Tenea D. Johnson

R/evolution is a novella that takes different short sections on different characters to present a dystopic view of the future, where America has been subsumed by race and class problems and genetic engineering is the norm.

Dystopians often take a current problem within our society and push it to an extreme. For instance, Atwood’s The Handmaid’s Tale does this with gender issues and patriarchy. R/evolution takes America’s current race issues combined with the possibility of genetically engineered children, “designer babies.”

While I don’t think the society Johnson presents will come to pass, it did draw some eerie parallels with current events. From the shooting at a black church in Charleston to the rise of white nationalism, R/evolution is most certainly still relevant.

R/evolution was really short. Going into it, I didn’t know it was a novella and not a full length novel. I ended up reading all of it in under two hours. However, I think it actually ended too soon. If there’s a connecting thread to the mosaic like sections it presents, it’s the Carter children. A scientist by the name of Carter is creating a genetic reparation for the African American community, designing children with unprecedented health and abilities. But I feel like I never got more than a fragmentary picture of these Carter children. I would have liked to see a lot more.

Although I didn’t enjoy R/evolution as much as Johnson’s full length novel, Smoketown, I want to continue seeking out her work. I would still recommend R/evolution, particularly to those looking for the serious sort of dystopia.

Originally posted on The Illustrated Page.… (mehr)

Smoketown is a novel that’s hard to categorize. It’s got elements of the post-apocalyptic, dystopian, and urban fantasy. And the writing is simply lovely! So lyrical and beautiful. There’s a reason I’ve compared this one to the books of Charles de Lint. Really, it’s a huge shame that more people haven’t heard of Smoketown.

Twenty years ago the city of Leiodare, a futuristic city-state located in the former state of Kentucky, was struck by a plague. Birds were perceived to be the cause, and so birds were banned from Leiodare. Now Anna Armour, an artist and factory worker, is waiting in Leiodare in hopes of finding the woman she loved who left her. Anna also has a strange gift – she can use her art to bring her creations to life. Also in Leiodare is Eugenio, a medical anthropologist investigating the cause of the original plague, and Rory, the last member of the city’s most privileged family, who spends his remaining days watching the world go by from the windows of his apartment.

Smoketown is not plot focused. While there was a plot behind the origins of the plague and the history of the city, I found it weakly contrasted and not very compelling. The plot actually ended up feeling extraneous to the characters and atmosphere.

The focus of Smoketown is clearly on the world building. The city of Leiodare leaps off the page incredibly vividly. It was a beautiful piece of world building. I feel like it went very well with some of the themes of the book – change and creation mostly. There’s a sense of artistry to the entire novel.

If you’re looking for an exquisitely dreamy piece of genre blurring science fiction and fantasy, Smoketown is just the book for you. I would also recommend it to anyone with an interest in queer black science fiction.

Originally posted on The Illustrated Page.… (mehr)

In a post-apocalyptic city, a woman waits for her missing lover.
Fearful of a recurrence of plague (some kind of mutated avian flu?), the city of Leiodare has banned birds of all kinds, and most citizens have a phobia of them.
Anna, however, has a magical gift; her drawings can come to life - and she is compelled to draw birds.

In an emotional limbo, Anna's path intertwines with that of the inhabitants of Leiodare, which under the surface, is a pressure-cooker waiting to explode.

This short novel has a poetic feel to it which shines beautifully against its gritty background. Objectively, in some ways the book feels like the work of a new author (the plot sometimes felt a bit awkward and uncertain, almost shoehorned into the atmosphere; and some elements felt like they should've been in sharper focus), but it feels like the work of a very talented new author. Aesthetically, I loved it, thus the bump up to 4 stars.

I'll definitely seek out future work by Johnson.

… (mehr)