Autorenbild.

Ernest Raymond (1888–1974)

Autor von We, the Accused

58+ Werke 319 Mitglieder 7 Rezensionen

Über den Autor

Beinhaltet den Namen: Ernest Raymond

Bildnachweis: Date: 1920 From: The Bookman, Volume 63 (1922) Hodder and Stoughton, New York

Werke von Ernest Raymond

We, the Accused (1935) 62 Exemplare
In the steps of St. Francis (1938) 32 Exemplare
Tell England (1923) 31 Exemplare
Gentle Greaves (1970) 24 Exemplare
The Chalice and the Sword (1952) 20 Exemplare
The mountain farm (1973) 11 Exemplare
A Georgian Love Story (1971) 10 Exemplare
In the Steps of the Brontes (1949) 10 Exemplare
Story of My Days (1968) 9 Exemplare
THE QUIET SHORE (1958) 5 Exemplare
Mr. Olim (1961) 5 Exemplare
To the Wood No More (1955) 5 Exemplare
The Old June Weather (1974) 5 Exemplare
The Jesting Army (1930) 4 Exemplare
Paris, city of enchantment (1961) 3 Exemplare
Damascus Gate 3 Exemplare
A Family That Was (1967) 3 Exemplare
The Five Sons of Le Faber (1948) 3 Exemplare
For Them That Trespass (1976) 3 Exemplare
The Kilburn Tale (1948) 3 Exemplare
Our late Member (1972) 2 Exemplare
The marsh (1973) 2 Exemplare
A song of the tide (1967) 2 Exemplare
The last to rest (1941) 2 Exemplare
A chorus ending (1951) 2 Exemplare
Mary Leith (1932) 2 Exemplare
Late in the Day 2 Exemplare
The City and the Dream (1975) 2 Exemplare
Sterker dan het leven (1979) 2 Exemplare
THE VISIT OF BROTHER IVES (1974) 2 Exemplare
The witness of Canon Welcome (1973) 2 Exemplare
Back to humanity 1 Exemplar
The Nameless Places (1954) 1 Exemplar
The Lord of Wensley (1974) 1 Exemplar
Tree of Heaven (1974) 1 Exemplar
Under Wedgery Down (1974) 1 Exemplar
The Chatelaine 1 Exemplar
The Bethany Road 1 Exemplar
Newtimber lane 1 Exemplar
Daphne Bruno 1 Exemplar
Wanderlight 1 Exemplar

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I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...
… (mehr)
 
Gekennzeichnet
bringbackbooks | 3 weitere Rezensionen | Jun 16, 2020 |
I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...
… (mehr)
 
Gekennzeichnet
bringbackbooks | 3 weitere Rezensionen | Jun 16, 2020 |
I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...
… (mehr)
 
Gekennzeichnet
bringbackbooks | 3 weitere Rezensionen | Jun 16, 2020 |
A story of boarding school life in the years leading up to the First World War and, in Book 2, the boy protagonists at war. The narrator Rupert Ray’s closest friend is Edgar Gray Doe and both boys are intelligent and attractive and very fond of each other, as are two of the masters, Radley and ‘Chappy’, the school doctor.
 
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TonySandel2 | Mar 20, 2014 |

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Werke
58
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4
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319
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#74,135
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½ 3.3
Rezensionen
7
ISBNs
58
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