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Jonathan Dennis

Autor von The Black Archive: Ghost Light

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Werke von Jonathan Dennis

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The Book of the War (2002) — Mitwirkender — 80 Exemplare
Secret Histories (2009) — Mitwirkender — 20 Exemplare
Iris Wildthyme and the Celestial Omnibus (2009) — Mitwirkender — 19 Exemplare
A Romance in Twelve Parts (2011) — Mitwirkender — 12 Exemplare
Perfect Timing 2 (1999) — Mitwirkender — 11 Exemplare
Burning with Optimism's Flames (2012) — Mitwirkender — 8 Exemplare
Señor 105 and the Elements of Danger (2011) — Mitwirkender — 5 Exemplare

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https://fromtheheartofeurope.eu/vengeance-on-varos-by-jonathan-dennis-and-philip...

Jonathan Dennis, who previously wrote the Black Archive on Ghost Light (incidentally, the first Black Archive that I didn’t really care for), has mounted a detailed but ultimately unconvincing defence of Vengeance on Varos.

The first chapter, “Introduction – In Poor taste”, defends the aesthetic and tonal changes made to Doctor Who for the 1985 season, and asserts that they work. I think a more nuanced view is possible.

The second chapter, “Winston Smith Takes it on the Jaw”, looks at dystopias, especially 1984, and at the uncharacteristic (for Doctor Who) pessimism of the story.

The third chapter, “Capital (It Fails Us Now)”, looks at the critique of capitalism and to a lesser extent colonialism in the story, and in other Who stories (including Kerblam!).

The fourth chapter, “‘They Also Affect Dogs’ – Sadism and Video Nasties”, looks at the moral panic around video nasties in the mid-80s, in the context of the horror genre in general and Videodrome in particular. Dennis finds a smidgeon of regret that the music cue in the acid bath scene is handled badly, and that Peri is exploited worse than usual here.

The fifth and final chapter, “Who Speaks for the Audience? – Conclusion” makes the fairly obvious point that Arak and Etta to some extent stand for us the audience.

An appendix, “6 Times 2 Equals 12”, makes some very interesting paralells between the Sixth and Twelfth Doctors:

[start]

The obvious similarity is in the Doctor’s character arc. Both eras feature a gruff, arrogant Doctor who gradually smooths out and becomes more (conventionally) likeable. In the sixth Doctor’s case that arc is unfortunately truncated due to real-world circumstances outside the narrative. It was a good concept in the Colin Baker era and Moffatt is able to bring it to its proper conclusion with Peter Capaldi.

Aside from this general similarity of the character arc, many of the details are echoed as well. Baker and Capaldi both appeared on the show prior to being cast as the Doctor…

The Doctor and Clara bicker. It doesn’t come off quite as harshly as comparable scenes between the sixth Doctor and Peri, but that’s down to the dialogue being funnier…

The first full years of both Baker and Capaldi’s tenure end with stories heavy on body horror, set in funeral homes where the Doctor’s old enemies are recreated with human corpses as the raw material. There’s even similar imagery, of the glass Dalek and the transparent Cybermen in tanks. They both have companions who die – Capaldi gets two – and all those companions get those deaths negated in some way…

Capaldi gets the all-black outfit that Colin Baker wanted, and it does serve as a visual reminder of the severity of the character. However, Moffatt starts progressing the character arc immediately.

[end]

Dennis is ready to admit that this was much more successful in the 2010s than in the 1980s. He seems curiously shy of drawing the obvious conclusion that it’s simply that Steven Moffatt (plus team) is a much better show-runner than John Nathan-Turner (plus Eric Saward). His argument is that the decision to darken the Sixth Doctor era in terms of aesthetics and tone was not a bad decision, just inadequately executed. I’m sorry, but that makes it a bad decision as far as I am concerned.
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nwhyte | Jul 13, 2023 |
https://nwhyte.livejournal.com/3818238.html

I didn't get much out of this. It's a bit of a grab-bag of source material and script analysis, without looking at the actual staging of the TV story as much as the others have done, or indeed at its reception and subsequent reputation. So it's the first miss of the first six Black Archives for me; which after all is not such a bad strike rate.

The chapters are:

* telling us firmly how unusual Ghost Light is;
arguing (unconvincingly) that it uses other literary and film sources more than other stories (though with an amusing coda on similarities with The Rocky Horror Picture Show);
* pointing out that it is a haunted house story, and the Steven Moffat likes these too;
* a cursory look at hypnosis and mind control;
even shorter on "Java" as a euphemism; and
* a long and confused chapter on evolution and class.

The completist will want this, but I think there's more interesting commentary to be found elsewhere.
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nwhyte | Dec 11, 2021 |

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