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Autobiographie (1959)

von Mark Twain

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886924,191 (4.12)40
An autobiography in which American author Mark Twain, writing from his deathbed, tells the story of his life and experiences.
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So far it is okay. Kind of self-conscious (I guess auto-biographies are like that.) Also Twain seems to pepper the story with references to his other works, so it reads a bit like a promo to sell books.

Not the best. I'll stick to his fiction. ( )
  debs913 | Apr 2, 2016 |
Sono partito molto carico, e Twain non mi ha deluso.
Poi, nell'ordine (a) le digressioni economiche (b) la villa di Quarto e le sue funeste nostalgie (c) il fatto che e' uscita in questi giorni l'autobiografia *completa* con alcune parti qui non comprese (d) il fatto che anche l'ultima discendente di Twain sia scomparsa da questa terra 50 anni fa circa, con un cocktail di pillole ed alcool (e) alcuni passaggi sentimentali.

Tutto cio', dicevo, ha appesantito la lettura, e me ne dispiaccio, perche' ho apprezzato la traduzione, gli argomenti, il narratore. Quest'ultimo, seppur prolisso, mi induce sempre un lieto e costante sorriso, indimenticabile.
***
Aggiornamento 28/09/14

E poi oggi mi accorgo che in casa ho un'altra copia del libro, letto nell'aprile del 2000. ( )
  bobparr | Dec 14, 2014 |
First published 1917.

Any serious review would be difficult because I am a fan of Mark Twain and have
been for more than 40 years, so it's difficult to be objective, but this book is well
worth reading. ( )
  captbirdseye | Feb 6, 2014 |
This is a great time travel book, and by the end it is also one of the most heartfelt intimate memoirs I've read. It has an open direct intimate feel to it all through, like reading letters from an unselfconscious old friend. He seems to have written a few pages at a time as stories occurred to him, which makes it a good book for dipping into. I read it as a bedside book, and it always kept me awake a little too long. Stories about his youthful adventures with crazy friends and business partners;his fairly barbaric Tom Sawyer childhood with reflection on his character development as he aged; stories about his absolutely adored wife and 3 daughters; his intense guilt over the death of his baby son; transcribed comments on his personality from his young daughter who clearly took after him; Why I Loved Minstrel Shows (well, it's some insight); his adventures in publishing; his investments; and his final losses. The last piece was written four months before his death. ( )
  scatterall | Apr 10, 2013 |
I'd give this 4.5 stars if I could.

Incredibly humorous and charming, as is natural of Twain. Very many interesting anecdotes about his life and encounters with the figures of his time. Many timeless observations throughout. Also a refreshing format for a biography, he just talks about whatever pleases him at the time. The only problem is for such an enormous book, I was expecting a lot more which was devoted to the actual autobiography. The scraps and notes are still worth looking at, though. ( )
  HadriantheBlind | Mar 30, 2013 |
"Wry and cranky, droll and cantankerous — that’s the Mark Twain we think we know, thanks to reading “Huck Finn” and “Tom Sawyer” in high school. But in his unexpurgated autobiography, whose first volume is about to be published a century after his death, a very different Twain emerges, more pointedly political and willing to play the role of the angry prophet. "
hinzugefügt von lorax | bearbeitenThe New York Times, Larry Rohter (Jul 9, 2010)
 

» Andere Autoren hinzufügen (19 möglich)

AutorennameRolleArt des AutorsWerk?Status
Mark TwainHauptautoralle Ausgabenberechnet
Neider, CharlesHerausgeberHauptautoreinige Ausgabenbestätigt
Baruch, GertrudÜbersetzerCo-Autoreinige Ausgabenbestätigt
Cohen, MarcUmschlaggestalterCo-Autoreinige Ausgabenbestätigt
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To my wife, Joan Merrick
Erste Worte
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[The Tennessee Land] | The monster tract of land which our family own in Tennessee, was purchased by my father a little over forty years ago. [p. 61]
===
An Early Attempt | The chapters which immediately follow constitute a fragment of one of my many attempts (after I was in my forties) to put my life on paper. [Autobiography proper: p. 203]
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We have no respectworthy evidence that the human being has morals. He is himself the only witness. (page 186)
When I was younger I could remember anything, whether it had happened or not; but my faculties are decaying, now, and soon I shall be so I cannot remember any but the latter. (page 210)
I can call back the solemn twilight and mystery of the deep woods, the earthy smells, the faint odors of the wild flowers, the sheen of rain-washed foliage, the rattling clatter of drops when the wind shook the trees, the far-off hammering of wood-peckers and the muffled drumming of wood-pheasants in the remotenesses of the forest, the snap-shot glimpses of disturbed wild creatures skurrying through the grass,—I can call it all back and make it as real as it ever was, and as blessed. I can call back the prairie, and its loneliness and peace, and a vast hawk hanging motionless in the sky, with his wings spread wide and the blue of the vault showing through the fringe of their end-feathers. I can see the woods in their autumn dress, the oaks purple, the hickories washed with gold, the maples and the sumachs luminous with crimson fires, and I can hear the rustle made by the fallen leaves as we plowed through them. I can see the blue clusters of wild grapes hanging amongst the foliage of the saplings, and I remember the taste of them and the smell. I know how the wild blackberries looked, and how they tasted; and the same with the pawpaws, the hazelnuts and the persimmons; and I can feel the thumping rain, upon my head, of hickory nuts and walnuts when we were out in the frosty dawns to scramble for them with the pigs, and the gusts of wind loosed them and sent them down. ... (page 216)
I have made it a rule never to smoke more than one cigar at a time. (page 659)
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The 1959 Charles Neider edition. Please do not combine with the Mark Twain Project's 2010 edition.
The texts of Charles Neider's 1959 edition and the Mark Twain Project's 2010- edition differ sufficiently that the first/last words for the one cannot be used for the other.
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An autobiography in which American author Mark Twain, writing from his deathbed, tells the story of his life and experiences.

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