Mark Anthony Neal
Autor von That's the Joint!: The Hip-Hop Studies Reader
Über den Autor
Mark Anthony Neal is a Professor of African and African-American Studies and Director of the Center for the Arts, Digital Culture and Entrepreneurship (CADCE) at Duke University. Neal also hosts the weekly video webcast left of Black, and is founder and managing editor of the blog NewBlackMan (in mehr anzeigen Exile). You can follow him on Twitter@NewBlackMan. weniger anzeigen
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"The thing about hip hop that people keep forgetting, is that it’s not just one definite thing."
A third into this book, I noted:
"The bad thing about this anthology is the amount of repetition: no more about Herc, Flash and Bam, please!"
Apart from the incessant repetition - not only related to The Big Three - this anthology is really worthwhile. It's big. It's intimidating, but there are such nuggets here that the academic vocabulary - which sometimes really got on my nerves; should I hear the word "diaspora" soon again I'll scream - can be overcome.
The edition of the book I read is dated but there is actually a new version printed and sold starting in August 2011! I still really recommend David Toop's brilliant, brilliant book on hip-hop, called "Rap Attack!".
This massively big anthology, however, starts from the start of hip-hop, and delves deeper back in time than that. The elements of hip-hop are of course much more complex than just the verbal, for example the graffiti:
And if you think the Wu-Tang Clan were the first Asiatic influence in hip-hop, you're off:
And then, the music hits. Hard. From a period piece in a national paper, pre-1980s:
As Kool Herc, Afrika Bambaataa and Grandmaster Flash basically created the scene by DJing, introducing MCs and building the scratching techniques that are used to this day. In an interview with Source Magazine, all three are into it:
This makes me want to go back in time:
At the same time, it's interesting and a bit sad to see how people were really naïve and green in the start of the recorded rap-game, as when most artists start out, I guess:
The playfulness of early hip-hop and how it can be at its best in an instrumental sense...
And no, people didn't really like "The Message" that much!
Funny bit about Sylvia Vanderpool:
It's interesting to see how hip-hop at times could be parasitic onto "itself", e.g. "black culture", while being a magnificent political tool:
… (mehr)