Robert Banks Stewart (1931–2016)
Autor von Doctor Who: The Seeds of Doom [1976 TV ]
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Werke von Robert Banks Stewart
Bergerac: The Complete First Season — Creator — 9 Exemplare
Bergerac: The Complete Second Season 6 Exemplare
Doctor Who: The Foe from the Future 5 Exemplare
Arthur of the Britons [1972 TV series] — Screenwriter — 4 Exemplare
Bergerac: The Complete Sixth Season 3 Exemplare
Bergerac: The Complete Third Season 2 Exemplare
The Legend of Robin Hood: The Complete 1975 Television Series — Screenwriter — 2 Exemplare
Bergerac: The Complete Fourth Season 1 Exemplar
Bergerac: The Complete Fifth Season 1 Exemplar
Bergerac: The Complete Seventh Season 1 Exemplar
Bergerac: The Complete Ninth Season 1 Exemplar
Undermind - The Complete Series [DVD] 1 Exemplar
Bergerac: The Complete Eighth Season 1 Exemplar
Zugehörige Werke
Getagged
Wissenswertes
- Geburtstag
- 1931
- Todestag
- 2016-01-14
- Geschlecht
- male
- Nationalität
- UK
- Geburtsort
- Edinburgh, Scotland, UK
- Berufe
- Drehbuchautor
Mitglieder
Rezensionen
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Nahestehende Autoren
Statistikseite
- Werke
- 20
- Auch von
- 2
- Mitglieder
- 159
- Beliebtheit
- #132,375
- Bewertung
- 4.0
- Rezensionen
- 5
- ISBNs
- 11
In The Foe from the Future, they go to Devon, where a haunted estate called The Grange is creating apparitions and people are dying. But forget ghosts: the real horror is the owner of the estate, the titular foe. He has a time-warping plan that may end the universe as we know it. This was a Gothic horror that felt close to the spirit of the Hinchcliffe era of Who (e.g., The Talons of Weng-Chiang).
In Valley of Death, the Doctor and Leela end up joining an expedition to retrace the steps of Cornelius Perkins, a Victorian explorer who disappeared in the jungles of South America. The expedition, led by Cornelius’s great-grandson Edward, encounter what appears to be a giant spaceship. And then there are giant creatures lurking in the valley. This story was a bit more melodramatic and had some colonial trappings; it was of a piece with Doyle’s The Lost World, if Doyle had written about aliens.
Both stories were structured a lot like the actual TV show, being broken up into four or six smaller parts instead of being a single hour-long drama. The action was breathless, the lines occasionally cheesy, the technobabble babbly, and Leela fierce and brilliant as she usually is. There was also a LOT of screaming.
These were a little bit too silly for me to give them a full four stars, but Doctor Who is usually a reasonable use of my time.… (mehr)