Philip Furia (1943–2019)
Autor von The Poets of Tin Pan Alley: A History of America's Great Lyricists
Über den Autor
Philip Furia is a professor in the Department of Creative Writing at the University of North Carolina at Wilmington. Previously, he was the Chair of the Department of English at the University of Minnesota, where he taught for twenty-five years. He lives with his wife and daughter in Wilmington
Werke von Philip Furia
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Wissenswertes
- Rechtmäßiger Name
- Furia, Philip George
- Geburtstag
- 1943-11-15
- Todestag
- 2019-04-03
- Geschlecht
- male
- Nationalität
- USA
- Geburtsort
- Pittsburgh, Pennsylvania, USA
- Wohnorte
- Pittsburgh, Pennsylvania, USA
- Ausbildung
- Oberlin College
University of Chicago (MA|English and Creative Writing|1966)
University of Iowa (MFA; PhD|1970) - Berufe
- Professor of English Literature
author - Organisationen
- University of Minnesota
Metropolitan State University, Saint Paul, Minnesota
University of North Carolina Wilmington
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Statistikseite
- Werke
- 9
- Mitglieder
- 215
- Beliebtheit
- #103,625
- Bewertung
- 3.9
- Rezensionen
- 4
- ISBNs
- 35
Song characteristics
-- influence of Vers de société or light verse: urbanity and flippant tone, with an ironic and casual manner
-- introduction of colloquialisms (rag) over arch poetic scansion (ballad) of European tradition
-- list songs were favourites, the placename list a specific variety of same
-- clever rhyming a hallmark: Porter, Hart, Gershwin
-- emphasis upon "singable" aspects: sonority of vowels, alliteration of consonants as important as rhyme
-- integrated songs could do without rhyming by linking to plot, character, or regional style of show; uncommon until Oklahoma! (1943)
Industry inflection points
-- stooge singers placed in audience of variety shows, to boost popularity of specific songs (was Iggy aware of this use of the term?)
-- interpolated songs took popular songs and placed in unrelated variety show, single song could be placed in several shows; "hot show" was one with a strong hit
-- 1940s saw recording sales outsell sheet music for the first time; Tin Pan Alley used Broadway as a marketing delivery system, the point was to sell sheet music
-- battle between ASCAP (publisher of sheet music) and BMI (publisher of recordings) came to a head with ASCAP's radio contract set to expire in January 1941; radio shifted over to BMI before ASCAP could negotiate new contract, and when it was finally ready there was already a shift to "hillbilly" or "roots" recordings from BMI, which ASCAP had avoided
-- Tin Pan Alley format: 32-bar, AABA (with 3 strophes, 3 refrains in 4x8 structure?)
-- Blues standards format: 12-bar, AAB (in 3x4 structure?)… (mehr)