Marcel Duchamp (1887–1968)
Autor von Dialogues with Marcel Duchamp
Über den Autor
Bildnachweis: Leon Hartt, Marcel Duchamp (center), and Mrs. Hartt: Library of Congress Prints and Photographs Division, George Grantham Bain Collection
(REPRODUCTION NUMBER: LC-USZ62-63273)
Werke von Marcel Duchamp
Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction: An Exhibition Catalogue (2 October 1999-15 (1999) 14 Exemplare
De bruid gestript door haar vrijgezellen, zelfs (De groene doos) & In de onbepaalde wijs (De witte doos) (1998) 12 Exemplare
Duchamp: mayo-junio 1984, Sala de Esposiciones de la Caja de Pensiones, Paseo de la Castellana, 51, Madrid- exposición (1984) 7 Exemplare
The Selected Correspondence of Marcel Duchamp 4 Exemplare
Duchamp: Exposicio organitzada per la Fundacio Joan Miro i la Fundacio Caixa de Pensions : Barcelona, febrer-marc, 1984… (1984) 3 Exemplare
Duchamp 2 Exemplare
Francis Picabia 2 Exemplare
Marcel Duchamp på radio : Georges Charbonniers intervjuer med Marcel Duchamp i franska radion 1960-1961 2 Exemplare
Deux interviews new-yorkaises, septembre 1915: Marcel Duchamp ; preface de Jean Suquet ; traduction de Patrice Cotensin… (1996) 2 Exemplare
The Almost complete works of Marcel Duchamp [exhibition] Tate gallery, 18 June-31 July 1966 2 Exemplare
Zu Lebzeiten veröffentlichte Texte 1 Exemplar
[No title] 1 Exemplar
Conversando con Marcel Duchamp 1 Exemplar
The almost complete works of Marcel Duchamp 1 Exemplar
Bijoux de famille : exposition-vente d'¿uvres d'art a la Galerie Chantal Crousel : Marcel Duchamp,… 1 Exemplar
MARCEL DUCHAMP ET SES FRERES 1 Exemplar
Eau & Gaz a Tous Les Etages 1 Exemplar
Mercante del segno 1 Exemplar
Nude Descending a Staircase No 2. 1 Exemplar
Catalogue des tableaux, aquarelles et dessins par Francis Picabia appartenant à M. Marcel Duchamp. 1 Exemplar
Marcel Duchamp Redux: Norton Simon Museum 1 Exemplar
Notes 1 Exemplar
O Acto Criador 1 Exemplar
First Papers of Surrealism. 1 Exemplar
Marcel Duchamp. Notes and Projects for the Large Glass. Selected, Ordered and with an Introduction By Arturo Schwarz (1969) 1 Exemplar
Rotoreliefs 1 Exemplar
Marcel Duchamp Cards 1 Exemplar
Respirer est un problme 1 Exemplar
[Propos] 1 Exemplar
Apropos of "Readymades" 1 Exemplar
Fontaine 1 Exemplar
From the green box 1 Exemplar
Marcel Duchamp et ses frères [exhibition] Galerie Dina Vierny, Paris, October-November, 1988 1 Exemplar
L.H.O.O.Q. 1 Exemplar
Duchamp : Chefs-d’oeuvre de l’art, no 130 1 Exemplar
Marcel Duchamp, Man Ray, Francis Picabia 1 Exemplar
Yves Tanguy 1 Exemplar
Orbes [2e serie, no. 4, été 1935; Numéro 4, Hiver 1932-1933; La Ligne de Vie. Collection Orbes 2] 1 Exemplar
Wooden box with multiples 1 Exemplar
LIBRO-MALETA. 1 Exemplar
Young Cherry Trees Secured Against Hares 1 Exemplar
XXe Siecle No.4 NOEL 1938 1 Exemplar
Zugehörige Werke
The Bride and the Bachelors : Duchamp with Cage, Cunningham, Rauschenberg and Johns : 14 Feb-9 June 2013. (2013) — Illustrator — 1 Exemplar
Getagged
Wissenswertes
- Rechtmäßiger Name
- Duchamp, Henri-Robert-Marcel
- Andere Namen
- Sélavy, Rrose (pseudonym)
- Geburtstag
- 1887-07-28
- Todestag
- 1968-10-02
- Begräbnisort
- Rouen Cemetery, Rouen, Normandy, France
- Geschlecht
- male
- Nationalität
- France
USA (1955) - Geburtsort
- Blainville-Crevon, France
- Sterbeort
- Neuilly-sur-Seine, France
- Wohnorte
- Blainville, France
Paris, France
New York, New York, USA - Ausbildung
- Académie Julian
Lycée Pierre-Corneille, Rouen - Berufe
- filmmaker
chess grandmaster
painter
sculptor - Beziehungen
- Buffet-Picabia, Gabriële (friend, lover)
- Organisationen
- Oulipo
The Puteaux Group, - Preise und Auszeichnungen
- Marcel Duchamp Prize (in French: Prix Marcel Duchamp)
American Academy of Arts and Letters (Art ∙ 1960) - Kurzbiographie
- Marcel Duchamp was raised in Normandy, one of seven children in a family of artists. One of his earliest works, Landscape at Blainville (1902), painted at age 15, reflected his family's love of Claude Monet. Marcel was close to his two older brothers, and in 1904 he joined them in Paris to study painting at Academie Julian. Duchamp studied all the modern trends in painting in Paris of the era, including Fauvism, Cubism, and Impressionism. He was attracted to avant-garde notions of the artist as an anti-academic and the mysterious allure of Symbolism. He first gained wide recognition as an artist in 1913 when he submitted his painting Nude Descending a Staircase, No. 2 to the Armory Show in New York City. Duchamp devoted seven years (1915-1923) to planning and executing one of his other major works, The Bride Stripped Bare by Her Bachelors, Even, or The Large Glass. In 1915, Duchamp emigrated to the USA while finishing his Bride. As Surrealism became popular in France, Duchamp traveled between New York and Paris, participating in printed textual projects, sculptural installations, and collaborations in all mediums with Dadaists and Surrealists. In 1920, Duchamp adopted an alternate female persona, "Rrose Selavy," to fully explore ideas of sexual identity. He continued to make "readymades" (his own term) and exhibited his famous Bottle Rack series in 1936. He belonged to a tight-knit group of friends and fellow artists, including Man Ray, and preferred to work in complete secrecy until his death in 1968.
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As I was becoming increasingly neurotic in the mid-'10s, even before gaining awareness of my autism, my tastes have changed. I like to read this volume as a collection of poetry (except, for instance, those articles on fellow artists), poetry in the expanded field, if you will. Unlike Tzara, Duchamp was never interested in anything resembling traditional poetry. But texts such as the one on "the" or the four cards with supposed extracts from a bigger text that does not actually exist - these can be read as conceptual poetry today (alongside stuff from Fluxus and Oulipo).
The notes around the "Bride", which include opaque technical instructions full of dry humor (and stuff that I am not sure to what degree passes acceptable nowadays according to feminists, with or without trusting the likes of Deleuze) but also other miscellaneous stuff, remain still so puzzling to me - at the time, I was still not completely aware of Ulises Carrión, despite having some notion of what an artist's book is, so I found here an amazing example of how a traditional book needs not to be always the way to publish, and that writing can not only jump between functional genres, but also refuse to settle on particular ones.
6 years later, I still return occasionally to this - its novelty is still fairly enduring, despite my tastes perhaps slowly making way for a slant return of more lyrical or traditionally literary approaches.… (mehr)