This is a mildly interesting redaction of "King Solomon's Mines" with travellers from the civilized world of Hindu Vijayanagara, on a safari amid the savages engaged in the English Wars of the Roses. If I hadn't done some work on alternate histories and culture-jumping myself, I may have found this work more compelling. ( )

Hmmmm...Not my cup of tea. I enjoyed many parts, but many other parts dragged on and on.

The author claims to have introduced the anachronisms on purpose, but I found them disconcerting. ( )

A new take on the war of the Roses packed with erudite allusions - you'll need to be on your toes to pick up half them. Also very witty, not too many belly laughs but subtly pokes humour at the evolution of western society's mores, underpinned by a streak of modernistic humanism and nods towards scientific developments we take for granted as being products of the recent western world. As an Englishman gently skewering some of his own race's most treasured memories Rathbone can get away with this; a foreigner wouldn't risk it. I loved the fakir but wold have liked a little more. Great read. ( )

This novel is different from your average historical novel. Every now and then, a phrase just stops me dead in my track, because it's just not the sort of thing that characters in historical novels usually say! The men from the more civilised east bring their own viewpoint to the description of mediaeval Europe; the piles of sh*t in the street in Calais and the men and dogs urinating and worse in the Earl of Warwick's great hall, are not something that you usually read about. There are three narrators of the story and it is immediately obvious that their voices and preoccupations are very different from each other. Ali's approach is by turns mystical and practical, while Harihari is mainly interested in weapons and politics and Uma seems to be trying to turn it from an adventure story into porn (or at least erotica); her approach to the story is very sensual, full of sights, sounds and sex.

The events in the story tend to be on the serious side, with lots of battles, executions and torture. The reader's amusement mostly comes from noticing the many references to later historical and cultural events that Julian Rathbone has sneakily inserted into the story, such as recreating scenes from the films "Titanic" and "The Shining". Other references that I noticed were Pils lager and Boddington's Beer, football fans and the 1966 World Cup Final, evolution and the rise of the middle classes, the fire-bombing of Coventry in WWII and the poem Adlestrop by Edward Thomas.

The religious elements of the story were fascinating. The cult of the goddess and the linking of the Virgin Mary and old folk beliefs and fertility rites still existing in England to the Indian goddess Parvati/Kali via Uma acting as her avatar, was a counterpart to the heresy of the Brothers of the Free Spirit, which linked non-believers from England to their non-believing counterparts across Europe and the Assassins of the Arab world. They drew characters from far-flung places together, as well as providing a theme that runs throughout the story. I wouldn't have said that I was particularly interested in military history, but the fact that the use of cannons depended heavily on the weather (being impossible to move if the ground was muddy) and the discussions about the problems of fighting in armour and the merits of longbows versus crossbows, were strangely compelling.

I had thought Kings of Albion would be fun to read, but it was actually way more interesting than I had expected, catering well to my interest in mediaeval history and mythology. ( )

Well, it's a fun romp with some naughty amusing references to Shakespear and even ferrying 'cross the Mersey, but mostly utter nonsense. The stars are for the insight into Bacon, Occam and Wycliffe which is nicely represented. ( )