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New Art City. Manhattan und die Erfindung der Gegenwartskunst

von Jed Perl

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1732157,309 (3.69)3
A fascinating, panoramic exploration of art and culture in mid-twentieth-century New York City from one of our most important and influential art critics. New Art City takes us from the solitude of the artist's studio to the uproarious bars where artists gathered, from the ramshackle bohemian neighborhoods of downtown Manhattan to the Midtown streets where steel-and-glass skyscrapers were rising and art galleries were proliferating. We encounter a kaleidoscopic range of artists. There are legendary figures-Jackson Pollock, David Smith, Willem de Kooning, Joseph Cornell, Andy Warhol, and Donald Judd-as well as still undervalued ones, such as the galvanic teacher Hans Hofmann, the lyric expressionist Joan Mitchell, the adventuresome realist Fairfield Porter, and the eccentric thinker John Graham. We encounter, too, the writers, critics, patrons, and hangers-on who rounded out the artists' world. Jed Perl helps us see what the artists were creating and understand how they confronted an exploding art audience. And he makes clear how the economic boom of the late 1950s and the increasingly enthusiastic response to Abstract Expressionism ushered in the rapacious art world of the 1960s and the theatricality of Pop Art. [from publisher description].… (mehr)
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Provides a [rather lifeless if true] history of modern art and how it came of age in New York City. Explains how everyone relates to everyone else and how they influenced each other to transform the world of art. ( )
  dbsovereign | Jan 26, 2016 |
Impressive in its scope, but often - particularly when interpreting artists' work - Perl really strains to make everything lock together. Well worth reading, anyway. ( )
  giovannigf | Sep 4, 2011 |
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A fascinating, panoramic exploration of art and culture in mid-twentieth-century New York City from one of our most important and influential art critics. New Art City takes us from the solitude of the artist's studio to the uproarious bars where artists gathered, from the ramshackle bohemian neighborhoods of downtown Manhattan to the Midtown streets where steel-and-glass skyscrapers were rising and art galleries were proliferating. We encounter a kaleidoscopic range of artists. There are legendary figures-Jackson Pollock, David Smith, Willem de Kooning, Joseph Cornell, Andy Warhol, and Donald Judd-as well as still undervalued ones, such as the galvanic teacher Hans Hofmann, the lyric expressionist Joan Mitchell, the adventuresome realist Fairfield Porter, and the eccentric thinker John Graham. We encounter, too, the writers, critics, patrons, and hangers-on who rounded out the artists' world. Jed Perl helps us see what the artists were creating and understand how they confronted an exploding art audience. And he makes clear how the economic boom of the late 1950s and the increasingly enthusiastic response to Abstract Expressionism ushered in the rapacious art world of the 1960s and the theatricality of Pop Art. [from publisher description].

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