Autorenbild.

Wilhelmine Schröder-Devrient (1804–1860)

Autor von Les mémoires d'une chanteuse allemande

4 Werke 40 Mitglieder 3 Rezensionen

Über den Autor

Werke von Wilhelmine Schröder-Devrient

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Wissenswertes

Geburtstag
1804-12-06
Todestag
1860-01-26
Geschlecht
female
Nationalität
Germany
Geburtsort
Hamburg, Germany
Sterbeort
Coburg, Germany
Wohnorte
Dresden, Germany
Berufe
singer
opera singer
soprano
political activist
Kurzbiographie
Wilhelmine Schröder was born in Hamburg, Germany, the daughter of an actress and a singer. She receiving theater training from her parents and began appearing on stage as a child. At age 17, she made a successful opera debut as Pamina in Mozart's The Magic Flute (Die Zauberflöte). She became the leading female German singer of her era for her powerful dramatic ability combined with her voice. Carl Maria von Weber chose her for the role of Agathe in his 1821 opera Der Freischütz, and she sang Leonore in Beethoven’s Fidelio in Vienna that same year. In 1823, she married Karl Devrient, an actor, becoming known as Wilhelmine Schröder-Devrient, but separated from him five years later. She made her first Paris appearance in 1830, and sang in London in 1832. Wagner created three roles for her: Adriano in Rienzi (1842), Senta in The Flying Dutchman (Der fliegende Holländer, 1843), and Venus in Tannhäuser (1845). She also performed in works by Rossini, Bellini, and Gluck. She was a lifelong friend of Clara Schumann, beginning in 1832, when they both performed in Paris. She sang her last opera role in 1847 but continued to give concerts. She participated in the Revolution of 1848 and the May Uprising in Dresden and was imprisoned for it. The erotic memoirs attributed to her were probably not her work.

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Rezensionen

“Esta es la única autobiografía femenina que pude compararse a las Confesiones de Jean-Jacques Rousseau o a las célebres Memorias de Casanova” escribe Guillaume Apollinaire en el prólogo de este libro a la edición francesa de 1913.
Lo que convierte estas Memorias en un texto digno del comentario de Apollinaire —y no es una simple narración de experiencias eróticas— es su categoría de meditación sobre las relaciones sexuales, sus represiones, sus conflictos, sus obligadas astucias, así como de reflexión sobre las costumbres sexuales en los distintos países que recorre a lo largo de estas confesiones.… (mehr)
 
Gekennzeichnet
Natt90 | 2 weitere Rezensionen | Mar 28, 2023 |
Ouvrage érotique de la fin du 19e siècle, célèbre en Allemagne. Attribué, faussement sans doute, à une célèbre cantatrice. Présenté comme un récit autobiographique, où l'auteur, certainement une femme, raconte et décrit de façon très réaliste et érotique, pour ne pas dire sensuelle et voluptueuse, ses nombreux ébats amoureux. Dans les seize chapitres, les péripéties ne sont que prétextes à de longues descriptions d'aventures sexuelles.
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Gekennzeichnet
vdb | 2 weitere Rezensionen | Oct 21, 2010 |

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Statistikseite

Werke
4
Mitglieder
40
Beliebtheit
#370,100
Bewertung
½ 3.5
Rezensionen
3
ISBNs
12
Sprachen
4