El Torres (1) (1972–)
Autor von The Ghost of Gaudí
Andere Autoren mit dem Namen El Torres findest Du auf der Unterscheidungs-Seite.
Über den Autor
Bildnachweis: El Torres (Juan Antonio Torres)
Reihen
Werke von El Torres
Rogues! #1 2 Exemplare
Tales from the Suicide Forest 1 Exemplar
Apocalypse Girl #1 1 Exemplar
Apocalypse Girl #2 1 Exemplar
Apocalypse Girl #3 1 Exemplar
Unleash #1 1 Exemplar
Unleash #2 1 Exemplar
Unleash #3 1 Exemplar
Unleash #4 1 Exemplar
Nancy In Hell (On Earth) Vol. 02 1 Exemplar
Getagged
Wissenswertes
- Rechtmäßiger Name
- Torres, Juan Antonio
- Geburtstag
- 1972-07-19
- Geschlecht
- male
- Nationalität
- Spain
- Geburtsort
- Malaga, Spain
- Preise und Auszeichnungen
- Premio al mejor guion ( [2013] ∙ Salón del Cómic ∙ Barcelona ∙ 2016)
Mitglieder
Rezensionen
Nancy In Hell (On Earth) von El Torres
Hell on earth ... literally. I liked this delivery even more than the previous one.
What a damn waste of my time. I wasn't expecting Shakespeare-level writing, but some sort of a plot would have been nice. Or, you know...characterization.
Instead, we get busy, if well-drawn set pieces where supporting characters show up to inform (such as the Philosopher), or to titillate (such as the two female demons at the start), only to see them dispatched within pages of their introduction.
We get the most indecisive emo Lucifer ever committed to fiction, who really does nothing aside from leading Nancy on. We get some action pieces that really do nothing to advance the plot, but do serve to show Nancy's tits and crotch to excess.
The second half of the book takes a nose-dive art-wise. And the story becomes more muddled, until we're hit with the pseudo-Twilight Zone finish.
Meh.… (mehr)
Instead, we get busy, if well-drawn set pieces where supporting characters show up to inform (such as the Philosopher), or to titillate (such as the two female demons at the start), only to see them dispatched within pages of their introduction.
We get the most indecisive emo Lucifer ever committed to fiction, who really does nothing aside from leading Nancy on. We get some action pieces that really do nothing to advance the plot, but do serve to show Nancy's tits and crotch to excess.
The second half of the book takes a nose-dive art-wise. And the story becomes more muddled, until we're hit with the pseudo-Twilight Zone finish.
Meh.… (mehr)
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