Filippo Tommaso Marinetti (1876–1944)
Autor von Die futuristische Küche
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Born in Egypt and educated in Paris, Marinetti gained a reputation as a writer in French long before he launched the "futurist movement" with his manifesto of February 20, 1909, in Le Figaro. Proclaiming an ideal of "words in liberty," that manifesto elicited high praise from Wyndham Lewis, mehr anzeigen Guillaume Apollinaire, Ezra Pound, and D. H. Lawrence, as well as the Italians Aldo Palazzeschi, Giovanni Papini, and Ardengo Soffici. After his French works were translated into Italian, he was arrested and spent two months in an Italian jail for immorality. Despite the notoriety of his first manifesto, the subsequent Technical Manifesto of 1912 epitomizes the essence of futurism: the glorification of war, masculinity, violence, and the machine. As William De Sua correctly wrote: "Of all his works, the Technical Manifesto alone should secure his place among such figures as Pablo Picasso, Ezra Pound, Igor Stravinsky, and Guillaume Apollinaire as one of the greatest movers and shapers of modern art." (Bowker Author Biography) weniger anzeigen
Bildnachweis: Filippo Tommaso Emilio Marinetti (1876-1944), in white suit
Werke von Filippo Tommaso Marinetti
Originalita russa di masse distanze radiocuori (Edizioni Voland) (Italian Edition) (1996) 6 Exemplare
zz FUT. CRITICA 1978, Lettere a F.T. Marinetti — Autor — 4 Exemplare
Il tamburo di fuoco; dramma africano di calore, colore, rumori, odori, con intermezzi musicali e accompagnamento… (2010) 4 Exemplare
Spagna veloce e toro futurista. Poema parolibero seguito dalla Teoria delle parole in libertà 3 Exemplare
Democrazia futurista: dinamismo politico 2 Exemplare
The Founding and Manifesto of Futurism (multilingual edition): Italian/English/French/German/Arabic (1909) 2 Exemplare
Prigionieri e vulcani. Teatro futurista 1 Exemplar
Lussuria Velocità 1 Exemplar
8 anime in una bomba. Romanzo esplosivo 1 Exemplar
La Momie sanglante 1 Exemplar
La conquista delle stelle. Poema epico 1 Exemplar
"La Fotografia Futurista: Manifesto," Il Futurismo: Rivista Sintetica Illustrata, Abb. a 12 Num. 1 Exemplar
Poema non umano dei tecnicismi 1 Exemplar
Distruzione. Poema Futurista 1 Exemplar
I POETI FUTURISTI 1 Exemplar
I nuovi poeti futuristi 1 Exemplar
O Futurismo 1 Exemplar
Tato Raccontato Da Tato — Mitwirkender — 1 Exemplar
SI TE JOSHIM GRATE 1 Exemplar
Guerra, sola igiene del mondo 1 Exemplar
Primo dizionario aereo Italiano 1 Exemplar
Feet 1 Exemplar
Elettricità sessuale 1 Exemplar
ZANG TUMB TUMB 1 Exemplar
Il club dei simpatici 1 Exemplar
La Poesia sublime dell’esercito italiano. 1 Exemplar
Marinetti e il futurismo 1 Exemplar
A cura di Sandro Briosi 1 Exemplar
La grande Milano tradizionale e futurista, Una sensibilità italiana nata in Egitto — Autor — 1 Exemplar
Oprichting en Manifest van het Futurisme 1 Exemplar
Teatro futurista sintetico - Biblioteca teatrale - F. T. Marinetti -Emilio Settimelli Bruno Corra 1 Exemplar
Collaudi futuristi 1 Exemplar
La Ville chernelle 1 Exemplar
Programma Politico Futurista 1 Exemplar
Musica futurista -- The art of noises. CD 1 Exemplar
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- 1876-12-22
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- 1944-12-2
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- Alexandria, Egypt
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- Bellagio, Italy
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- Alexandria, Egypt
Bellagio, Italy
Paris, France - Ausbildung
- University of Pavia
The Sorbonne, Paris, France - Berufe
- novelist
poet
dramatist
editor - Organisationen
- Futurist movement (founder)
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- Filippo Tommaso Marinetti (Alessandria d'Egitto, 22 dicembre 1876 – Bellagio, 2 dicembre 1944) è stato un poeta, scrittore e drammaturgo italiano, nonché editore. È conosciuto soprattutto come il fondatore del movimento futurista, la prima avanguardia storica del Novecento.
(http://it.wikipedia.org/wiki/Filippo_...)
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“We say that the world’s magnificence has been enriched by a new beauty; the beauty of speed... Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” (Marinetti, 1909)
Filippo Tommaso Marinetti—poet, playwright, journalist, and novelist—was the founder and guiding spirit of the Italian Futurist movement. Beginning in 1909, he introduced ideas based on the visualization of speed and innovation in modern technology. His ideas had a profound impact not only on the visual arts, but also on literature and theater. Marinetti developed the concept of parole in libertà (free text), which carried the idea of free verse one step farther. It eliminated any rules regarding spelling, syntax, or typography.
Like many artists at that time, Marinetti developed a fascination with the concept of speed, sparked in part by advances in transportation and building construction. He was not interested in the social advances that technology would bring, but with the intoxicating and frightening experience of the power of machines. Using typography alone, Marinetti explodes the norms for book presentation, expressing modernity through a controlled chaos of words, shapes, and images.
Bibliography:
cf. Johnson, Robert Flynn, Artists' Books in the Modern Era 1870--2000: The Reva and David Logan Collection of Illustrated Books, San Francisco, 2001, no. 31… (mehr)