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Lädt ... Katzentisch: Roman (2011)von Michael Ondaatje
  
» 8 mehr Keine aktuelle Diskussion zu diesem Buch.   ) jemisonreads | Jan 22, 2024 |  Very well written - you don't pause and admire, but you run right along with the author, enjoying yourself all the way. Recommended. ( ) Dabble58 | Nov 11, 2023 |  ) markm2315 | Jul 1, 2023 | ) KallieGrace | Jun 8, 2023 | In 1954. eleven-year-old Michael is traveling by sea from Ceylon (now Sri Lanka) to England, where he will rejoin with his mother after staying with an uncle. Onboard the Oronsay, he meets two other similar age children, Cassius and Ramadhin. Only minimally supervised, they become mischief-makers. When dining, they are seated with a group of adults at the least prestigious table, known as the Cat’s Table. It is told through Michael’s eyes, and there are “flash-forwards” to his later life, where he recounts what has happened to some of the people he met on the voyage. What appears at first to be a series of short interludes told about an assortment of eccentric characters becomes more complex and interrelated as the narrative progresses. This book is an excellent example of a journey that becomes a rite of passage from childhood to adulthood. As Michael looks back on his voyage, he discovers lessons that escaped him at the time, but has influenced his thinking. A few of the curious characters that come together in this intriguing story include: - Michael’s distant older cousin, Emily, who is also changed profoundly by the journey - The Hyderabad Mind, a member of the Jankla Troupe of shipboard circus performers - A botanist that oversees a garden in the bowels of the ship - A prisoner that walks the deck at night and is observed by the children - A thief that influences Michael to help him It will require a bit of patience to read this book, not that it is long (it’s not), but it takes a while for all the separate threads to converge. In the meantime, there are plenty of wonderfully realized colorful characters and juvenile shenanigans to maintain interest. Ondaatje’s writing is top tier and will appeal to fans of literary fiction. ( ) Castlelass | Oct 30, 2022 |
 Ondaatje has toned down the elevated consciousness and language that so permeated his last three novels (beginning with The English Patient). Fans will be glad to hear that the richly embroidered imagery of those works is still present, as well as the tantalizing Gothic tones of murder, lush sexuality and buried family secrets and curses...His technique, more reminiscent of a poet than a novelist, creates fascinating visual and sensual effects but makes the actual narrative of the voyage feel somewhat inert. This is probably intentional on Ondaatje’s part — he is using the Oronsay more as a point of meditation than momentum — although it does make the cinematic conclusion feel somewhat abrupt. ...The novel also contains a few too many passages of ponderous dialogue....There is much to enjoy, though, in this short, episodic novel, even for readers who may have found Ondaatje’s later works overly dense or poetic..  The story is constructed in a series of vignettes, stitched together in episodes that move backwards and forwards like the action of a Rubik Cube. One moment we are on board ship and the next on land many years into the future. The narrative both puzzles and unexpectedly pulls us up short....Such is the quality of the writing that not until we near the novel's end do we notice a false note in the character of Niemeyer. As the shackled prisoner, so necessary for the plot, he remains two-dimensional, with neither his presence, nor the working-out of his fate, really quite believable. That said, this is a quibble in what is otherwise a beautifully crafted whole. I had trouble with the sudden rise to prominence of the characters that dominate the last part of the book. I felt I was being given an invented answer to a fabricated question, rather than an invitation to know who Michael is....Still, this book is wonderful, offering all the best pleasures of Ondaatje’s writing: his musical prose, up-tempo; his ear for absurd, almost surreal dialogue that had me laughing out loud in public as I read; his admiration for craftsmanship and specialized language in the sciences and the trades; and his sumptuous evocations of sensual delight. Gehört zu VerlagsreihenEine Stadt. Ein Buch. (2016) AuszeichnungenPrestigeträchtige AuswahlenBemerkenswerte Listen
Die Geschichte der Seereise dreier Kinder von Ceylon nach England. Alle 3 tragen im Gepäck die Erinnerungen an die koloniale Welt ihrer Kindheit mit sich. Viele Jahre später stellen sie fest, dass sie sich durch die Erlebnisse auf dieser Reise und die Begegnungen mit Fremden für immer verändert
Der 11-jährige Michael geht an Bord des riesigen Dampfers Oronsay und tritt die 21 Tage dauernde Reise nach England an, um dort mit seiner Mutter vereint zu werden. Im Speisesaal wird ihm der "Katzentisch" zugewiesen. Es ist der am wenigsten privilegierte Tisch, soweit wie möglich entfernt von Kapitänstisch. Dort sitzt er zusammen mit ein paar schillernden, aber eigentlich unbedeutenden Erwachsenen und 2 ebenfalls allein reisenden Jungen: Ramadhin und Cassius. Die scheinbar langweilige Reise entwickelt sich für die 3 Jungen in ein großes Abenteuer und in das Erwachsensein. (Günter Brandorff)
Der Roman erzählt die Geschichte einer Seereise dreier Kinder von Ceylon nach England in den 1950er-Jahren. Jahre Später stellen die 3 fest, dass die Erlebnisse auf dieser Reise und die Begegnungen mit Fremden sie für immer verändert haben. (Günter Brandorff) Keine Bibliotheksbeschreibungen gefunden. |
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 Google Books — Lädt ...GenresMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: (3.71)
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