Margot A. Henriksen
Autor von Dr. Strangelove's America: Society and Culture in the Atomic Age
Werke von Margot A. Henriksen
Getagged
Wissenswertes
Für diesen Autor liegen noch keine Einträge mit "Wissenswertem" vor. Sie können helfen.
Mitglieder
Rezensionen
Statistikseite
- Werke
- 1
- Mitglieder
- 29
- Beliebtheit
- #460,290
- Bewertung
- 3.4
- Rezensionen
- 1
- ISBNs
- 4
Describing the American narrative, Henriksen writes, “Throughout their history Americans have shown an uncanny ability to overlook, overcome, or absorb those disturbing elements in their midst which more dispassionate observers might have used to pierce the armor of American innocence and optimism” (pg. 3). Henriksen writes of the early years following the first atomic bomb detonations, “Filtering through the products of popular culture in these years was a vague sense that the search for security entailed corruption of American ideals and traditions” (pg. 20). This reflected the public’s fear of the American military and government’s newfound power to shape, or destroy, the world. According the Henriksen, “Cold war America witnessed the growth of a new film genre – science fiction – that centered much attention on atomic age concerns about the political morality and apocalyptic potential of atomic and hydrogen bombs” (pg. 50).
Henriksen engages with the role of gender in the historiography, addressing the work of Elaine Tyler May, “whose Homeward Bound: American Families in the Cold War Era (1988) demonstrated the connection between the personal and the political during this time period, particularly between family ideology and cold war ideology” (pg. 113-114). Further, “Given the political difficulties associated with expressing fear and discontent in cold war America, Americans often turned to experts – particularly in the field of psychiatry – for help with the discontent and anxiety that they believed they should not be feeling” (pg. 114). This filtered through to popular culture.
Henriksen writes, “The knowledge of what man had deeded to himself in the atomic age was coming into focus: death. The culture of dissent also began to reflect on the malaise connected with the death wish in America” (pg. 197). Moving toward her conclusion, Henriksen writes, “While the Cuban missile crisis and Kennedy’s assassination made palpable America’s proximity to Armageddon and America’s climate of hate, it is somewhat ironic that the cultural catharsis of the atomic age took place during and after these events” (pg. 305). The gallows humor of Dr. Strangelove and novels like Vonnegut’s Cat’s Cradle offered the means for Americans to process and discuss the reality of the atomic and hydrogen bombs. Henriksen concludes, “The history and culture of recent America is then to a significant degree the history and culture of Dr. Strangelove’s America. The central and historical dynamic tension between cultural dissent and the atomic age political status quo, aroused and openly expressed in the cultural revolution of the sixties and early seventies, has persisted in keeping a tenuous balance between American dreams and myths of life and American nightmares and visions of apocalypse” (pg. 388).… (mehr)