Autorenbild.

Linda Wagner-Martin

Autor von Sylvia Plath

52+ Werke 790 Mitglieder 8 Rezensionen

Über den Autor

Linda Wagner-Martin is Frank Borden Hanes Professor of English and Comparative Literature emerita at the University of North Carolina-Chapel Hill in the United States. She has published over 75 books, including Hemingway's Wars: The Public and Private Battles and The Routledge Introduction to mehr anzeigen American Modernism. weniger anzeigen

Werke von Linda Wagner-Martin

Sylvia Plath (1987) 304 Exemplare
Three Lives [Bedford Cultural Editions] (1999) — Herausgeber — 32 Exemplare
Critical Essays on Sylvia Plath (1984) 11 Exemplare
Barbara Kingsolver (2004) 7 Exemplare
Ernest Hemingway: Seven Decades of Criticism (1998) — Herausgeber — 7 Exemplare
William Faulkner: Six Decades of Criticism (2002) — Herausgeber — 6 Exemplare
Denise Levertov (1967) 5 Exemplare
Critical Essays on Anne Sexton (1989) 3 Exemplare
The Pearl 3 Exemplare
Introducing poems (1976) 2 Exemplare
John Steinbeck A Literary Life (2017) 2 Exemplare

Zugehörige Werke

Die Perle (1947) — Einführung, einige Ausgaben13,145 Exemplare
Die kühle Woge des Glücks (1913) — Einführung, einige Ausgaben2,387 Exemplare
The Heath Anthology of American Literature 1: 001 (1990) — Mitwirkender, einige Ausgaben; Herausgeber, einige Ausgaben255 Exemplare
The Portable Edith Wharton (Penguin Classics) (2003) — Herausgeber, einige Ausgaben103 Exemplare
Hemingway and Women: Female Critics and the Female Voice (2002) — Mitwirkender — 7 Exemplare

Getagged

Wissenswertes

Gebräuchlichste Namensform
Wagner-Martin, Linda
Andere Namen
Wagner, Linda Welshimer
Geburtstag
1936-08-18
Geschlecht
female
Nationalität
USA
Land (für Karte)
USA
Ausbildung
Bowling Green State University
Berufe
professor (English and Comparative Literature)
Organisationen
University of North Carolina, Chapel Hill
Preise und Auszeichnungen
Guggenheim Fellowship
Hubbell Medal for lifetime achievement in American literature (2011)
Kurzbiographie
Linda Wagner-Martin is Hanes Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA. She was the 2011 recipient of the Hubbell Medal for lifetime service in American literature (sponsored by the MLA), and has received the Guggenheim fellowship, the senior National Endowment for the Humanities fellowship, the Bunting Institute fellowship, and awards from the Rockefeller Foundation, the American Philosophical Association and others. She has published more than fifty-five books of criticism, some edited, including Sylvia Plath: A Biography (1987) and “Favored Strangers”: Gertrude Stein and Her Family (1995), as well as studies of Ernest Hemingway, Zelda Fitzgerald, Barbara Kingsolver, and others. Recent books are A History of American Literature from 1950 to the Present (2013) and Toni Morrison and the Maternal (2014).

Mitglieder

Rezensionen

This was a depressing difficult book to read. Zelda was an athletic beautiful young woman, courted by many men, but F Scott Fitzgerald was determined he’d “own” this southern belle himself. He truly believed he owned not only her but all her ideas, what she could and couldn’t do with her life, etc. When she tried to exert some independence, particularly in ballet and writing, he blasted her! Her ballet was a waste and her ideas belonged to him. Eventually he broke her, from owning her and everything she did, having many affairs, and drinking so excessively no one could stand to be around him. So she was institutionalized—and he insisted on demanding the treatments she received—until her doctors, belatedly, realized he was her problem. But by then the electric shock treatment and his unrelenting beating her down had ruined her health. Frustratingly, at the beginning of the book, it felt like the author was being an armchair psychiatrist. But then her thorough research shone through. It was obvious how broken she was, from primary sources: letters between Scott/Zelda, Scott/doctors, and a lengthy transcription of a heartbreaking joint therapy session. Zelda loved Scott and wanted to obey and do his bidding, but she needed freedom—physically and emotionally. Highly recommended but it is a disturbing read.… (mehr)
 
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KarenMonsen | 2 weitere Rezensionen | Aug 6, 2023 |
A sudden windfall
just what the doctor ordered
well, he's not sick now.
 
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Eggpants | Jun 25, 2020 |
I reviewed this book for The Year's Work in English Studies, vol. 97 (2018): https://academic.oup.com/ywes/ – perfect for undergraduate classroom use.
 
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james.d.gifford | Apr 4, 2020 |
Broad sweep in selection of essays, careful consideration of detail within a given essay. Addresses verse and stageplays, Eliot's style of language, assessment of Eliot's place in letters, and some biographical detail. Overall provides interpretations to weigh, and accept or reject the offered interpretation. For all the different contributors, the tone is uniform in its equanimity. In this, the collection is like Eliot's own writing.

M.L. Rosenthal's essay on The Waste Land reveals its origins as montage: comprised of sections sometimes published separately, and many eventually edited out or even worked into "The Hollow Men". Rosenthal argues the structure differs from other of Eliot's poetry in that it is formally open, and not so carefully designed as the Quartets, a result of Eliot's deliberate vision and not a lesser achievement.

D.R. Schwarz's essay on "Gerontion" is fascinating, and helpful in making sense of the poem, arguing Eliot deliberately emulates the tradition of a meditation poem but to illustrate a failed attempt at meditation.

W.T Moynihan's essay on Four Quartets provides an analysis of the structure, noting how each Quartet follows a similar outline internally, while also contributing to the overall argument of the complete work. Man's Time contrasted with God's Time.

Each essay is instructive. A fine introduction, worth owning.

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elenchus | Feb 18, 2012 |

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Statistikseite

Werke
52
Auch von
6
Mitglieder
790
Beliebtheit
#32,237
Bewertung
½ 3.6
Rezensionen
8
ISBNs
154
Sprachen
5

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