Truly a remarkable book. The mnemonic world introduced in the first book is fully explored here. Sort of a bit metaphysical and drug-induced, but with a clear direction. ( )

En La Fisiognomía , ganadora del World Fantasy Award, Jeffrey Ford concibió un genio de mente satánica que imaginó, construyó y dominó una metrópolis de pesadilla llamada la Ciudad Bien Construida. Esa mente es el oscuro lugar que el antiguo fisiognomista Cley se verá obligado a explorar si quiere salvar a sus amigos de una terrible enfermedad del sueño. Ocho años después de la destrucción de la Ciudad Bien Construida, Cley vive en el pequeño pueblo rural de Wenau, dedicado a ayudar a sus vecinos. Pero un día, el Amo Below reaparece y esparce una virulenta nube amarilla que provoca un profundo sueño. Cley debe emprender la búsqueda de Below en las ruinas de la antigua ciudad con la esperanza de encontrar un antídoto. Pero el tirano ha caído víctima de su propia enfermedad del sueño y la única esperanza para encontrar la formula está en la adormecida memoria de Below, en la ilusoria casa de los sueños, recuerdos e imaginación de un loco.

ORIGINALLY POSTED AT Fantasy Literature.

"In waking from a dream, we obliterate worlds, and in calling up a memory, we return the dead to life again and again only to bring them face to face with annihilation as our attention shifts to something else."

After the destruction of the Well-Built City (detailed in The Physiognomy), Physiognomist Cley has been living in a village in the wilderness, acting as herbalist and midwife. One day a mechanical bird, obviously built by evil Master Drachton Below, arrives in the village, explodes, and releases a gas that puts many of the villagers to sleep. Cley is the only person who’s equipped to find the antidote, so the villagers supply him with an old dog and an older horse and off he goes (looking a bit like Don Quixote) to the ruins of the Well-Built City.

The City is a real-life construction of Drachton Below’s Memory Palace, which is based on the mnemonic device called the Method of Loci. Everything in the city represents something he wants to remember, but the city has been destroyed, so Master Below has started a new Memory Palace in his mind. Unfortunately, Below is now unconscious because he’s been infected with his own poisonous gas, so Cley must enter Below’s mind and search there if he wants to find the antidote. When he gets in, he finds that he’s not alone in there and that there’s more going on in the Memory Palace than mere storage of Drachton Below’s memories.

In my review of The Physiognomy, I said it was “sometimes brilliant and always bizarre” and the same holds true for Memoranda. It’s got an original and fascinating setting, interesting symbolism, and thought-provoking ideas about memory, time, love, addiction, and evil.

The villain Drachton Below doesn’t quite live up to expectations here, since he’s asleep for most of the novel, but I liked the other characters better this time. Physiognomist Cley, who used to be an arrogant bigot, is now quite pleasant. The best characters, though, are Drachton Below’s adopted demon son who wears spectacles because he thinks it makes him look smart and has eschewed raw meat for salads, and a creature called The Delicate who is similar to J.K. Rowling’s Dementors, except that he’s exceedingly polite while he sucks out your soul. This was very funny, especially as narrated by Christian Rummel whose voices had me laughing frequently.

In general, the plot of Memoranda works better than The Physiognomy’s plot (which kind of fell apart at the end). Don’t look too close, though. I sincerely doubt that it all made sense, but a tight plot is hardly the point of these books. It’s supposed to be bizarre, a little bit silly and, perhaps more than anything, ironic.

If you do audiobooks, you definitely want to read Memoranda that way. Audible Frontiers’ production is flawless and Rummel’s narration is brilliant and adds quite a bit of humor. ( )

This second volume of the Well-Built City trilogy does include some incidental exposition to refresh readers on the events of the first book, but I don't think it would read well in the complete absence of the prior text. Unlike its predecessor, it finishes with a clear pointer toward its sequel.

The style and format are consistent with the first book: short, limpid chapters narrated by the former Physiognomist First Class Cley, who has found a new life as the doctor of the village of Wenau made up of refugees from the now-ruined Well-Built City. But Drachton Below, the malign demiurge of the Well-Built City, is still alive, and he mobilizes a devious plot to bring the villagers under his control. Memoranda is Cley's odyssey to confront his former Master so that he can rescue his new neighbors, a confrontation that takes place in a surprising and exotic interior environment.

It is a really wonderful and artful fantasy, reminding me more than a little of the Hypnerotomachia and The Neverending Story. I have compared its predecessor The Physiognomy to the Terry Gilliam film Brazil, and this one equally deserves comparison to The Imaginarium of Dr. Parnassus. Author Ford provides a prefatory note acknowledging the importance of Frances Yates' works on traditional memory arts in the composition of this novel, a fact that could not have been missed anyway by readers familiar with that subject matter.

By the way, John Picacio's cover art for the 21st-century Golden Gryphon edition of the trilogy is sublime.

These books are not for children. But if you're a jaded adult who wants the vertiginous pleasure that good fantasy provides to children, they can deliver. Exquisite.

Not quite so compelling as *The Physiognomy*, but then the journey of self-discovery, fall from grace (even though it was not really grace to begin with, and rather a rise than a fall, as far as Cley's humanity is concerned), and redemption that drove the first book is not so strong in this one. Again, the story is personal while having the flavor of legend, though the tone is a bit more concrete.
Not many mysteries are explained from the first book, but the world he has created is strengthened and expanded, and there are more of the vibrant images that occur in the first book (e.g., Silencio in *Physiognomy*, and The Fetch and The Delicate in *Memoranda*.)
It's difficult to put thoughts on this book into words, due to both its style and its content. The two reviews on the back of the edition I have are:

"Ford's symbolic view of memory and desire is as intriguing as it is haunting" ( from Publishers Weekly)
and
"Jeffrey Ford is a fascinatingly unconventional writer" (from Locus Magazine)

and they don't really do justice to either the author or his work. ( )