and build upon one another, moving from the critical viewpoint, through theory and history, to more practical concerns and perspectives.

The first part is "The Deadly Theatre," and in it Brook discusses all the ways in which theatrical works fail. "All through the world theatre audiences are dwindling" (10). There is a doom loop in which conventionality in writing, acting, and production, along with criticism and economic pressures, lead to lowered audience expectations, which in turn foster lackluster performances. The deadly theater is not integral to society, it is a superfluous appendage which can be profitably ignored.

In "The Holy Theatre" Brook addresses the ambition of the theater to make les Invisibles visible. He introduces the "illuminated genius" Antonin Artaud as the touchstone of this ambition, and recounts some of Brook's own experiments in a "theatre of cruelty." For further demonstrations of the "holy" trajectory, he outlines the work of Merce Cunningham, Samuel Beckett, and Jerzy Grotowski.

Brook's paragon of "The Rough Theatre" is Bertolt Brecht. The rough in some senses opposes the holy: rather than being drawn out of themselves by the holy, participants are thrown back into themselves by the rough. It is a theater of examination and exposure, rather than exaltation and ecstasy. But Brook insists that these two are complements that can and should inform each other, as they do--he claims--in the work of Shakespeare.

"The Immediate Theatre" brings the focus to the actual work of theatrical production, eventually settling on a (provisional) formula in the Francophone terms of repetition (rehearsal), representation (performance), and assistance (spectatorship). That these are all to some degree false cognates Brook does not explicitly make a matter of concern. He concludes with questions about whether theater can have enduring transformative effects for either its producers or its consumers.

Throughout this book, the prose is beautiful and eminently quotable. "It is not the fault of the holy that it has become a middle-class weapon to keep children good" (46). "As I continue to work, each experience will make these conclusions inconclusive again" (100). "Today, it is hard to see how a vital theatre and a necessary one can be other than out of tune with society--not seeking to celebrate the accepted values, but to challenge them" (134).

More than half a century after its composition The Empty Space is certainly valuable to students of 20th-century theater history, but also, I think, to anyone still concerned to generate and appreciate living performances in stage environments.
… (mehr)
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paradoxosalpha | 9 weitere Rezensionen | Sep 13, 2021 |
> Babelio : https://www.babelio.com/livres/Brook-Espace-Vide--Ecrits-sur-le-theatre/41615
> Oeuvres : https://www.librarything.fr/work/22866793/book/165635301

> L'ESPACE VIDE, de Peter Brook. — Bon, bon, bon ! Trois bon, bon pour commencer !
" Peter Brook n'est pas seulement un metteur en scène et pas seulement un théoricien, même pragmatique, du théâtre. Sans l'avouer, du moins dans ce livre, il a de plus grandes ambitions. Le théâtre est pour lui, à coup sûr, une fin.
Mais il est aussi le moyen de fonder et d'entretenir une communauté d'hommes et de femmes capables de porter atteinte, par leur seule exemple, aux ordre établi, d'apporter une inquiétude et un bonheur que d'autres arts du spectacle, trop dépendants des forces économiques qu'ils pourraient dénoncer, ne peuvent faire éclore.
Voici un livre indispensable à ceux qui aiment le théâtre et ceux qui ne l'aiment pas. A ceux qui en font et à ceux qui y assistent. Car il y est autant question du public que des interprètes, acteurs ou metteurs en scène, grâce auxquels le théâtre, écrit ou non écrit, peut vivre. ”
Extraits de la préface de Guy Dumur.
Voilà ! Il y a de quoi vous mettre l'eau à la bouche si vous avez un soupçon de goût pour le théâtre. Editions du Seuil, 184 pages.
--Le quotidien du Saguenay - Lac-St-Jean, 28 mai 1977, Cahier 3
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Joop-le-philosophe | 9 weitere Rezensionen | Aug 7, 2021 |
Dated writing but an interesting text that focuses on the how and why theatre is created. Looking at all elements of a creative company, Brook explores the intangible power of theatre.
 
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caseybp | 9 weitere Rezensionen | Apr 3, 2020 |

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Statistikseite

Werke
45
Auch von
6
Mitglieder
1,840
Beliebtheit
#13,986
Bewertung
4.0
Rezensionen
29
ISBNs
134
Sprachen
10

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