Mayra Santos-Febres
Autor von Sirena Selena: A Novel
Über den Autor
Werke von Mayra Santos-Febres
Aidara en el País de las Nubes 2 Exemplare
Zugehörige Werke
The Year's Best Fantasy and Horror: Eleventh Annual Collection (1998) — Mitwirkender — 241 Exemplare
Daughters of Latin America: An International Anthology of Writing by Latine Women (2023) — Mitwirkender — 17 Exemplare
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Wissenswertes
- Geburtstag
- 1966
- Geschlecht
- female
- Land (für Karte)
- Puerto Rico
- Ausbildung
- University of Puerto Rico (BA)
Cornell University (MA, PhD) - Preise und Auszeichnungen
- Guggenheim Fellowship (Fiction, 2009, Latin America)
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Rezensionen
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Auszeichnungen
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Statistikseite
- Werke
- 27
- Auch von
- 2
- Mitglieder
- 271
- Beliebtheit
- #85,376
- Bewertung
- 3.7
- Rezensionen
- 16
- ISBNs
- 65
- Sprachen
- 3
Written more than 17 years ago, this book predates progressive gender movements like Latinx, #Ownvoices and the popularity of RuPaul’s Drag Race – which could explain some of the rather unforgiving reviews on Goodreads and Amazon.
I picked this book up in June to read as part of Pride Month. And, I’m glad I took a chance on this little sleeper-gem of a book. There’s a lot to unpack with less than 230 pages: multiple, shifting POVs; transcendence of performance art; erotic encounters; and sucker-punch moments of love and cruelty. Apparently, I do not know how to do light summer reading.
But, guys, just look at this stuff:
“She was a diva from beyond, honoring us with her luminous presence, a goddess who had descended from Mount Olympus to mingle in the dark with us mortals in the hidden bars of gay San Juan.”
Upon seeing Sirena descend from a spiral staircase during a performance, the audience nearly loses their damn minds:
"The calla lilies wither and, nearly dead, they faint before Selena’s hungry chest. Her moon approaches the balcony, full. The apocalypse is about to occur. Sirena, standing still in the center of the staircase, sings…"
To be clear, this ain’t your mama’s "To Wong Foo, Thanks for Everything, Julie Newmar" kind of story for mass consumption. And, I also don’t think this is meant to be read as some kind of comprehensive codex of the queer experience in the Caribbean. But, it’s a story and one about the roles we all play (whether forced on us, coerced, imagined or self-imposed) in order to get what we want.… (mehr)