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Harte Zeiten (1854)

von Charles Dickens

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
10,559133596 (3.51)464
Schwere Zeiten (1854) schildert die Ausbeutung der englischen Fabrikarbeiter durch den ungebremsten Kapitalismus. Der Roman z hlt noch heute zu den eindrucksvollsten sozialkritischen Romanen in der europ ischen Literatur.
  1. 10
    Norden und Süden von Elizabeth Gaskell (Cecrow)
  2. 00
    Saubere Arbeit von David Lodge (KayCliff)
  3. 00
    Der Bürgermeister von Casterbridge. von Thomas Hardy (TimForrest65)
  4. 11
    Der Professor von Charlotte Brontë (CurrerBell)
    CurrerBell: The Professor and Hard Times don't have all that much in common — and even less so do CB and CD have that much in common — but there's an interesting conversational exchange in The Professor, in the last chapter but one, that reminds me of the "reason vs. sensibility" theme in Hard Times.… (mehr)
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Justly one of Dickens' least-read novels, Hard Times is a bit of an anomaly in several ways. His 10th novel, Dickens was writing in the journal Household Words in 1854, which gave him a lot less space than usual - this is perhaps a third the length of your average Dickens work. It's also a fairly straightforward story that strikes one more as a moral treatise than anything else. Aside from the famous circus sequence, the novel feels dry and a little perfunctory. The Lancashire characters' accents are also questionable at best, and indecipherable at worst.

George Bernard Shaw liked this book, and it's not hard to see why. This is perhaps Dickens' most blatantly political book, an argument against society becoming too rational and utilitarian, too capitalist at the extent of humanity. It was an argument that had already been greatly lost by 1854, and one we are still fighting today in 2016. In that sense, Hard Times still encapsulates Dickens' core philosophies. At the same time, this is never going to be one of the works for which CD is remembered. His sheer talent is still there, in spades, but it's notable that after this work, Dickens entered the third and final act of his career, in which his novels were allowed to take their time, and he'd never sound a dull note again. ( )
  therebelprince | May 1, 2023 |
Charles Dickens sigue siendo para muchos el prototipo de novelista victoriano pues en su obra se condensan los valores y los ideales de esa sociedad. Novelista burgués, sensible a los cambios sociales que se producen en su entorno, logró conciliar dos mundos: el de la sociedad establecida y el de los descontentos, el de los oprimidos. Tiempos difíciles constituye una crítica al utilitarismo más radical y aborda el tema del matrimonio como reflejo de su infeliz experiencia personal.
  Natt90 | Mar 17, 2023 |
I read this as part of the Open University Arts Foundation Course ( )
  Susan-Pearson | Feb 23, 2023 |
Yes, a classic. ( )
  sfj2 | Dec 13, 2022 |
Dickens seems to have been tired at the time he wrote this. It was not up to the usual detail that he put into his books. This is about a father who runs a school in a town in England called Coketown. It's a town dominated by a look factory that pollutes the air and the river and the humans and Animals who are part of the town. The father believes that imagination, and fantasies, daydreaming, the arts, have no valid place in a child's learning. Thus it is that his own children are treated to this standard and grow up to be unhappy as a result.
It starts out with an Italian traveling circus in the town, and the daughter of one of the clowns has been abandoned by her father, who is sick and doesn't have the health to make people laugh anymore. Sissy Jupe, as she is called, is taken home by Mr Gradgrind, the headmaster, and given the job of looking after his wife, the hypochondriac. Sissy is actually the most interesting character, imo, yet very little time is spent detailing her life after going to live with the Gradgrinds.
Yea, disappointing Dickens work. ( )
  burritapal | Oct 23, 2022 |
Whimsy, imagination, and sentiment have been banned in the Gradgrinds' upper-class household, but in Coketown, whose working class inhabitants fight for their very survival, the ban becomes a merciless creed. There, all that matters are the grinding wheels of production. Hard Times reflects a harsh world of grueling labor and pitiless relationships. But it is also a story of hope, of something elemental in the human spirit that rises above its bleak surroundings.
 

» Andere Autoren hinzufügen (77 möglich)

AutorennameRolleArt des AutorsWerk?Status
Dickens, CharlesHauptautoralle Ausgabenbestätigt
Brereton, FrederickEinführungCo-Autoreinige Ausgabenbestätigt
Charles KeepingIllustratorCo-Autoreinige Ausgabenbestätigt
Chesterton, G.K.EinführungCo-Autoreinige Ausgabenbestätigt
Fildes, LukeUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Foot, DingleEinführungCo-Autoreinige Ausgabenbestätigt
Greiffenhagen, MauriceIllustratorCo-Autoreinige Ausgabenbestätigt
Jarvis, MartinErzählerCo-Autoreinige Ausgabenbestätigt
Lesser, AntonErzählerCo-Autoreinige Ausgabenbestätigt
Odden, KarenEinführungCo-Autoreinige Ausgabenbestätigt
Richardson, JoannaNachwortCo-Autoreinige Ausgabenbestätigt
Sève, Peter deUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Schlicke, PaulHerausgeberCo-Autoreinige Ausgabenbestätigt
Shapiro, CharlesNachwortCo-Autoreinige Ausgabenbestätigt
Sothoron, Karen HenricksonUmschlagillustrationCo-Autoreinige Ausgabenbestätigt
Tull, PatrickErzählerCo-Autoreinige Ausgabenbestätigt
Walker, FrederickIllustratorCo-Autoreinige Ausgabenbestätigt
Wilson, MeganUmschlaggestalterCo-Autoreinige Ausgabenbestätigt

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Now, what I want is, Facts.
'I am three parts mad, and the fourth delirious, with perpetual rushing at Hard Times,' wrote Dickens in a letter to his friend and later biographer John Forster on 14 July 1854. (Introduction)
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She was a most wonderful woman for prowling about the house. How she got from story to story was a mystery beyond solution. A lady so decorous in herself, and so highly connected, was not to be suspected of dropping over the banisters or sliding down them, yet her extraordinary facility of locomotion suggested the wild idea. Another noticeable circumstance in Mrs. Sparsit was, that she was never hurried. She would shoot with consummate velocity from the roof to the hall, yet would be in full possession of her breath and dignity on the moment of her arrival there. Neither was she ever seen by human vision to go at a great pace.
There was a library in Coketown, to which general access was easy. Mr. Gradgrind greatly tormented his mind about what the people read in this library: a point whereon little rivers of tabular statements periodically flowed into the howling ocean of tabular statements, which no diver ever got to any depth in and came up sane. It was a disheartening circumstance, but a melancholy fact, that even these readers persisted in wondering. They wondered about human nature, human passions, human hopes and fears, the struggles, triumphs and defeats, the cares and joys and sorrows, the lives and deaths of common men and women! They sometimes, after fifteen hours' work, sat down to read mere fables about men and women, more or less like themselves, and about children, more or less like their own. They took De Foe to their bosoms, instead of Euclid, and seemed to be on the whole more comforted by Goldsmith than by Cocker. Mr. Gradgrind was for ever working, in print and out of print, at this eccentric sum, and he never could make out how it yielded this unaccountable product
For the first time in her life Louisa had come into one of the dwellings of the Coketown Hands; for the first time in her life she was face to face with anything like individuality in connection with them. She knew of their existence by hundreds and by thousands. She knew what results in work a given number of them would produce in a given space of time. She knew them in crowds passing to and from their nests, like ants or beetles. But she knew from her reading infinitely more of the ways of toiling insects than of these toiling men and women.

Something to be worked so much and paid so much, and there ended; something to be infallibly settled by laws of supply and demand; something that blundered against those laws, and floundered into difficulty; something that was a little pinched when wheat was dear, and over-ate itself when wheat was cheap; something that increased at such a rate of percentage, and yielded such another percentage of crime, and such another percentage of pauperism; something wholesale, of which vast fortunes were made; something that occasionally rose like a sea, and did some harm and waste (chiefly to itself), and fell again; this she knew the Coketown Hands to be. But, she had scarcely thought more of separating them into units, than of separating the sea itself into its component drops.
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Schwere Zeiten (1854) schildert die Ausbeutung der englischen Fabrikarbeiter durch den ungebremsten Kapitalismus. Der Roman z hlt noch heute zu den eindrucksvollsten sozialkritischen Romanen in der europ ischen Literatur.

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