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American Oracle: The Civil War in the Civil Rights Era

von David W. Blight

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Standing on the steps of the Lincoln Memorial on August 28, 1963, a century after the signing of the Emancipation Proclamation, Martin Luther King, Jr., declared, "One hundred years later, the Negro still is not free." He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that "the Centennial is no time for finding fault or placing blame or fighting the issues all over again."David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America's most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century's preeminent literary critic; and James Baldwin, the searing African-American essayist and activist-each exposed America's triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned.Blight illuminates not only mid-twentieth-century America's sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country's political debates, national identity, and sense of purpose.… (mehr)
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David Blight has written four nice portraits of writers whose work directly or indirectly dealt with the American Civil War. Robert Penn Warren saw the Civil War mostly as a tragedy, Bruce Catton in a Blue and Gray noble competition in the mode of "in our youth, our hearts were touched with fire". Edmund Wilson in his own weirdness managed to combine an extreme anti-war stance with pro-Southern racism. James Baldwin wrote first and foremost about James Baldwin and then about Civil Rights. It is difficult to find a text concentrated on the Civil War. His focus was on improving African American lives in the present. Being served in a Southern restaurant or riding on a bus were the issues that occupied him not a war one hundred years past.

Thus, the main problem of the book is the odd selection of the four portraits, fine though that they are. The first three white writers were old farts when the Centennial approached. This was their Centennial, a conservative rehabilitation of the South, marred by the presence of some pesky African Americans who wanted to have a seat at the table and spoil the occasion by mentioning the peculiar institution. The Centennial marked the end of an era and the beginning of the Civil Rights movement, borne by the youth. To fulfill the ambition of his subtitle "The Civil War in the Civil Rights Era", the inclusion of younger (female and foreign) voices would have been necessary. As it is, the book mostly tells the story of old white men. Baldwin's contribution is too unfocused to correct that impression. ( )
  jcbrunner | Oct 2, 2011 |
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Standing on the steps of the Lincoln Memorial on August 28, 1963, a century after the signing of the Emancipation Proclamation, Martin Luther King, Jr., declared, "One hundred years later, the Negro still is not free." He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that "the Centennial is no time for finding fault or placing blame or fighting the issues all over again."David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America's most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century's preeminent literary critic; and James Baldwin, the searing African-American essayist and activist-each exposed America's triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned.Blight illuminates not only mid-twentieth-century America's sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country's political debates, national identity, and sense of purpose.

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