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The Brothers (2010)

von Asko Sahlberg

Weitere Autoren: Siehe Abschnitt Weitere Autoren.

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
837321,633 (3.91)15
A Shakespearean drama from icy Finland. Finland, 1809. Henrik and Erik are brothers who fought on opposite sides in the war between Sweden and Russia. With peace declared, they both return to their snowed-in farm. But who is the master? Sexual tensions, old grudges, family secrets: all come to a head in this dark and gripping saga. Why Peirene chose to publish this book: 'This is a historical novel in miniature form. It deals in dark passions and delivers as many twists as a 500-page epic. And if that were not enough, each character speaks in a distinct voice and expresses a unique take on reality. I’m thrilled to be publishing a book that is as Finnish as a forest in winter - but that resembles a work from the American South: William Faulkner’s As I Lay Dying.’ Meike Ziervogel 'A brooding family drama that has something of the timeless quality of good soap opera.’ Nicholas Lezard, Guardian 'Intensely visual . . . A brooding, atmospheric, Scandinavian late night movie.’ Brandon Robshaw, Independent on Sunday 'A heart-stoppingly intense historical novel of grand scope.’ White Review 'This short, intense novel examines concepts of home, inheritance and the connection between personal and international conflict.’ Max Liu, Times Literary Supplement LONGLISTED FOR THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 2014… (mehr)
  1. 10
    Das Dorf der Wunder von Roy Jacobsen (rrmmff2000)
    rrmmff2000: Different period of history, but both set in rural Finland dealing with the unstated in families and communities. Both finely crafted short books.
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Loistavaa kerrontaa. Ei yhtään turhaa eikä yhtään ylimääräistä sanaa. ( )
  susihukka | Mar 13, 2015 |
Strong and bitter as Finnish coffee; cold and beautiful like the tracery of ice over a frozen window. This short novel packs a beautifully crafted punch - the multiple points of view are really effective in showing the distance between the characters, as well as how tightly bound together they are. ( )
  AlexDraven | Sep 27, 2013 |
The Brothers by Asko Sahlberg is set at the end of The Finnish War, fought between Sweden and the Russian Empire (Feb’ 1808 – Sept’ 1809) the result of this war was that the eastern third of Sweden was established as the autonomous Grand Duchy of Finland within the Russian Empire. The book starts with the brothers, who have fought on opposing sides, returning to their family farmhouse. With their return old scars resurface, old conflicts born out of past tragedies. The elder brother, Henrik, is embittered, having long been alienated from his family after first being cheated by a neighbour and then his younger brother Erik. This book manages within it’s 122 pages to cover all those epic themes of treachery & conflict, whether through sexual tensions or those family secrets that simmer below the surface or whether contrasting the politics of war with those of family.

As this tale unfolds, each character takes their turn in revealing more of the story in a series of dramatic monologues, that made me think of Alan Bennett’s TV show Talking Heads, (written for BBC television -1988) creating a multiple narrative that’s dark and full of a foreboding that is as dark and chilling as winter. In fact this whole book is as dark and dense as wading through deep snow, and like traipsing through this landscape, you feel you’ve been traipsing for ages and nothing has changed until you look up and find you’ve journeyed miles. This is a small book that portrays grand themes and yet does so by focusing it’s lens on this family and it’s brooding tale, where the passion burns bitter, another way it reminded me was in the similar themes of death, guilt and isolation.

Asko Sahlberg, born 1964, has acquired a fame in Finland that has yet to be replicated in the English speaking world. He published his first novel in 2000 and has written steadily since then, completing his ninth work, The Brothers, in 2010.

This was a wonderfully told tale, translated by Emily Jeremiah and Fleur Jeremiah, a multi-lingual mother and daughter translation team. Emily has an MA in Creative Writing and a PhD in German Studies. Fleur, her mother, is Finnish. They have worked together before, translating the poetry of Helvi Juvonen and Sirkka Turkka, this is their take on this book ( )
1 abstimmen parrishlantern | Jun 26, 2012 |
This small novel packs a real punch. An epic tale told in intricate fashion, somehow crafted in to 122 pages.
The author has created a dark and brooding atmosphere at an icy Finnish farm in 1809 following the Swedish-Russian war. There dwells two brothers, Henrik and Erik, their mother (The Old Mistress), the much put upon Farmhand and a couple of servants, one of them new to this unhappy household. Henrik and Erik have fought the war on opposite sides and the tension that exists within that farmhouse is palpable. Then there is the horse....or is it just a horse? The Farmhand has grave misgivings about the sense in Henrik owning such a malevolent beast which symbolises so much more than meets the eye.

Sahlberg has created a web of intrigue and mystery which has been compared to a Shakespearean drama and William Faulkener's "As I Lay Dying" ....... well deserved comparisons I must say. It is a supremely talented writer who can create vivid characters with their faults, fears and foibles in such few words. I will not reveal the turn of events for fear of ruining the readers' enjoyment. Suffice it to say that you will be gripped and surprised, no shocked, as the story unfolds.

A wonderful premiere to the fabulous Peirene's small epic series for 2012. They never fail to present us with beautifully translated European fiction which deserves to be enjoyed and not overlooked. Their dedication to this cause is admirable and pretty unique. ( )
2 abstimmen teresa1953 | May 17, 2012 |
The Brothers, by Finnish writer Asko Sahlberg, is the first in Peirene Press’s series of the “Small Epic”. The publisher also draws comparisons with Shakespeare and William Faulkner. No pressure, then.

Surprisingly the book did not disappoint. It’s only 122 pages but does pack in a lot of story, including among other things warring brothers, family betrayal, sexual tension, death, illness, gambling debts, bankruptcy, attempted fratricide, blackmail, prostitution and the 1809 war between Sweden and Russia. And yet it never feels like a very dramatic book. The elements of the story accumulate quietly, like snow falling in a Finnish forest.

At first, in fact, the accumulation felt too soft for me. The novel is written in the alternating voices of each of the characters, and the voices didn’t feel real for me – they seemed overly cryptic, deliberately withholding information while dropping hints about drama to come. They said things like:

Yesterday I saw the footprints of a wolf at the edge of the snowy field. That was how I guessed. That was why I went outside, into the pale dawn.

There’s lots of that sort of thing, lots of hints and guesses and references to things we the reader don’t know about. The older brother Henrik comes back from the war, his younger brother Erik is away, and both of these things are bad. There’s a strong sense of foreboding, but nothing is revealed for a long time. Then the drama comes in an avalanche, although because most of it in flashback rather than in the timespan of the main narrative, it again has a somewhat muted feel. What would appear to verge on melodrama if recounted in real time comes to seem quite believable when delivered in flat remembrance.

To be honest I didn’t find the voices very distinct. Each section is preceded by a subheading to indicate who the narrator is, and without that I wouldn’t have had a clue. The style throughout is very consistent, literary and often poetic, whether it’s one of the brothers speaking or the wife or the vengeful cousin or the unnamed Farmhand. Only the mother stands out for being consistently out to lunch, writing about how well the hens are laying even as everything falls apart around her.

There are several revelations at the end, and although one of them was not too surprising, the others were a genuine surprise. Things seem to be moving in a particular direction and Sahlberg takes us off in another one, unpredictable and, although it relies somewhat on a deus ex machina in the form of a sudden legacy from a long-lost relative in America, still handled well and completely believable.

I’ve read all the Peirene novels so far (it’s a relatively new publishing house, in its third year, focusing on short European novels in translation), and while this isn’t my overall favourite (that honour goes to Veronique Olmi’s Beside the Sea), it’s right up there with the consistently high quality of the others, and doesn’t feel out of place among the grand comparisons drawn in the cover blurb. ( )
2 abstimmen AndrewBlackman | Apr 3, 2012 |
The publisher's blurb for this book tells us to expect a "Shakespearean drama", and while it is hardly that, to describe The Brothers as Turgenevian wouldn't be an overstatement.
hinzugefügt von geocroc | bearbeitenThe Observer, J S Tennant (Apr 8, 2012)
 
The clever thing about The Brothers is that while it is short – 120 pages – it feels rather longer. In a good way. In fact, this is quite an achievement. Set in an isolated homestead in rural Finland in 1809, just after the Russian-Swedish war (which saw ownership of Finland handed from the Swedes to the Russians), it's a brooding family drama that has about it something of the timeless quality of good soap opera, crossed with spare, precise and evocative prose.
hinzugefügt von souloftherose | bearbeitenThe Guardian, Nicholas Lezard (Mar 13, 2012)
 
A multiple narrative told in turns by each of the main characters, this is heavy with foreboding, and in the latter half violence and revelations burst forth. The writing is spare but intensely visual. Reading it is like spending two hours in the company of a brooding, atmospheric, Scandinavian late night movie.
 

» Andere Autoren hinzufügen

AutorennameRolleArt des AutorsWerk?Status
Asko SahlbergHauptautoralle Ausgabenberechnet
Jeremiah, EmilyÜbersetzerCo-Autoreinige Ausgabenbestätigt
Jeremiah, FleurÜbersetzerCo-Autoreinige Ausgabenbestätigt

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Peirene Press (Small Epic: Unravelling Secrets, 7)

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A Shakespearean drama from icy Finland. Finland, 1809. Henrik and Erik are brothers who fought on opposite sides in the war between Sweden and Russia. With peace declared, they both return to their snowed-in farm. But who is the master? Sexual tensions, old grudges, family secrets: all come to a head in this dark and gripping saga. Why Peirene chose to publish this book: 'This is a historical novel in miniature form. It deals in dark passions and delivers as many twists as a 500-page epic. And if that were not enough, each character speaks in a distinct voice and expresses a unique take on reality. I’m thrilled to be publishing a book that is as Finnish as a forest in winter - but that resembles a work from the American South: William Faulkner’s As I Lay Dying.’ Meike Ziervogel 'A brooding family drama that has something of the timeless quality of good soap opera.’ Nicholas Lezard, Guardian 'Intensely visual . . . A brooding, atmospheric, Scandinavian late night movie.’ Brandon Robshaw, Independent on Sunday 'A heart-stoppingly intense historical novel of grand scope.’ White Review 'This short, intense novel examines concepts of home, inheritance and the connection between personal and international conflict.’ Max Liu, Times Literary Supplement LONGLISTED FOR THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 2014

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