Frank R. Stockton (1834–1902)
Autor von Der Bienenmann von Orn.
Über den Autor
Frank Richard Stockton was born in Philadelphia, Pennsylvania on April 5, 1834. In 1868, he started working for the magazine Hearth and Home, where he wrote fairy tales as well as stories and articles on a variety of subjects for adults. In 1874, he became the assistant editor of Saint Nicholas mehr anzeigen Magazine and worked there until 1878 when he was forced to resign due to failing eyesight. He continued to write by dictating to his wife or a professional secretary. His first fairy tale, Ting-a-Ling, was published in The Riverside Magazine in 1867 and his first book collection was published in 1870. His works include The Lady or the Tiger, The Griffin and the Minor Canon, The Bee-Man of Orn, The House of Martha, and The Lost Dryad. He died of a cerebral hemorrhage on April 20, 1902 at the age of 68. (Bowker Author Biography) weniger anzeigen
Hinweis zur Begriffsklärung:
(eng) Stockton, Frank Richard (1834-1902) American writer and humorist
Bildnachweis: See below.
Werke von Frank R. Stockton
Penny Dreadful Multipack Vol. 4 (Illustrated. Annotated. Includes 'Frankenstein (1818 Uncensored Version), 'String of… (2014) 9 Exemplare
The Queen's Museum and the Other Fanciful Tales 5 Exemplare
The Best Short Stories of Frank R. Stockton 4 Exemplare
Old Applejoy's Ghost 3 Exemplare
Delphi Complete Works of Frank R. Stockton (Illustrated) (Series Six Book 23) (English Edition) (2016) 2 Exemplare
The watchmaker's wife and other stories 2 Exemplare
The Dusantes: A Sequel to "the Casting Away of Mrs. Lecks and Mrs. Aleshine" (Classic Reprint) (2011) 2 Exemplare
The Story of Viteau 1 Exemplar
New Jersey, from the discovery of Scheyichbi to recent times, (Stories from American history) (1896) 1 Exemplar
The Reformed Pirate 1 Exemplar
The Merry Chanter 1 Exemplar
La resistencia de sir Rohan (texto bilingüe) 1 Exemplar
Tales out of school 1 Exemplar
Captain Chap: or, The Rolling Stones 1 Exemplar
JOHN GAYTHER’S GARDEN 1 Exemplar
The Poor Count's Christmas 1 Exemplar
The Transferred Ghost 1 Exemplar
The great stone of Sardis; The water-devil 1 Exemplar
The Novels and Stories of Frank R. Stockton Vol. XIII The Casting Away of Mrs. Lecks and Mrs. Aleshine and The Vizier… (1900) 1 Exemplar
The Captain's Tollgate 1 Exemplar
The Novels and Stories of Frank R. Stockton: the Great Stone of Sardis and the Water-Devil (1900) 1 Exemplar
The Adventures of Captain Horn Illustrated 1 Exemplar
O Homem-Abelha de Orn 1 Exemplar
Draken och prästen 1 Exemplar
The queen's museum, and other fanciful tales 1 Exemplar
The Skipper and El Capitan 1 Exemplar
Stephen Skarridge's Christmas 1 Exemplar
The Christmas wreck and other stories 1 Exemplar
The Young Master of Hyson Hall 1 Exemplar
Zugehörige Werke
Spells of Enchantment: The Wondrous Fairy Tales of Western Culture (1991) — Mitwirkender — 565 Exemplare
The New Junior Classics Volume 02: Stories of Wonder and Magic (1912) — Mitwirkender — 202 Exemplare
The Golden Argosy: A Collection of the Most Celebrated Short Stories in the English Language (1947) — Mitwirkender — 137 Exemplare
Isaac Asimov's Magical Worlds of Fantasy, Volume 6: Mythical Beasties (1837) — Mitwirkender — 123 Exemplare
The Best American Humorous Short Stories [Edited by Alexander Jessup] (1920) — Mitwirkender — 59 Exemplare
Lovers & Other Monsters: A Collection of Amorous Tales of Fantasy, Old and New (1992) — Mitwirkender — 57 Exemplare
Christmas Ghosts: Seventeen Great Ghost Stories in the Christmas Tradition (1987) — Mitwirkender — 40 Exemplare
Scientific Romance: An International Anthology of Pioneering Science Fiction (2016) — Mitwirkender — 16 Exemplare
The Graphic Canon of Crime & Mystery, Vol. 2: From Salome to Edgar Allan Poe to The Silence of the Lambs (2021) — Mitwirkender — 14 Exemplare
Pause to Wonder: Stories of the Marvelous , Mysterious and Strange (1944) — Mitwirkender — 12 Exemplare
Great American Ghost Stories: Chilling Tales by Poe, Bierce, Hawthorne and Others (2008) — Mitwirkender — 10 Exemplare
The Origins of Science Fiction (Oxford World's Classics Hardback Collection) (2022) — Mitwirkender — 9 Exemplare
Representative American Short Stories — Mitwirkender — 5 Exemplare
The Forgotten Classics of Mystery, Volume II: An Omnibus of American Mysteries (1959) — Mitwirkender — 5 Exemplare
Getagged
Wissenswertes
- Rechtmäßiger Name
- Stockton, Francis Richard
- Andere Namen
- Fort, Paul
Lewees, John
Stockton, Frank
Stockton, Frank Richard - Geburtstag
- 1834-04-05
- Todestag
- 1902-04-20
- Begräbnisort
- The Woodlands, Philadelphia, Pennsylvania, USA
- Geschlecht
- male
- Nationalität
- USA
- Geburtsort
- Philadelphia, Pennsylvania, USA
- Sterbeort
- Washington, D.C., USA
- Wohnorte
- Philadelphia, Pennsylvania, USA
Washington, D.C., USA
Burlington, New Jersey, USA
Nutley, New Jersey, USA - Berufe
- novelist
short-story writer
humourist - Organisationen
- American Academy of Arts and Letters (Literature ∙ 1898)
- Hinweis zur Identitätsklärung
- Stockton, Frank Richard (1834-1902) American writer and humorist
Mitglieder
Rezensionen
The Lady, or the Tiger? Illustrated von Frank R. Stockton
This tightly written story is an engrossing tale for which you will need to write your own ending. Stockton does a great job of leading his readers right up to that non-ending end, from which you surely know, by the time you have finished the story, just how he meant for it to end . . . or do you? Alas, the debate goes on and on and on . . .
This is a classic story I had to read in junior-high (1950s) as preparation for an assignment to write a 'balanced' short story. I can't remember how well I did, but oddly I still remember the story.
Many of you may have had a similar experience, but if you haven't the story is well worth reading. It's really a story about human nature that will leave you guessing.
Many of you may have had a similar experience, but if you haven't the story is well worth reading. It's really a story about human nature that will leave you guessing.
Frank R. Stockton’s The Vizier of the Two-Horned Alexander is a breezy, fun yarn about a man who's lived about three thousand years. It is not quite a novel. But it is well-written and entertaining.
Highly recommended. Amusingly, though it deals with Moses and Joshua, it skirts Jesus and the disciples and apostles and all that. As such it is ... careful.
Highly recommended. Amusingly, though it deals with Moses and Joshua, it skirts Jesus and the disciples and apostles and all that. As such it is ... careful.
1 
wirkman | Feb 4, 2021 |
wirkman | Feb 4, 2021 | 
Beforehand, I hoped “The Adventures of Captain Horn” would be an exciting read, but it turned out to be slow-paced and short of thrills.
I almost stopped reading after the first few pages, as what you get is a third-person narrator explaining how Captain Horn’s ship is wrecked on an island. None of this is dramatized, therefore it’s similar to reading a newspaper article.
At long length, I came to some dialogue exchanges between Horn and a handful of survivors. This interested me enough to continue. I usually like shipwreck tales, providing they aren’t dull and uneventful, and hoped this one would start to improve.
The story adds some suspense when Horn and friends learn that a motley crew known as the Rackbirds share the island with them. The Rackbirds keep five African men slaves, of which one escapes and seeks shelter with Horn’s group. From here, it builds to what appears to be inevitable conflict, but sadly the outcome is a complete let down.
The anti-climax regarding the Rackbirds sets the tone for the rest of the book, as whenever Horn or one of his comrades face any danger, it’s easily overcome.
So, rather than an exciting face-off with the Rackbirds, Horn instead discovers a lot of gold. What to do with the gold, how to move the gold, and how to distribute the gold dominates the rest of the story. From this point, which is about one-quarter into the novel, I found myself skipping paragraphs, as the narrative becomes monotonous and passive.
For instance, a long section features Horn moving the gold from A to B. We get lengthy sections of Horn or one of the other characters wondering what they’ll do about such and such a thing, which is usually relating to the gold. I found this very boring.
Also, we have a lot of occasions where one character reads/hears about what another has been doing, so you get lengthy details of past events “told” as a second-hand account, as opposed to “showing” these event as they happen. Little is dramatized. It’s all explained in passive prose.… (mehr)
I almost stopped reading after the first few pages, as what you get is a third-person narrator explaining how Captain Horn’s ship is wrecked on an island. None of this is dramatized, therefore it’s similar to reading a newspaper article.
At long length, I came to some dialogue exchanges between Horn and a handful of survivors. This interested me enough to continue. I usually like shipwreck tales, providing they aren’t dull and uneventful, and hoped this one would start to improve.
The story adds some suspense when Horn and friends learn that a motley crew known as the Rackbirds share the island with them. The Rackbirds keep five African men slaves, of which one escapes and seeks shelter with Horn’s group. From here, it builds to what appears to be inevitable conflict, but sadly the outcome is a complete let down.
The anti-climax regarding the Rackbirds sets the tone for the rest of the book, as whenever Horn or one of his comrades face any danger, it’s easily overcome.
So, rather than an exciting face-off with the Rackbirds, Horn instead discovers a lot of gold. What to do with the gold, how to move the gold, and how to distribute the gold dominates the rest of the story. From this point, which is about one-quarter into the novel, I found myself skipping paragraphs, as the narrative becomes monotonous and passive.
For instance, a long section features Horn moving the gold from A to B. We get lengthy sections of Horn or one of the other characters wondering what they’ll do about such and such a thing, which is usually relating to the gold. I found this very boring.
Also, we have a lot of occasions where one character reads/hears about what another has been doing, so you get lengthy details of past events “told” as a second-hand account, as opposed to “showing” these event as they happen. Little is dramatized. It’s all explained in passive prose.… (mehr)
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