Benjamin H. D. Buchloh
Autor von Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975
Über den Autor
Benjamin H.D. Buchloh is Andrew W. Mellon Professor of Modern Art at Harvard University. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press, 2001) and editor of October.
Werke von Benjamin H. D. Buchloh
Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (2001) 52 Exemplare
Premises: Invested Spaces in Visual Arts, Architecture, & Design from France : 1958-1998 (Guggenheim Museum… (1656) 18 Exemplare
Formalism and Historicity: Models and Methods in Twentieth-Century Art (October Books) (2004) 11 Exemplare
Experiments in the Everyday: Allan Kaprow and Robert Watts--Events, Objects, Documents (an exhibition catalogue) (2000) 8 Exemplare
Dan Graham Video-Architecture-Television: Works, Propositions and Projects, Writings 1970-1978 (The Nova Scotia… (1979) 6 Exemplare
Gerhard Richter [3 Volume Boxed Set] Band I: Katalog Der Ausstellung, Band II Texte, Band III Werkubersicht/Catalogue… (1993) 5 Exemplare
Gerhard Richter [glass strips glass ; new works by Gerhard Richter: 2010 to 2013 ; on the occasion of the exhibition of… (2014) 3 Exemplare
Gerhard Richter [3 Volume Boxed Set] Band III: Werkubersicht / Catalogue Raisonne, 1962-1993 1 Exemplar
Gerhard Richter: [exposition], 1er fevrier--21 mars 1977, Centre national d'art et de culture Georges Pompidou, Musee… (1977) 1 Exemplar
OCTOBER 132: Andy Warhol, A Special Issue 1 Exemplar
30th year anniversary publication 1 Exemplar
Art & Ideology. 1 Exemplar
Prospectretrospect. Europa 1946-1976 1 Exemplar
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OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA (2005) — Mitwirkender — 7 Exemplare
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Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.
This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).
One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.… (mehr)