Ivan Head
Autor von Who may celebrate? : boundaries of Anglican order
Werke von Ivan Head
The projectionist : poetry in eight reels 1 Exemplar
Getagged
Wissenswertes
Für diesen Autor liegen noch keine Einträge mit "Wissenswertem" vor. Sie können helfen.
Mitglieder
Rezensionen
Statistikseite
- Werke
- 3
- Mitglieder
- 6
- Beliebtheit
- #1,227,255
- Bewertung
- 5.0
- Rezensionen
- 1
- ISBNs
- 2
Many of the poems have been published in Quadrant (where Les Murray is the poetry editor), the West Australian and the Sydney Morning Herald. Their presence in those publications suggests their high quality.
Ivan is a poet who celebrates birds and flowers, trips by train and trips to London and the US. In some the words tumble just to celebrate language:
Montezuma met a Puma going to the fair
Said Montezuma to the Puma let me taste your ware.
Said the Puma
to Montezuma
No I prefer my fare rare and so he ate him then and there.
Many of the poems are complex with multiple levels of meanings. I enjoy recognising the double- or triple-meaning, but also knowing there may be more levels that I don’t get. In Swan River, Ivan reflects on boyhood memories of throwing a kylie, or thrusting a home-made gidgie towards a Cobbler. And then:
A boy knows that prawns rest beneath the sand by day.
It is like knowledge of the Pleiades.
Under the Narrows Bridge I stood for hours and left a line out all night just in case
Something big went past.
After the series of Noongar words and the reference to arcane knowing, the pleasure of ‘Something big’ might mean a fish to catch, or, it might mean deep knowledge of culture, Aboriginal and Western. And it might mean something even bigger.
An undercurrent of Christian faith and theology, which on occasion rises to the surface level of the poems, holds them in a strong web of meaning.
Ivan has a strong ear for the music of words, their sound and rhythm. All his poems are free-form and show the influence of modernist and Beat poetry.
I found real pleasure in their Australianness. The poems are about the plants and animals of Cookernup (near Bunbury), Perth and Sydney. They are about our childhoods in the 1950s. Even when the subject is not directly Australian, Ivan’s attitude is. He punctures pomposity. Here he reduces the English Reformation to Henry VIII’s armour.
…. And now he’s gone,
the ghost isn’t in the machine.
Just the carapace remains
And what the commentator
gawks at for the screen
is the gigantic iron cod-piece
With nothing in it.
The Magpie Sermons is printed on quality high-gloss paper and bound simply in a hard cover embossed with gold leaf.
Poetry lovers will enjoy reading, and re-reading, these poems of celebration, irony, contemplation and joy.… (mehr)