National Theatre
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Werke von National Theatre
The Beaux' Stratagem : 1970 [+ wrongly combined productions] [theatre programmes] (1970) 3 Exemplare
Henry IV Part 1 & Part 2 : 2005 [+ wrongly combined production] [theatre programmes] (2005) 3 Exemplare
Rosencrantz and Guildenstern are Dead : 1967 [ + wrongly combined production] [programmes] (1967) 2 Exemplare
Anything Goes: 2003 National Theatre Recording 2 Exemplare
The Merchant of Venice : 1970 [+ wrongly combined production] [theatre programmes] (1970) 2 Exemplare
Ugly lies the bone [theatre progamme] 1 Exemplar
A Chorus of Approval: 60th birthday tribute 1 Exemplar
The Corn is Green 1 Exemplar
Under Milk Wood : 2021 by Dylan Thomas : additional material by Siân Owen : [theatre programme] (2021) 1 Exemplar
National Theatre: 50 Years On Stage 1 Exemplar
National Theatre War Horse, 2010 1 Exemplar
The coast of Utopia : Voyage, Shipwreck, Salvage [Theatre program, Olivier Theatre, World Premiere] 1 Exemplar
National Theatre: Grand Hotel (Playbill) 1 Exemplar
Zugehörige Werke
King Lear [theatre programmes] [wrongly combined productions] (2006) — einige Ausgaben — 7 Exemplare
Othello : 2007 [wrongly combined productions] [theatre programmes] (2007) — einige Ausgaben — 2 Exemplare
Twelfth Night [wrongly combined productions] [theatre programmes] (2010) — einige Ausgaben — 2 Exemplare
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Wissenswertes
- Andere Namen
- National Theatre of Great Britain
Royal National Theatre
NT - Geschlecht
- n/a
- Nationalität
- UK
- Geburtsort
- London, England, UK
- Wohnorte
- London, England, UK
- Berufe
- theatre
- Beziehungen
- Hytner, Nicholas (director 2003-15)
Haill, Lyn (head of publications)
Mayhew, Michael (art director)
Mitglieder
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- Werke
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- Beliebtheit
- #121,982
- Bewertung
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- 8
A short (fortunately!) reflection on ending up. It started with the wake after a funeral in which the attendees all tell us, in an aside, how and when they themselves are going to die. A brief middle section is an effective monologue about the main protagonist's experience of death, ending up with a blinding flash followed by silent darkness. The extraordinary, and drawn out, end was a dialogue-free loop of the central character in a care home transferring from bed to easy chair and back again, changing from pyjamas to day clothes assisted by an attentive but mute nurse. I lost count of the number of cycles.
It wasn't exactly entertaining but certainly thought provoking. It really would have suited the Dorfman much more than the Lyttleton.… (mehr)