David Kynaston

Since the 1990s three historians have entered the race to document as thickly as possible the postwar history of Britain. Peter Hennessy was the first starter, in 1992, but distracted by other concerns soon fell off the pace, managing to reach the early 1960s in three volumes. Dominic Sandbrook entered next, in 2005, cheating a little by starting at 1956, and has since yomped through the decades, producing five volumes taking us up to 1982. But perhaps slow and steady wins the race. David Kynaston started last, in 2007, and has only just reached 1965 in five volumes (six if you count his lockdown book, dwelling on 1962, On the Cusp). Unlike Sandbrook, he does not rely overmuch on newspapers – not really ‘the first draft of history’, only the first draft of what journalists think is history, chiefly politics – and where he does he plunges deep into the local press. Kynaston’s trump cards are diaries – dozens of them, able to reach down into mundane thoughts and diurnal lives. To them he adds lashings of television, cinema, novels, brisk summaries of academic literature, memoirs, social surveys and now his own memories: in 1962 he entered secondary school.

As a result his account is much more textured and alive than his rivals’. By 1962 he can use television as a click-track for the age, as every day his protagonists are watching soaps (Crossroads arriving alongside Coronation Street), Westerns, football and cricket, proliferating pop programmes (Ready Steady Go and Top of the Pops), The Wednesday Play for the more ‘advanced’, The Black and White Minstrel Show for the less. Some familiar themes thread their way through the narrative – Beatlemania, the Profumo affair, the rise and fall of That Was The Week That Was. Expected characters naturally rear their heads: the Pill, the Post Office Tower, mods and rockers. Some are, perhaps, unexpected, at least this early: David Bowie (still David Jones), the hairdressers Toni and Guy, Gyles Brandreth (from his teenage diary). Others benefit from hindsight: a beady eye is kept on the antics of Jimmy Savile; racism is on the rise, though not uncontested, unlike sexism, which contemporaries hardly notice, though Kynaston does. A few are still on stage today: David Hockney, Ken Loach, David Attenborough, John Cleese.

How to make all this hang together? What, to paraphrase Orwell, do the clatter of the Rolls Razor twin-tub washing machines, the to-and-fro of the young men in their Minis on the motorway, the queues outside the Rolling Stones concert, the rattle of counters in the bingo hall and the teenage girls cycling to grammar school in their uniforms possibly have in common? In earlier volumes – as early as the mid-1950s – Kynaston used ‘modernity’ as an organising principle, sure that ‘the British’ wanted it, albeit in familiar settings; but in 1962 they were still ‘on the cusp’ and now he is not so sure.

Read the rest of the review at HistoryToday.com.

Peter Mandler teaches modern British history at Gonville and Caius College, University of Cambridge. His latest book is The Crisis of the Meritocracy: Britain’s Transition to Mass Education since the Second World War (Oxford University Press, 2020).… (mehr)

David Kynaston identifies a brief period in 1962 as the cusp between the post war period and the Swinging Sixties, identifying the nexus as coming with the release of the Beatles’ first single and the release of Dr No, the first James Bond film starring Sean Connery.

I found this an interesting approach, but the book itself seemed very chaotic, consisting of not much more than a list of reports from local newspapers around the country. I felt that Kynaston managed to overplay a potentially interesting take on recent history to the extent that he actually made the book feel almost oppressive.

I have read a lot of books covering this period of history (of particular interest to me as I was born in 1963), but felt that despite my high expectations based on having read some of his previous books, this was rather a let down.… (mehr)

In the early 1950s Great Britain was a nation in transition. On the one hand it was still an imperial power, a workshop to much of the world, a land with a tradition-bound patriarchal society. Yet on the other it was seeing the first results of the many social and economic changes underway, with the clearing of the Victorian-era slums, the growing challenges of a multi-racial population, and the rapid proliferation of television just some of the signs pointing to the future that was to come. This transition and the people who faced it are the subjects of David Kynaston’s book, which chronicles life in Britain between the Festival of Britain in 1951 and Prime Minister Anthony Eden’s resignation six years later.

In many respects Kynaston’s book is less a narrative of these years than a panorama that allows the reader to take in details both large and small. Through them he depicts the emergence of what he calls a “proto-consumerist” society from years of rationing and deprivation. As Britain shook off the postwar austerity, its citizens embraced the burgeoning prosperity as their due after their years of sacrifice. As Kynaston demonstrates it was a reward enjoyed by a broader swath of society than ever before, yet as more people enjoyed the benefits of prosperity a growing number of concerns were expressed about the damage being done to society, of the breakdown of communities and the rebelliousness of youth.

Kynaston recounts these years in a sympathetic and perceptive manner. Seemingly nothing is too insignificant to escape his attention, while his ability to draw significance from these trivial facts supplies added depth his account of the events and developments of the era. Yet his narrative never bogs down in the facts, transitioning smoothly from one topic to another without ever losing his reader’s interest. The result is a magnificent work, a worthy sequel to his earlier volume, and one that leaves its readers eager for the next installment in his “Tales of a New Jerusalem” series.… (mehr)