Renaissance Theatre Company

I think I finally understand the fuss about Shakespeare.

I've read and enjoyed his sonnets. I'm familiar with the basic storyline of most of his plays. But I've never found the plays themselves very accessible or coherent. There were some passing Shakespeare interludes in college, but they were surface at best. I tried a personal Shakespeare regime once, reading through my Complete Shakespeare on a somewhat-regular basis. The project fizzled; I just couldn't keep my head in it.

But finally, audiobooks came to the rescue. Hearing the play, with all the characters voiced by different actors, is almost as good as seeing it. I think I've found my Shakespeare remedy. This audiobook is a BBC dramatization and features an all-star cast with Kenneth Branagh as Hamlet. I really enjoyed everyone's performances.

Hamlet, Prince of Denmark is probably Shakespeare's most famous work, a tragedy that explores madness, revenge, alienation, incest, and passion. It's an archetypal story that has been told and retold many times since (and before) Shakespeare's play, and will probably continue to be staged endlessly in various media. Disney's animated film The Lion King is a perfect example of how this story can be adapted to almost any medium and setting.

One of the main objections many modern readers have to Shakespeare is the language. It can be tough, especially if you're slogging through it on your own, weighted down with the helpful but heavy annotations and footnotes of most print versions. So I was delighted when the language not only made sense to me, but astounded me with its beauty and strength. Though I struggled somewhat at times to understand, for the most part I was able to follow what was going on and appreciate the way it was written. This is probably funny, but my first thought on hearing the language of the play was that it sounded like C. S. Lewis's Narnian nobility, especially Prince Rilian in The Silver Chair. I never really made the connection, but this was entirely deliberate on Lewis's part. He describes Rilian: "He was dressed in black, and altogether looked a little bit like Hamlet." (Rilian is, of course, rather mad as well.) I have always loved the archaic dignity and grace of their speech—and it always seemed to me that there wasn't nearly enough of it in the Chronicles. Well, I've found the fountainhead now and I'm drinking eagerly. All unwitting, I was prepared for the language of Shakespeare by Lewis. Just one more reason to love Narnia and read it to my children!

It's astonishing how many familiar quotes come from this play. The list seems endless: every dog has his day, to be or not to be, frailty, thy name is Woman, murder most foul, and many, many more. Half the fun of listening was to hear things I already knew, fresh where they began. Wikipedia attempts to sketch a broad outline of the authors and thinkers inspired by Shakespeare's Hamlet; I don't think its influence can be measured. It's had an incredible impact on the imaginations of countless writers, and though I knew this theoretically going in, it's quite another thing to experience it for myself and hear all these everyday phrases in their original context.

The theology is alternately wonderful and dreadful (with the wonderful parts being, I think, unintentional). The worst part is when Hamlet refrains from killing his uncle because he finds him at his prayers with his soul supposedly cleansed and ready for heaven—while Hamlet's father was murdered suddenly, without the chance of shriving his soul, and is therefore most likely in Hell. This is a very Roman Catholic, works-based view of salvation, and I think its innate illogic is obvious.

But there are other parts that hit me hard with their spiritual resonance, like this passage:

Use every man after his desert,
and who should 'scape whipping?
Use them after your own honor and dignity:
the less they deserve, the more merit is in your bounty.

It isn't in a religious context at all, but the spiritual import of this thought is so profound. The more I think about it, the more profound it becomes.

In short: Hamlet is brilliant. I know some of it went over my head, but the pieces I grasped are sharply intelligent and pithy. And the best part of this entire experience? It leaves me hungry for more Shakespeare.… (mehr)

I decided to overcome longstanding feelings of inadequacy which had until now kept me away from Shakespeare's plays, which I had never studied in school and which seemed indecipherable to me. There is no particular reason why I chose to start with Lear, other than the fact that I had gotten my hands on an excellent audio version of a performance featuring John Gielgud as the king. One of Shakespeare most bleak and depressing, plays, it tells the story of how King Lear chose to divide his kingdom between his two eldest daughters because of their flattering words, disowning his most faithful daughter, Cordelia when she fails to shower him with compliments, and thereby bringing himself unending torment and sorrow. I've yet to listen to that performance, but I read the play first, and with SparkNotes helping me to decipher all the nuances of Shakespearean English, was surprised to find myself enjoying it to the point of laughter when the unremitting bleakness had one of the central characters putting it succinctly when he said: "Our present business is general woe". That's one Shakespeare quote I'm not likely to forget!… (mehr)