William Gaunt (1) (1900–1980)
Autor von The Pre-Raphaelite Dream
Andere Autoren mit dem Namen William Gaunt findest Du auf der Unterscheidungs-Seite.
Werke von William Gaunt
Flemish Cities : Their History and Art, Bruges, Ghent, Antwerp, Brussels by William Gaunt (1969) 18 Exemplare
SELECTED WRITINGS OF WILLIAM MORRIS 2 Exemplare
Kensington 2 Exemplare
Twentieth Century, The 1 Exemplar
British School, The 1 Exemplar
Richard Eurich 1 Exemplar
Hogarth (Faber Gallery) 1 Exemplar
George Stubbs 1 Exemplar
Zugehörige Werke
Lebensläufe der berühmtesten Maler, Bildhauer und Architekten. (1550) — Herausgeber, einige Ausgaben — 725 Exemplare
Lives of the Painters, Sculptors and Architects (Everyman's Library Classics) (v. 3) (1927) — Herausgeber, einige Ausgaben — 10 Exemplare
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Wissenswertes
- Geburtstag
- 1900-07-05
- Todestag
- 1980
- Geschlecht
- male
- Nationalität
- UK
- Ausbildung
- Oxford University (Worcester College)
Ruskin School of Drawing - Berufe
- art historian
artist - Organisationen
- British Army (WWI)
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The first short chapter therefore introduces Millais, Holman Hunt, Rossetti and very briefly other members of the PRB and Ford Madox Brown.
Gaunt then chats on, discussing Millais’ meeting with Ruskin (with Ruskin’s wife subsequently divorcing Ruskin and marrying Millais), Rossetti’s meeting with Lizzie Siddal, Woolner’s emigration to Australia, Hunt’s travels to the Holy Land to paint The Scapegoat.
Then comes Rossetti’s meeting with Burne Jones and Morris, with a reinvigoration of the PRB ideals, however vague and dreamlike these are.
All told in an informal, colloquial fashion, assuming familiarity with the paintings made by the various artists.
Although a work of its time, which I initially felt would deter me from reading the whole book, it is charming, anecdotal and covers the whole of the artists later lives. For example there are fascinating details of Holman Hunt speaking to Charles Dickens about the financial aspects of negotiating the expected revenue from The Finding of Christ in the Temple , where Dickens did not look at the painting! (Page 101).
I found amusing the references to the bestselling author Hall Caine, who befriended Rossetti at the end of his life and rushed out his Recollections of Rossetti. Since this was written in 1942 Hall Caine has been mostly forgotten, but Rossetti and the PRB are still relatively well known.
This is not an introduction to the Pre-Raphaelites, as it assumes a knowledge of the artists’ works, but for those familiar with the paintings, it is a wonderful short overview of the movement as a whole.… (mehr)