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Boris Groys

Autor von Art Power

80+ Werke 891 Mitglieder 6 Rezensionen Lieblingsautor von 1 Lesern

Über den Autor

Boris Groys is Professor of Russian and Slavic Studies at New York University, Senior Research Fellow at the Academy of Design in Karlsruhe, Germany, and Professor at the European Graduate School in Saas Fee, Switzerland. He is the author of Art Power, History Becomes Form: Moscow Conceptualism mehr anzeigen (both published by the MIT Press), and other books. weniger anzeigen
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Werke von Boris Groys

Art Power (2008) 95 Exemplare
The Communist Postscript (2006) 73 Exemplare
Going Public (E-Flux Journal) (2010) 60 Exemplare
In the Flow (2016) 58 Exemplare
Unter Verdacht (2000) 35 Exemplare
Russian Cosmism (2018) 32 Exemplare
Ilya Kabakov (1998) 29 Exemplare
Peter Fischli David Weiss (1999) 23 Exemplare
Philosophy of Care (2022) 18 Exemplare
Chagall to Malevich : the Russian avant-gardes (2016) — Mitwirkender — 11 Exemplare
Cartas de la época de Ibiza (2008) 10 Exemplare
Discursive Museum, The (2002) 7 Exemplare
Beat Streuli (1993) 7 Exemplare
Cosmismo ruso (2021) 5 Exemplare
Compossibilities (2013) 3 Exemplare
Pawel Althamer: The Neighbors (2014) 3 Exemplare
Alexander Deyneka (2014) 3 Exemplare
Politika poetiki (2012) 3 Exemplare
Topologie der Kunst (2003) 3 Exemplare
Filosofia de la cura (2023) 2 Exemplare
Die Kunst der Installation (1996) 2 Exemplare
Manifesta Journal (1/2/3) (2011) 2 Exemplare
Perejaume: Des-Exhibit (1999) 2 Exemplare
Alexander Kosolapov: Sots Art (2010) 2 Exemplare
Pavel Pepperstein And Guests (2004) 1 Exemplar
Die Erfindung Russlands (1995) 1 Exemplar
Kazimir Malevich (2014) 1 Exemplar
Logic of the Collection (2021) 1 Exemplar
Die Erfindung Russlands (2008) 1 Exemplar
Globus Cassus 1 Exemplar
Arte em Fluxo 1 Exemplar
Az utópia természetrajza (1997) 1 Exemplar

Zugehörige Werke

Francis Alÿs: A Story of Deception (2010) — Mitwirkender — 41 Exemplare
Stanley Kubrick : das Schweigen der Bilder (1993) — Vorwort, einige Ausgaben2 Exemplare

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Thought-provoking read, even if it suffers from a mix of over-complex and pretentious passages where the author seems to have the right interpretation for everything.
 
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d.v. | 2 weitere Rezensionen | May 16, 2023 |
Limited art criticism by Groys that takes well-documented examples (Broodthaers, Duchamp) and uses them as examples for the formation of new thinking in art. Much of this theory echoes art criticism from the 1990s and introduces very little in the line of new ideas. Some thoughts on technology begin in the early chapters but are not fully explored later. Disappointing, as I have read high praise of Groys and have not yet enjoyed any of his writing.
 
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ephemeral_future | 2 weitere Rezensionen | Aug 20, 2020 |
A theoretical book on the idea of 'new' in art is something that is ironically not very new anymore. Written in the early 1990s (like many books on this topic), the theories here have been surpassed but there is still value in some arguments on the idea of how value is applied to new artistic objects, unfortunately using tried-and-tested art examples like Cindy Sherman and Marcel Duchamps. The book does not rely on jargon, but the writing style is difficult at times; I enjoyed the structure and some of the arguments, but got little enjoyment from reading Groys' book. His recent papers on technology-led art are much more enjoyable and extremely interesting.… (mehr)
 
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ephemeral_future | Aug 20, 2020 |
I was interested in a communist philosopher's take on post-communism. I hope this isn't the best attempt. Some gems:

'The struggle between these positions [marking left and right of party] determined the life of the country for a considerable period until the general line, represented by Stalin, won out at the beginning of the 1930s, whereupon left and right deviationists were liquidated over the course of the decade. '

'were liquidated', like a mattress you don't want.

'Thus Stalinist communism proves finally to be a revival of the Platonic dream of the kingdom of the philosphers, those who operate by means of language alone. In the Platonic state, the language of the philosophers is converted into direct violence by the class of guardians. This violence holds the state together. The Stalinist state was no different. It was the state apparatuses that translated the language of the philosopher into action - and, as is common knowledge, this translation was exceedingly brutal, incessantly brutal. Nevertheless, this remains a case of rule by language, for the sole means by which the philosopher could compel these apparatuses to listen to him and act in the name of the whole were those of language.'

I'm not sure who that passage shortchanges more, the Greeks, Chekists, or Gulag guards. We all cower to the middle of the night knock of a philosopher's language. Guffaw.

'On the one hand, sub-atomic particles are primary because all matter is made up of them. But in relation to finance they are secondary, because the greater the acceleration that releases the sub-atomic particles are discovered - and the size of the particle accelerator depends entirely upon its finance.'

Yes, the existence of quarks and muons in stars billions of miles away billions of years ago are completely dependent upon human government finance. Idiot.
… (mehr)
 
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kcshankd | Dec 30, 2016 |

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