Jerome Silbergeld
Autor von Chinese Painting Style: Media, Methods, and Principles of Form
Über den Autor
Jerome Silbergeld is Professor of Art History at the University of Washington, Seattle.
Bildnachweis: Jerome Silbergeld. Picture from Princeton.
Werke von Jerome Silbergeld
China into Film: Frames of Reference in Contemporary Chinese Cinema (Reaktion Books - Envisioning Asia) (2000) 18 Exemplare
Hitchcock with a Chinese face : cinematic doubles, Oedipal triangles, and China's moral voice (2004) 6 Exemplare
Contradictions : artistic life, the socialist state, and the Chinese painter Li Huasheng (1993) 5 Exemplare
Getagged
Wissenswertes
Für diesen Autor liegen noch keine Einträge mit "Wissenswertem" vor. Sie können helfen.
Mitglieder
Rezensionen
Dir gefällt vielleicht auch
Nahestehende Autoren
Statistikseite
- Werke
- 13
- Mitglieder
- 112
- Beliebtheit
- #174,306
- Bewertung
- 4.2
- Rezensionen
- 1
- ISBNs
- 19
It does this through a careful selection of around 40 Chinese paintings that it repeatedly uses to illustrate points carefully demarcated for viewers by thin red lines and reference letters (a, b, c...) so each painting is used to illustrate a diverse range of points. This makes the book leaner than many introductions to Chinese painting (68 pages plus plates), but the result is one turns the last page with a surprising depth of knowledge of how classical Chinese paintings were constructed by their artists and an intimate knowledge of some of the most familiar Chinese paintings (for example, Ni Zan's "The Jung-shi Studio" and Liang Kai's "Huineng Tearing Sutras").
Regardless of one's exposure to classical Chinese painting (however faint or broad), there is plenty to learn, whether it is the date when paper was "first consciously championed as a medium for painting promoted by the Chinese gentry" (11C, page 9) or how to date paintings by how artists depicted a facial characteristic (pre and post-late 8C, page 47). Each reading will reveal more depths of fascinating information, just as each viewing reveals more secrets in a painting.
Highly recommended to anyone wishing to learn more about Chinese painting, and the short but excellent Bibliography at the end will show you the way ahead. One last point--while the text refers to artists by their Wade-Giles names (still preferred in Taiwan), the Index provides its Pinyin (PRC) equivalent, so any reader encountering an unfamiliar name can refer to the Index to discover that Tao-chi is Daoji.… (mehr)