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Lädt ... Orphic Songsvon Dino Campana
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Dino Campana wrote the unique, visionary masterwork of Italian literature Orphic Songs when he was in his twenties. The originality, rapturous language, and strange beauty of his poetry make him as important to twentieth-century poetry as García Lorca or Mayakovsky. Campana was the wild man of Italian poetry in 1914, on the eve of World War I. The war saved some young Italians from rebellion and from Fascism, but not Campana. Always an outsider, he was a vagabond who worked now and thenas a gaucho, miner, fireman, organ-grinder, janitor, circus tumbler, horse groomer, and a wandering musician with a Gypsy band. He died in Castel Pulci, a psychiatric hospital, in 1932. "Dino Campana's small and intensely magical body of poetry from the early years of the last century-prose and free verse that combine the visual and the visionary with astonishing vigor and haunting grace-is little known to English-speaking readers." --Oberlin College Press Dino Campana (1885-1932) was an Italian lyricist and poet, known for his flamboyant personality. His only collection of poems is found inOrphic Songs. In 1918 he was admitted into a mental hospital and lived the rest of his life there. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)851.912Literature Italian Italian poetry 1900- 1900-1999 1900-1945Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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Cuando aparecieron los Cantos órficos en 1914 llevaba la obra la siguiente dedicatoria: a Guglielmo secondo imperatore dei Germani, l’autore dedica. Campana, probablemente en 1910, había escrito: Me ofrezco voluntariamente para pasar un poco de joven sangre a las venas de esta vieja Italia. Su único libro publicado en vida evidenció que era un receptáculo de una miríada de secretos y devino en la mayor metáfora literaria del siglo XX. Esa obra ocupa una posición singular en el panorama literario de la época, ya que resultó ser el primer escrito que en Italia propuso, de modo original, la gran tradición de la poesía simbolista francesa, enriquecida con la nueva experiencia, en particular el orfismo, y atravesado por una constante relación intertextual con los poetas del otro lado de los Alpes. ( )