Autorenbild.

Rudolf Wittkower (1901–1971)

Autor von Architectural Principles in the Age of Humanism

21+ Werke 1,557 Mitglieder 3 Rezensionen

Über den Autor

Rudolf Wittkower was During-Lawrence Professor of the History of Art at the University of London, Chairman of the Department of Art History and Archaeology at Columbia University, Kress Professor at the National Gallery of Art, Washington, and Slade Professor at Cambridge.

Reihen

Werke von Rudolf Wittkower

Bernini (1955) 195 Exemplare
Studies in the Italian Baroque (1975) 12 Exemplare

Zugehörige Werke

Man Versus Society In Eighteenth Century (1968) — Mitwirkender — 17 Exemplare
Art in Italy, 1600-1700 (1965) — Einführung — 8 Exemplare

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Wissenswertes

Gebräuchlichste Namensform
Wittkower, Rudolf
Geburtstag
1901
Todestag
1971-10-11
Geschlecht
male
Nationalität
Deutschland (Geburt)
Land (für Karte)
USA
UK
Geburtsort
Berlin, Deutschland
Sterbeort
New York, New York, USA
Todesursache
heart attack
Wohnorte
Berlin, Deutschland
London, England, UK
Ausbildung
Humboldt-Universität zu Berlin (Ph.D | 1923)
Berufe
Kunsthistoriker
Beziehungen
Wittkower, Margot (Ehepartner)
Organisationen
Columbia University
University College London
Warburg Institute, University of London
Preise und Auszeichnungen
Alice Davis Hitchcock Award (1975)
Kurzbiographie
Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.

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Rezensionen

Gli artisti sono sempre stati considerati come una razza a parte, lunatica, stravagante, egocentrica, dominata da un temperamento saturnino. Quando, come e perché è nato questo mito? Un grande storico dell'arte, in collaborazione con la moglie Margot, ha studiato i tratti distintivi di questa immagine dell'artista dalla civiltà greca alla Rivoluzione francese.
 
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BiblioLorenzoLodi | 1 weitere Rezension | Mar 4, 2013 |
Despite the authors' insistence that they don't want the book to be a collection of meandering (and contradictory) anecdotes, it's largely what it is. And that's what makes this hilarious, gossipy, and slightly cracked book so great.
1 abstimmen
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giovannigf | 1 weitere Rezension | Sep 21, 2012 |

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Statistikseite

Werke
21
Auch von
3
Mitglieder
1,557
Beliebtheit
#16,554
Bewertung
4.2
Rezensionen
3
ISBNs
93
Sprachen
7

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