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Luigi Illica (1857–1919)

Autor von La Bohème [sound recording]

60+ Werke 1,425 Mitglieder 9 Rezensionen

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Werke von Luigi Illica

La Bohème [sound recording] (1956) — Librettist — 272 Exemplare
Puccini : Tosca [sound recording] (1900) — libretto — 240 Exemplare
Black Dog Opera Library : Puccini : La bohème (1996) — Librettist — 101 Exemplare
La bohème [vocal score] (1705) — Librettist — 79 Exemplare
Madame Butterfly: Japanische Tragödie in drei Akten (1904) — Librettist — 51 Exemplare
Puccini : Madama Butterfly [score: vocal] (1605) — Librettist — 50 Exemplare
Tosca [Libretto] (1900) — Librettist — 49 Exemplare
La bohème (1897) — Librettist — 49 Exemplare
Puccini : La bohème [score : full] (1917) — Librettist — 45 Exemplare
Puccini : Tosca [score : full] (1992) — Librettist — 41 Exemplare
English National Opera Guide : Puccini : Madama Butterfly (1984) — libretto — 40 Exemplare
English National Opera Guide : Puccini : La bohème (1982) — libretto — 36 Exemplare
Black Dog Opera Library : Puccini : Tosca (1998) — Librettist — 32 Exemplare
Puccini : Madama Butterfly [score : full] (1990) — Librettist — 29 Exemplare
Tosca (program) (1982) — libretto — 29 Exemplare
Puccini : La bohème [libretto] (2011) — Librettist — 26 Exemplare
Puccini : La Bohème [libretto : Italian/English] (1954) — Librettist — 24 Exemplare
Dover Opera Guide and Libretto Series : La bohème (1962) — Librettist — 21 Exemplare
Tosca [vocal score] (1986) — Librettist — 19 Exemplare
Puccini : Madama Butterfly [libretto : Italian/English] (1986) — Librettist — 17 Exemplare
Puccini : Tosca [libretto : Italian/English] (1986) — Librettist — 9 Exemplare
Madama Butterfly [libretto] (1983) — Librettist — 8 Exemplare
Masterworks of Opera : Madam Butterfly (1813) — Librettist — 8 Exemplare
Manon Lescaut [libretto] (1893) — Librettist — 5 Exemplare
El Mundo de la Ópera : Giacomo Puccini : Madame Butterfly (1988) — Librettist — 4 Exemplare
Libretto for Andrea Chénier: An Opera in Four Acts (1896) — Librettist — 4 Exemplare
Overture Opera Guides : Puccini : La bohème (2010) — Librettist — 2 Exemplare
Madama Butterfly [programme, libretto] — Librettist — 2 Exemplare
Puccini : Madama Butterfly [libretto and program] (2014) — Librettist — 1 Exemplar
Manon Lescaut (Opera di Roma 2013/2014) — Autor — 1 Exemplar
Manon Lescaut 1 Exemplar
Puccini : Tosca [libretto] (1956) — Librettist — 1 Exemplar
Puccini : La Bohème [libretto] — Librettist — 1 Exemplar
Cristoforo Colombo 1 Exemplar
Andrea Chénier (1985) 1 Exemplar

Zugehörige Werke

Madama Butterfly: Tragedia Giapponese (1904) — Librettist — 203 Exemplare
Madama Butterfly [video recording : 1995] (1997) — Librettist — 13 Exemplare
Madama Butterfly [video recording : 1975] (2005) — Librettist — 13 Exemplare
Madama Butterfly [video recording : 1986] (1986) — Librettist, einige Ausgaben6 Exemplare
Madama Butterfly [video recording : 2003] (2005) — Librettist — 2 Exemplare
Puccini : Tosca {6 excerpts} [sound recording] — Librettist — 1 Exemplar
Madama Butterfly : Un bel dì, vedremo [score] [IMC] (1960) — Librettist — 1 Exemplar

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Wissenswertes

Geburtstag
1857-05-09
Todestag
1919-12-16
Geschlecht
male
Nationalität
Italy
Berufe
Librettist

Mitglieder

Diskussionen

Private Passions in BBC Radio 3 Listeners (März 2015)

Rezensionen

Libretto Opera in 3 atti di V. Sardou, L. Illica e G. Giacosa
 
Gekennzeichnet
vittorioveneto21 | Jan 30, 2018 |
I read this G. Schirmer’s opera librettos booklet in preparation for the opera itself. It turned out to have been a very good move. Act II has crazy fun busy staging and a huge cast. Knowing the opera freed me somewhat from reading the teleprompter during the show and absorbed more of the opera itself. Without plans to watch the opera though, this booklet is unlikely to be a riveting read, with a story well known to most. BUT, I will say there are some great lines that are simply charming and poetic to describe otherwise dull or even sad events.

A very brief plot summary: Four dear friends, a poet (Rodolfo), a painter (Marcello), a philosopher (Colline), a musician (Schaunard), share their lives and often pool their money to help each other while they all struggle with their ‘careers’ in the Latin Quarters of Paris in 1830. Enter Mimi, who falls in love with the Rodolfo. But it was also revealed early that Mimi is sick – but how sick? (dum, dum, dummm). Also enter Musetta, a singer, who is the sometimes girlfriend/lover, of Marcello; the two provided the comic relief as they fight with each other constantly but is utterly in love with each other as well. As Mimi’s illness revealed itself to be much more that a cough (officially, consumption), Rodolfo breaks up with Mimi as he is too poor to provide for her, not even to keep her warm. As Mimi’s life approaches the end, she goes to find Rodolfo and to die beside him; everyone gathered to do what they can for her in her last moments.

Side note #1: La Boheme = The Bohemians. Back then in Paris, many of these so called Bohemians are in fact born bourgeois, but chose to live the life of the arts.

Side note #2: I won’t acknowledge that Rent, the Musical, is loosely based off La Boheme. La Boheme is charmingly, humorously endearing while Rent (though good) is drug filled grunge. Let’s keep them separated. :P

Some quotes:
The irony in Roldolfo’s burning of his own drama/manuscript to keep him and Marcello warm:
“Rodolfo: My genius is burning, aflame with inspiration!
Marcello: To burn my new painting?
Rodolfo: No, who could endure the aroma!
But my drama,
Its passionate ardor will warm us both!
Marcello (with comic terror): You don’t mean to read it? How awful!
Rodolfo: No, the paper will crumble to ashes,
The Muse will return to Olympus,
A masterpiece goes to perdition!
The loss is prodigious!
…..
What words of wisdom!
Right to the point!
Amid these bluish flickering flames
A passionate love-scene goes up in smoke!
It pops and crackles!
There! Those were kisses!”

The landlord, Benoit, describes the kind of ladies that he likes, catching up on some side action, away from the Missus:
“I was a timid boy,
Now I am getting even! You know
I’ve a certain weakness.
For certain ladies…
You see…
Not that I like them portly
Or downright tubby,
Or even chubby,
A blooming full-moon. ----- (Reviewer’s note: This made me laugh.)
But skinny, lean and skinny,
No, sir, no!
When they are skinny,
They are malicious,
And sometimes even vicious.
I don’t care for their kisses,
Least of all for – my Misses!...”

Rodolfo and Mimi declare their love for the first time (actually the first night they met!):
Rodolfo:
“O adorable angel,
O gentle vision,
Surrounded by the moonlight’s silver glow,
In your sweet person
I realize my fondest dreams of long ago!
Never have I know before
So divine a rapture!
Radiant with Happiness
My heart is glowing,
Now at last I have found you,
My one and only love!”
Mimi:
“Ah! I’ve never known before,
A love so tender and glowing!
Oh, how its soothing power
Overcomes my heart with gladness,
How sweet to be in love!”

Rodolfo laments his own inadequacies in helping Mimi heal from her sickness and fears she is getting worse:
“I love Mimi, my love for her is stronger
Than ever!
But I will lose her,
But I will lose her,
Mimi is dreadfully ailing.
Day by day she is failing.
I fear the spark of life has lost its power!”
“And my room is a den of poverty,
No fire is going,
Fiercely the wind is blowing,
Ice-cold, relentless!
She is always so cheerful,
Bu remorse overcomes me.
I have aided the fearful ill
Which destroys her!”
“Mimi is like a flower,
Lacking water and sunshine,
But you can’t revive a blossom
By love alone, by love alone.”
… (mehr)
1 abstimmen
Gekennzeichnet
varwenea | 1 weitere Rezension | Mar 4, 2013 |
This is an excellent translation of the libretto of a deservedly popular opera. Unlike many translations, this one is not at all stiff and formal; on the contrary, it flows, much like the opera itself. The Dover edition is a particulary nice size and weight, making it convenient to carry to the opera or to read while listening to a recording of it.
1 abstimmen
Gekennzeichnet
ijustgetbored | 1 weitere Rezension | Jul 8, 2010 |
Wikipedia: "an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa.

It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti.

Long's version was dramatized by David Belasco as the one-act play Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year"… (mehr)
 
Gekennzeichnet
librisissimo | Apr 25, 2021 |

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Tito Gobbi Scarpia
Giuseppe Di Stefano Rodolfo, Cavaradossi
Nicholas John Contributor, Series Editor
Victorien Sardou original play
Plácido Domingo Cavaradossi
Victor De Sabata conductor, Conductor
Georges Prêtre Conductor
David Foil Author, Text
Marco Praga Librettist, Author
Domenico Oliva Librettist, Author
Guelfo Civinini Librettist
Giuseppe Adami Librettist
Carlo Bergonzi Tenor vocals [Lieutenant B.F.Pinkerton], Contributor
Maria Caniglia Tosca, Artist
Beniamino Gigli Cavaradossi, Artist
Maria Jeritza Performer
Lotte Lehman Performer
Pasquale Amato Performer
Emma Eames Performer
Enrico Caruso Performer
Riccardo Martin Performer
Jan Kiepura Performer
Antonio Scotti Performer
Rolando Panerai Marcello, Baritone vocals [Sharpless]
Henri Murger original novel
Rosette H. Elkin Translator
David Nice Discography
Edward Greenfield Contributor
William Ashbrook Contributor
Joanna Richardson Contributor
Piero De Palma Tenor vocals [Goro]
John Barbirolli Conductor
Silvana Padoan Soprano vocals [Kate Pinkerton]
Mario Rinaudo Bass vocals [Il Commissario Imperiale]
Giuseppe Morresi Bass vocals [Yamadori]
Anna Di Stasio Mezzo-soprano vocals [Suzuki]
Paolo Montarsolo Bass vocals [Il Bonzo]
Renata Scotto Soprano vocals [Cio-Cio-San (Madame Butterfly )]
Gianni Lazzari Chorus Master
Thomas Beecham Conductor
John Luther Long Author of short story
Martin Hoyle Contributor
Julian Smith Contributor
Percy Pinkerton Translator
William Grist Translator
Bernard Williams Contributor
Stuart Woolfe Contributor
Edmund Tracey Translator
Bernard Keeffe Contributor
Rosmarie König Contributor
Philip Reed Editorial consultant
Daniel Kramer Foreword
William Weaver Translator
Simone Caputo Contributor
Antonio Rostagno Contributor
Franco Serpa Contributor
Carla Chiummo Contributor
Lorenzo. Arruga Contributor
Luciano Pavarotti Rodolfo, Cavaradossi
Mirella Freni Mimi, Tosca
Renata Tebaldi Mimi, Tosca
Raimondi Ruggero Artist, Scarpia
Ruth Martin Translator
Thomas Martin Translator
John Gutman Translator
Colin Davis Conductor
Gianni Maffeo Schaunard
Tullio Serafin Conductor
Antonino Votto Conductor
Georg Solti Conductor
Franco Bonisolli Cavaradossi
George Solti conductor
Erich Leinsdorf conductor
Roberto Alagna Cavaradossi
Samuel Ramey Scarpia
Renato Cioni Cavaradossi
Franco Corelli Cavaradossi
Alberto Erede conductor
Leo Nucci Scarpia
Nicola Rescigno conductor
Mario Del Monaco Cavaradossi
Lorin Maazel conductor
Jussi Björling Cavaradossi
H. Mehnert Translator and editor
Gwyneth Jones Introduction
Ellen H. Bleiler Translator
Alex Rigola Contributor
Charles Matz Translator
Mariko Mori Contributor
Mary Ellis Peltz Translator
Mary Jane Matz Translator

Statistikseite

Werke
60
Auch von
8
Mitglieder
1,425
Beliebtheit
#18,052
Bewertung
3.8
Rezensionen
9
ISBNs
161
Sprachen
7

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