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Fiction.
Literature.
Humor (Fiction.)
HTML:A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times). Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom. Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle ?? and people in general ?? has made her so agoraphobic that a virtual assistant in India now runs her most basic errands. A trip to the end of the earth is problematic. To find her mother, Bee compiles email messages, official documents, and secret correspondence ?? creating a compulsively readable and surprisingly touching novel about misplaced genius and a mother and daughter's role in an absu… (mehr)
LBV123: Rifka Brunt's novel similarly traces a complicated family history and the story of a complicated mother with artistic tendencies, and features an interesting and complicated teenaged narrator. While not as openly chasing the laughs as Semple's novel, Tell the Wolves is nonetheless humorous in its depiction of family politics--and deeply touching as it deals with both love and loss.… (mehr)
BookshelfMonstrosity: Though Sweetness is more of a traditional mystery, it shares with Where'd You Go, Bernadette an endearing, precocious, and entertaining young narrator who pieces together clues from the adult world to solve a mystery. Character interactions are delightfully, humorously depicted.… (mehr)
Bernadette lebt mit ihrem Mann, einem inspirierendem Microsoft-Genie, und ihrer Tochter Bee, einem klugen begabten Teenager in Seattle. In früherer Zeit war sie eine vielversprechende Architektin, ihr Twenty Mile House ist legendär. Doch nun lebt sie misanthropisch und ohne zu kreieren in einem immer mehr verfallenden Haus und ihr einziger intensiver Kontakt ist der zu einer indischen Sekretärin, die ihre Aufträge online bekommt und alles für sie erledigt. In dem Buch wird anhand von Mails und anderen Dokumenten dargestellt, wie sich der Kreis um Bernadette immer enger zusammenzieht, bis ihr schließlich nichts anderes übrig bleibt, als zu verschwinden. Ich fand den ersten Teil super. V.a. Bernadettes Lebensgeschichte, das Twenty Mile House, aber auch alles andere faszinierte mich total. Das hatte so viel Energie und war so realistisch, absolut begeisternd. Der zweite Teil, nach Bernadettes Verschwinden, gefiel mir wesentlich weniger. Diesen Teil fand ich eigentlich zu weit hergeholt und weniger interessant.- obwohl er wahrscheinlich der wichtigere Teil war und natürlich das Verhalten mancher Personen schon sehr interessant war. Mein Lieblingssatz aus dem Buch war einer, der das Thema Religion ansprach. Bee denkt: “Maybe that's what religion is, hurling yourself off a cliff and trusting that something bigger will take care of you and carry you to the right place.” ( )
The book stumbles a bit in the middle as it transitions from a scathing anti-Seattle manifesto into a family drama with comic undertones. But once the gears have finished their grinding and the shuddering subsides, Semple eases into her strongest work yet, allowing her characters to change in a way that suits the story, and not just shooting for an easy punch line or a sharply worded barb. In the end, with its big heart set on acceptance, Bernadette feels something like coming home.
The tightly constructed “Where’d You Go, Bernadette” is written in many formats — e-mails, letters, F.B.I. documents, correspondence with a psychiatrist and even an emergency-room bill for a run-in between Bernadette and Audrey. Yet these pieces are strung together so wittily that Ms. Semple’s storytelling is always front and center, in sharp focus. You could stop and pay attention to how apt each new format is, how rarely she repeats herself and how imaginatively she unveils every bit of information. But you would have to stop laughing first.
Semple is a TV comedy writer, and the pleasures of Where'd You Go, Bernadette are the pleasures of the best American TV: plot, wit and heart. (There are places where Semple really wants to be writing dialogue, and stretches the epistolary conceit of the novel to suit.) It's rather refreshing to find a female misunderstood genius at the heart of a book, and a mother-daughter relationship characterised by unadulterated mutual affection. If Bernadette is a monster of ego, Semple suggests, so are most people, when they're being honest. In her spiky but essentially feelgood universe, failure and self-exposure open up a rich seam of comedy, but shame can always be vanquished by love
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For Poppy Meyer
Erste Worte
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Monday, November 15: Galer Street School is a place where compassion, academics, and global connectitude join together to create civic-minded citizens of a sustainable and diverse planet.
The first annoying thing is when I ask Dad what he thinks happened to Mom, he always says, "What's most important is for you to understand it's not your fault."
Zitate
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“Shh! She said. The waiter. He's about to take their order. She leaned back and to her left, closer,closer,closer,her body like a giraffe's neck, until her chair shot out from under her and she landed on the floor. The whole restaurant turned to look. I jumped up to help. She stood up, righted the chair, and started in again. Did you see the tattoo one of them has on the inside of his arm? It looked like a roll of tape.
I took a gulp of margarita and settled into my fallback option, which was to wait her out.
Know what one of the guys at the drive-through Starbucks has on his forearm? Bernadette said. A paper clip! It used to be so daring to get a tattoo. And now people are tattooing office supplies on their bodies. You know what I say? Of course this was rhetorical. I say, dare not to get a tattoo. She turned around again, and gasped. Oh My God. It's not just any roll of tape. It's literally Scotch tape, with the green-and-black plaid. This is too hilarious. If you're going to tattoo tape on your arm, at least make it a generic old-fashioned tape dispenser! What do you think happened? Did the Staples catalogue get delivered to the tattoo parlor that day?” ― Maria Semple, Where'd You Go, Bernadette
Our house is old. All day and night it cracks and groans, like it's trying to get comfortable but can't
Chihulys are the pigeons of Seattle. They're everywhere, and even if they don't get in your way, you can't help but build up a kind of antipathy toward them.
Like sick animals, everyone else had retreated into their warrens of misery.
Right before it shut, I caught a glimpse of the poor Japanese people. Nobody had moved. Some hands were frozen in midair, in the middle of doing a fold. It looked like a wax museum diorama of an origami presentation.
"Let's say you get a present and open it and it's a fabulous diamond necklace. Initially, you're delirious with happiness, jumping up and down, you're so excited. The next day, the necklace still makes you happy, but less so. After a year, you see the necklace, and you think, Oh, that old thing. It's the same for negative emotions. Let's say you get a crack in your windshield and you're really upset. Oh no, my windshield, it's ruined, I can hardly see out of it, this is a tragedy! But you don't have enough money to fix it, so you drive with it. In a month, someone asks you what happened to your windshield, and you say, What do you mean? Because your brain has discounted it."
I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world's fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman's shirt, power like Peter Rabbit's cloth coat, these icy monsters roaming the forbidden black. There was something unspeakably noble about their age, their scale, their lack of consciousness, their right to exist. Every single iceberg filled me with feelings of sadness and wonder.
The South Pole is on a shifting ice sheet. Every year they have to relocate the official Pole marker because it can move one hundred feet!
I had to go. If for no other reason than to be able to put my hand on the South Pole marker and declare that the world literally revolved around me.
The sky in Seattle is so low, it felt like God had lowered a silk parachute over us.
Letzte Worte
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▾Buchbeschreibungen
Fiction.
Literature.
Humor (Fiction.)
HTML:A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times). Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom. Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle ?? and people in general ?? has made her so agoraphobic that a virtual assistant in India now runs her most basic errands. A trip to the end of the earth is problematic. To find her mother, Bee compiles email messages, official documents, and secret correspondence ?? creating a compulsively readable and surprisingly touching novel about misplaced genius and a mother and daughter's role in an absu
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Buchbeschreibung
Zusammenfassung in Haiku-Form
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Maria Semple ist ein LibraryThing-Autor, ein Autor, der seine persönliche Bibliothek in LibraryThing auflistet.
Google Books — Lädt ...
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Doch nun lebt sie misanthropisch und ohne zu kreieren in einem immer mehr verfallenden Haus und ihr einziger intensiver Kontakt ist der zu einer indischen Sekretärin, die ihre Aufträge online bekommt und alles für sie erledigt.
In dem Buch wird anhand von Mails und anderen Dokumenten dargestellt, wie sich der Kreis um Bernadette immer enger zusammenzieht, bis ihr schließlich nichts anderes übrig bleibt, als zu verschwinden.
Ich fand den ersten Teil super. V.a. Bernadettes Lebensgeschichte, das Twenty Mile House, aber auch alles andere faszinierte mich total. Das hatte so viel Energie und war so realistisch, absolut begeisternd.
Der zweite Teil, nach Bernadettes Verschwinden, gefiel mir wesentlich weniger. Diesen Teil fand ich eigentlich zu weit hergeholt und weniger interessant.- obwohl er wahrscheinlich der wichtigere Teil war und natürlich das Verhalten mancher Personen schon sehr interessant war.
Mein Lieblingssatz aus dem Buch war einer, der das Thema Religion ansprach. Bee denkt: “Maybe that's what religion is, hurling yourself off a cliff and trusting that something bigger will take care of you and carry you to the right place.” (